Bibliography

Rajesh Singh

 

Books and Monographs

Journals, Periodicals, Series and Occasional Publications

Cumulative Bibliography

 


Books and Monographs

1.

Aall, Ingrid. "Ajanta: An Artistic Appreciation," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A (New Delhi: Archaeological Survey of India, 1967; reprint 1987).

2.

Aall, Ingrid. "The Murals: Their Art," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).

3.

Agrawal, O.P. "Conservation Problems of Ajanta Wall Paintings," Case Studies in Conservation of Stone and Wall paintings (London: India International Centre, 1986), pp. 86-89.

4.

Agrawal, O.P. "Problems of Conservation of Ajanta Wall Paintings," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 379-86.

5.

Agrawal, O.P.; Dhawan, Shashi; and Garg, K.L. "Microbial Activity on Ajanta Wall Paintings," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 387-89.

6.

Aiyappan, A.; and Srinivasan, P.R. Guide to the Buddhist Antiquities, rev. ed. Guide Series no. 2 (Madras: Madras Govt. Museum, 1960).

7.

Ajanta Frescoes (London: India Society, 1915).

8.

Ajanta Frescoes; Being Reproductions in Colour and Monochrome of Frescoes in Some of the Caves at Ajanta, After Copies Taken in 1909-11 by Lady Herringham and Her Assistants (Bombay: India Society, Oxford University Press, 1915).

9.

Ajanta Paintings (New Delhi: Lalit Kala Akademi and Dept. of Archaeology, Govt. of India, 1956).

10.

Anand, Mulk Raj. Ajanta (Marg Publications and Tata McGraw-Hill, 1971).

11.

Andhare, Shridhar. "Sutradhara as a Painter," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 351-55.

12.

Aryasura. Jatakamala, Eng. trans. Speyer, J.S. (London: 1895); Hindi trans. Chaudhary, Suryanarayan (Delhi: 1971, 2nd ed. 1982).

13.

