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Kalasamalocana Series

  • SELECTED ESSAYS OF G. SANKARA PILLAI

    ISBN : 81-244-1081-2
    Edited By :N. RADHAKRISHNAN

    (1997, xi+176pp., index)
    Rs.250.00

    The collection of essays in this volume, grouped in three sections under the headings: General Perspectives, Traditions of Theatre, and Modern Idiom in Theatre, reveal the author’s complete mastery on the various aspects of Indian culture, particularly the theatre arts…Read More

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  • STYLISTICS OF BUDDHIST ART IN INDIA

    ISBN : 81-7305-243-3
    Edited By :Mireele Benisti

    (2003, xiv+346pp., 2 vols. (text & plates), 288 illus.)
    Rs.4,000.00

    This book contains many landmarks in the history of Buddhist doctrine and art, presented on the basis of in-depth analysis of the styles and icons of stūpas…Read More

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  • A BIBLIOGRAPHY OF ANANDA KENTISH COOMARASWAMY

    ISBN : 81-7304-428-7
    Edited By :James S. Crouch

    (2002, 430pp.)
    Rs.1,000.00

    The volume documents the remarkably productive career of one of the great minds of the twentieth century. This comprehensive and accurate bibliography is the result of more than twenty years of devoted research and scholarship. Its publication is an event of the first importance for all scholars of Indian art and religion…Read More

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  • AESTHETICS AND MOTIVATIONS IN ARTS AND SCIENCE

    ISBN : 81-224-0746-3
    Edited By :KIRAN C. GUPTA

    (1996, xvi+183pp.)
    Rs.350.00

    This volume is a collection of twelve papers invited for a National Seminar based on the seminal work, “Truth and Beauty; Aesthetics and Motivations in Science” by the Nobel Laureate S. Chandrasekhar. The contributions are by experts in arts, fine arts and science,…Read More

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  • Baroque India : The Neo-Roman religious architecture of South Asia: A Global Stylistic Survey

    ISBN : 81-7305-161-5
    Edited By :Stylistic Survey, Jose Pereira

    (2000, xix+497pp, line-drawings, b&w plates, bibl., index)
    Rs.2,500.00

    Baroque India is the fruit of over forty years of research and is the work of one professionally trained in the history of Indian art (Hindu, Buddhist and Jain). In addition, he is the author of a survey of Islamic architecture worldwide, which includes, of course, the Indo-Islamic traditions…Read More

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  • BRHADISVARA TEMPLE: FORM AND MEANING

    ISBN : 978081-7305-388-7
    Edited By :R. Nagaswamy

    (2010, xxvi+280pp.+xxvi, halftone illus. 284, bibl., figs. & maps 13, index)
    Rs.3,000.00

    The great temple at Tañjāvur is a visual representation of cosmic power on earth that remains, according to the pious wish of the builder, so long as the sun and moon lasts. The God who inhabits this abode is said to be seated with his consort on the summit of the metaphysical…Read More

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  • DEER IN ROCK ART OF INDIA AND EUROPE

    ISBN :
    Edited By :GIACAMO CAMURI, ANGELO FOSSATI AND YASHODHAR MATHPAL

    (1993, xvi+150pp. tables, line - drawings., col. and b & w illus.)
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  • ENCYCLOPAEDIA OF INDIAN TEMPLE ARCHITECTURE

    ISBN : 81-86526-00.5
    Edited By :M A Dhaky

    (1996, text & plates, xxix+596pp., line drawings, gloss., index, 1,674 b&w plates, ISBN 81-86526-00.5)
    Rs.7,500.00

    Vol. I, Part 3: This part in two binds covers the full range of Indian temple architecture, surveys medieval temples and associated buildings in Upper Drāviḍadēśa,…Read More

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  • ESSAYS OF JAINA ART

    ISBN : 81-7304-534-8
    Edited By :RICHARD J. COHEN

    (2003, 110pp)
    Rs.1,450.00

    This volume deals with Coomaraswamy’s contribution to the study of Jaina art.

    His writings on Jaina art span the entire period of his active working life as an art historian. He published his first article on the subject in 1914 and ended with a book review in 1943, four years before his death…Read More

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  • ESSAYS ON MUSIC

    ISBN : 81-7304-611-5
    Edited By :PREM LATA SHARMA

    (2010, 153, Preface, Introduction)
    Rs.500.00

    These essays were published in a few books, journals, etc., mostly in the early years of the twentieth century. Coomaraswamy held that music in countless ways had been bound up with the Indian national culture, for it was the most universal expression of emotion-religious, amorous or martial… Read More

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