Aryasura. The Jatakamala, ed. Kern, H. (Boston: 1891).
14. Asvaghosa. Discourse on the Awakening of the Faith in the Mahayana, trans. and ed. Suzuki, D.T. (Chicago: Open Court Publishing Co, 1900).
15. Asvaghosa. Saundarananda, ed. Johnston, E.H. (London: 1928).
16. Bajpai, K.D. "Location of Ramagiri of Kalidasa," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 85-91.
17. Bakker, Hans T. The Vakatakas: An Essay in Hindu Iconology (Groningen: Egbert Forsten, 1997).
18. Banerjee, P. "Buddhist Wall Painting from India and Central Asia and Their major Themes: A Brief Survey," Central Asian Art: New Revelations from Xinjiang, (Noida, U.P.: Abha Prakashan, 2001), 114-122.
19. Banerjee, P. "Some Aspects of Cultural Relations Between Ajanta, Bamiyan, Turfan and Dunhuang, Central Asian Art: New Revelations from Xinjiang, (Noida, U.P.: Abha Prakashan, 2001), 103-113.
20. Barrett, Douglas. A Guide to the Buddhist Caves of Aurangabad. Ancient Monuments of India Series, vol. 3 (Bombay: Bhulabhai Memorial Institute, 1957).
21. Barrett, Douglas; and Gray, Basil. Painting of India (Cleveland: World Publishing Co. (Skira), 1963).
22. Beal, S. Buddhist Record of the Western World translated from the Chinese of Hiuen-tsiang (A.D. 629), 2 vols. (London: Kegan Paul, 1906).
23. Beal, S., trans. The Romantic legend of Sakya Buddha, Chinese trans. of a Sanskrit text not preserved (London: 1875).
24. Begley, Wayne E. The Chronology of Mahayana Buddhist Architecture and Painting at Ajanta, Ph.D. dissertation (University of Penn, 1966) and Microfilms No. 67-3050 (Michigan: University of Michigan).
25. Bhagwat, Nalini. "Ajanta Paintings: A Formal Analysis of Composition," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 282-93.
26. Bhandarkar, D.R. Early History of the Deccan (Calcutta: Susil Gupta Pvt. Ltd., 1957).
27. Bhattacharya, Ashok K. "Time in Ajanta Painting," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 294-98.
28. Bhattacharya, B. Indian Buddhist Iconography (Calcutta: K.L. Mukhopadhyaya, 1968).
29. Bhattacharyya, D.C. Studies in Buddhist Iconography (New Delhi: Manohar, 1978).
30. Bird, James. Historical Researches (1847).
31. Blake. Bombay Courier (1839).
32. Blake. Description of the Ruined City of Mandu, also an Account of Buddhist Cave Temples of Ajanta, Khandesh (Bombay: 1844).
33. Brown, Percy. Indian Architecture (Buddhist and Hindu), 3rd ed. (Bombay: D.B. Taraporevala Sons & Co., 1942).
34. Buhler, G., Indian Palaeography. Indian Studies: Past & Present Series (2nd reprint Calcutta: 1962). Originally published with "Introductory Notes" by James F. Fleet in Indian Antiquary, 1904.
35. Bunce, Fredrick W. A Dictionary of Buddhist and Hindu Iconography: Illustrated, Objects, Devices, Concepts, Rites and Related Terms (1997), pp. xxviii, 473.
36. Burgess, James, and Indraji, Bhagwanlal. "Inscriptions from the Cave Temples of Western India," Archaeological Survey of Western India, Memoirs, X (Bombay: Government Central Press, 1881).
37. Burgess, James. Cave Temples of India (London: 1880).
38. Burgess, James. "Buddhist Cave Temples and Their Inscriptions," Archaeological Survey of Western India, IV (London: Trubner & Co., 1883; Varanasi: Indological Book House, 1964).
39. Burgess, James. "Notes on the Bauddha Rock Temples of Ajanta, Their Paintings and Sculptures," Archaeological Survey of Western India, IX (Bombay: Government Central Press, 1879).
40. Burgess, James. "Report on the Elura Cave Temples and the Brahmanical and Jaina Caves in Western India," Archaeological Survey of Western India, V (London: Trubner & Co., 1883; Varanasi: Indological Book House, 1970).
41. Burgess, James. "The Buddhist Stupas of Amaravati and Jagaayyapeta," Archaeological Survey of South India, I (London: Trubner & Co. 1887; Varanasi: Indological Book House, 1970).
42. Burgess, James. Ancient Monuments, Temples & Sculpture of India, 2 vols. (London: W. Grigg & Sons Ltd.).
43. Campbell, J.M. Gazetteer of Bombay Presidency, Khandesh, XII (Bombay: 1880), pp. 480-574.
44. Catusparisatsutra, 1-3, ed. Waldschmidt, E. (London: 1890-1911).
45. Chakrabarti, Jayanta. "Impact of Ajanta Mural Technique on the Paintings of Kusana-Central Asia," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 537-42.
46. Chattopadhyaya, Ratnabali. "The Artistic Discovery of Ajanta and the National Artist in Bengal," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 42-56.
47. Chimpa, Lama; and Chattopadhyaya, Alaka; trans. Taranatha's History of Buddhism in India (Simla: Indian Institute of Advanced Studies, 1970).
48. Coomaraswamy, A.K. History of Indian and Indonesian Art (London: Edward Goldston, 1927).
49. Cousins, Henry. "Central Provinces and Berar," Archaeological Survey of Western India, Memoirs, New Series, 19 (Calcutta: 1897).
50. Cowell, E.B. The Jataka, I-VI (Cambridge: Cambridge, 1895; reprint, 1907).
51. Dandin. Dandin's Dasakumaracharita; trans. and eds. Satakopan, V.; Anantacharya, V.; and Bhaktavatsalam, M. (Madras: 1963).
52. Dandin. Dasakumaracharita of Dandin, ed. Acharya, N.R. (Bombay: Nirnayasagar Press, 1951).
53. Dandin. Dasakumaracharita: The Ten Princes, trans. Ryder, Arthur W. (Chicago: 1927, 1960).
54. Dave, Parul. "Correlatives between Ajanta Painting and Amaravati Sculptures," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 342-50.
55. Davids, Rhys. Buddhist India. Stories of Nations Series (London: 1903).
56. Der Weise und der Thor, 1, 2. Tibetan trans. of a Chinese compilation based on Sanskrit texts; ed. Schmidt, I.J. (St. Petersburg-Leipzig: 1843).
57. Deshpande, M.N. "Ajanta: The Kaleidoscopic Enigma of Art Historians," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 6-27.
58. Deshpande, M.N. "The Caves: Their Historical Perspective," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
59. Deshpande, M.N. "The Caves: Their Sculpture," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
60. Deshpande, M.N. "The Murals, their Theme and Content," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
61. Deshpande, M.N. On a Western Indian School of Sculpture [unpublished paper delivered at a conference] (Benaras: Lalit Kala Akademi, 1964).
62. Dey, Mukul Chandra. My Pilgrimages to Ajanta and Bagh, 2nd edition (New York: George H. Doran Co., 1925; reprint, Oxford: Oxford, 1950).
63. Dhavalikar, M.K. "Ajanta Cave III: A Vakataka Edifice," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 203-207.
64. Dhavalikar, M.K. "Foreigners in Ajanta Painting," Foreigners in Ancient India, ed. Sircar, D.C. (Calcutta: 1970), pp. 11-24.
65. Dhavalikar, M.K. "Mahad Chaitya I: A Fresh Look," Indian Studies: Essays Presented in Memory of Prof. Nihar Ranjan Ray, ed. Ray, Amita, et al (Delhi: 1984), pp. 53-56.
66. Dhavalikar, M.K. "The Beginnings of Mahayana Architecture at Ajanta," Madhu: M.N. Deshpande Felicitation Volume, ed. Rao, M.S. Nagaraja (Delhi: 1981), pp. 131-138.
67. Dhavalikar, M.K. "The Blind Arch," Dr. U.P. Shah Felicitation Volume.
68. Dhavalikar, M.K. Late Hinayana Caves of Western India (Pune: 1984).
69. Dhavalikar, M.K.; and Deo, S.B. Paunar Excavation 1967 (Nagpur: 1968).
70. Dighanikaya, 1-3, ed. Rhys Davids, T.W.; and Carpentier, J.E. (Berlin: 1952-62).
71. Dikshit, Moreshwar G. The Origin and Development of the Buddhist Settlements of Western India, Ph.D. thesis (Bombay: Indian Historical Research Institute, St. Xavier College, University of Bombay, 1942).
72. Divyavadana, ed. Cowell, E.B.; and Neill, R.A. (Cambridge: 1886).
73. Dutt, Nalinaksha. Early History of the Spread of Buddhism and the Buddhist Schools (London: Luzac & Co., 1925).
74. Dutt, Nalinaksha. Some Aspects of Mahayana and its Relation to Hinayana (London: Luzac & Co., 1930).
75. Dutt, Sukumar. Buddhist Monks and Monasteries of India (London: George Allen & Unwin Ltd., 1962).
76. Dutt, Sukumar. The Buddha and Five After-Centuries (London: Luzac & Co., 1957).
77. Fa-hsien. A Record of the Buddhist Kingdoms, trans. Legge, James (Oxford: Clarendon Press, 1886).
78 Fergusson, James, and Burgess, James. Cave Temples of India (London: W.H. Allen & Co., 1880).

79.

Fergusson, James. History of Indian and Eastern Architecture, 2 vols. (New York: Dodd Mead, 1899; Delhi: Munshiram Manoharlal, 1967).
80. Fergusson, James. Illustrations of the Rock-Cut Temples of India, Selected from the Best Examples of the Different Series of Caves at Ellora, Ajunta, Cuttack, Salsette, Karli, and Mahavellipore, 2 vols. (London: John Weale, 1845).
81. Gill, R. One Hundred Stereoscopic Illustrations of Architecture and Natural History (1864).
82. Gill, R. Stereoscopic Photographs of Ajanta and Ellora (1862).
83. Goetz, Hermann. India: Five Thousand Years of Indian Art (Bombay: 1959). pp. 104-107.
84. Gokhale, Shobhana. "Ajanta: The Centre of Monastic Education," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 144-50.
85. Gokhale, Shobhana. "Epigraphical Evidence on Harishena's Conquest from Kanheri," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 269-278.
86. Goyal, Shankar. "The Progress of Vakataka Historiography," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 297-308.
87. Griffiths, John. The Paintings in the Buddhist Cave Temples of Ajanta, Khandesh, India, 2 vols. (London: W. Griggs, P., 1896-97).
88. Gunasinghe, Siri. "Ajanta's Shadow on Sigiriya," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 494-510.
89. Gupta, Chandrashekhar. "Authorship of Ajanta Caves 17 to 20," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 100-04.
90. Gupta, Chandrashekher. "Paunar under the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 119-153.
91. Gupte, R.S. The Iconography of the Buddhist Sculptures of Ellora (Aurangabad: Registrar, Marathwada University, 1946), pp. 112-13.
92. Gupte, R.S., and B.D. Mahajan. Ajanta, Ellora and Aurangabad Caves (Bombay: D.B. Taraporevala Sons & Co., 1962).
93. Haloi, Ganesh. "Ajanta Painting: Its Technique and Execution," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 366-78.
94. Haribhatta. Jatakamala, ed. Hahn, M. (Kathmandu: 1998).
95. Havell, E.B. Ancient and Medieval Architecture of India (London: 1915), pp. 140-55.
96. Havell, E.B. Indian Sculpture and Painting, 2nd ed. (London: 1928), pp. 166-73.
97. Herringham, Lady, et al. Ajanta Frescoes: 57 Plates 15 Coloured Plates (London: 1915; reprint, India Society, 1998).
98. Huntington, John. "Cave Six at Aurangabad: A Tantrayana Monument?" Kaladarsana ed. Williams, Joanna (New Delhi: Oxford & I.B.H. Publishing Co., 1981), pp. 50-51.
99. India: Paintings from Ajanta Caves (New York Graphic Society & UNESCO, 1954).
100. I-tsing. A Record of the Buddhist Religion (A.D. 671-95), trans. and ed. Takakusu, J. (Oxford: Clarendon Press, 1896; reprint, Delhi: Munshiram Manoharlal, 1966).
101. Jadhav, Suresh V. "Ajanta Cave VIII: A Study," Kusumanjali: New Interpretation of Indian Art and Culture, Sivaramamurti Commemoration Volume, vol. 2, ed. Rao, M.S. Nagaraja (Delhi: 1987), pp. 249-254.
102. Jamkhedkar, A.P. "A Newly Discovered Vakataka Temple at Ramtek, District Nagpur," Kusumanjali: A New Interpretation of Indian Art and Culture, Sivaramamurti Commemoration Volume, ed. Rao, M.S. Nagaraja (Delhi: 1987).
103. Jamkhedkar, A.P. "Discovery of Vakataka Temples at Ramtek," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 155-164.
104. Jamkhedkar, A.P. "Vakataka Sculpture," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 194-12.
105. Jataka, 1-7, ed. Fausboll, M.V. (London: 1877-97).
106. Jayaswal, K.P. History of India: 150 A.D. to 350 A.D. (Lahore: 1933).
107. Kail, Owen C. Buddhist Cave Temples of India (Bombay: D.B. Taraporevala Sons and Co., 1975).
108. Kalidos, Raju. "Buddhist Parallels in Hindu Iconography: A Case Study of Dakshinamurti," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 477-93.
109. Kannal, Deepak H. "Relationship between Ajanta Sculpture and the Early Brahmanical Sculpture of Ellora in the Light of Ancient Indian Textual Sources," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 426-39.
110. Kantisagar, Muni. Khandaharom Ka Vaibhava [Hindi] (Varanasi: 1959).
111. Kaul, Manohar. Trends in Indian Painting (New Delhi: Dhoomimal Ramchand, 1961).
112. Kausalyayan, Bhadant Anand. Jataka, vol. 1 (Prayag: V.S. 2013).
113. Kern, H. Manual of Indian Buddhism (Strasssburg: 1896).
114. Khandalavala, Karl. "The Chronology of Caves 16, 17, 19, 26, 1 and 2 at Ajanta and the Ghatotkacha Cave," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 105-29.
115. Kolte, V.B. "Hisse-Borala Inscription of Vakataka King Devasena," Felicitation Volume (A Collection of 42 Indological Essays) Presented to Mahamahopadhyaya Dr. V.V. Mirashi, ed. Deshpande, G.T.; Shastri, Ajay Mitra; and Karambelkar, V.W. (Nagpur: Vidarbha Samshodhan Mandal, 1965), pp. 372-87.
116. Kosambi, D. D. Ancient India (New York: Pantheon Books, 1965).
117. Kramrisch, Stella. A Survey of Painting in the Deccan (Calcutta and London: The India Society in co-operation with the Dept. of Archaeology, 1937). Reproduced: "Ajanta," Exploring India's Sacred Art: Selected Writings of Stella Kramrisch, ed. Miller, Barbara Stoler (Philadelphia: University of Pennsylvania Press: 1983), pp. 273-307; reprint (New Delhi: Indira Gandhi National Centre for the Arts, 1994), pp. 273-307.
118. Krishna Murthy, K. A Dictionary of Buddhist Terms and Terminologies, 2nd ed. (1999).
119. Krishna, Rai Anand. "Certain Ateliers, Sub-schools and Allied Schools of the Vakataka Period Ajanta Paintings," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 253-61.
120. Ksemendra. Bodhisattvavadanakalpalata, 1.2., ed. Das, S.C.; and Vidyabhushana, S.C. (Calcutta: 1889-1911).
121. Kumaralata. Kalpanamanditika; Sanskrit text only partly preserved; Chinese trans. in Taisho 201, trad. Huber, E.: Acvaghosa, Sutralamkara (Paris: 1908).
122. Lal, B.B. "The Murals: Their Composition and Technique," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
123. Lal, B.B. "The Murals: Their Preservation," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
124. Lalitavistara, 1, 2; ed. Lefman, S. (Halle: 1902-8).
125. Leese, Marilyn Edwards. "Coalescence of Purpose: Monastic and Royal Ideals at Ajanta," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 135-43.
126. List of Protected Monuments Accepted by the Government of India (Simla: Govt. of India Press, 1928).
127. Mahajan, Malati. "Administrative Divisions under the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 65-83.
128. Mahaparinirvanasutra, 1-3, ed. Waldschmidt, E. (Berlin: 1950-51).
129. Mahasamajasutra, ed. Waldschmidt, E. in Symposien zur Buddhismusforschung, 2, ed. Bechert, H. (Gottingen: 1980).
130. Majjhimanikaya, 1-3, ed. Trenckner, V.; and Chalmiers, R. (London: 1888-89).
131. Majumdar, R.C., ed. The Age of Imperial Unity (Bombay: 1951).
132. Majumdar, R.C.; and A.S. Altekar, eds. The Vakataka-Gupta Age. New History of Indian People Series, VI (Benares: Motilal Banarasidass, 1946; reprint, Delhi: 1960).
133. Malandra, Geri H. "Ajanta to ElloraBack Again!" The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 440-52.
134. Malandra, Geri Hockfield. The Buddhist Caves at Ellora, Ph.D. dissertation, (University of Minnesota, 1983) and Microfilm no. R0D83-14134 (Michigan: University of Michigan).
135. Marshall, John, et al. The Bagh Caves in Gwalior State (London: The India Society, 1927).
136. Marshall, John; Garde, M.B; Havell, E.B.; Vogel, P.; and Cosens, H. The Bagh Caves (London: India Society, 1927).
137. Mehta, N.C. "The Pallava Frescoes of Sittanvasal," Studies in Indian Painting (Bombay: D.B. Taraporevala Sons & Co., 1926), pp. 7-14.
138. Mehta, Pravina. "Architecture in Ajanta Painting," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 312-14.
139. Meister, M; Dhaky, M.A.; and Deva, Krishna; "Architecture of the Vakatakas: Main Branch," Encyclopaedia of Indian Temple Architecture, vol. II; Foundations of North Indian Style (New Delhi: 1988).
140. Meshram, Pradip Shaligram. Early Caves of Maharashtra: A Cultural Study (1991).
141. Mirashi, V.V. "Bagh [Plate of Maharaja Subandhu?]," Inscriptions of the Kalachuri-Chedi Era, Corpus Inscriptionum Indicarum Series, vol. IV, Pt. I. (Ootacamund: 1955), pp. 19-21.
142. Mirashi, V.V. "Barwani Plate of Maharaja Subandhu," Inscriptions of the Kalachuri-Chedi Era, Corpus Inscriptionum Indicarum Series, vol. IV, Pt. I. (Ootacamund: 1955). pp. 17-19.
143. Mirashi, V.V. "D.R. Bhandarkar on the Relations of the Guptas and the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 57-61.
144. Mirashi, V.V. "Historical Data in Dandin's Dasakumaracharita," Studies in Indology, I (Nagpur: Vidarbha Samshodhan Mandal, 1960), pp. 165-77.
145. Mirashi, V.V. "Thalner Plates of Vakataka Harishena," Indological Research Papers, 1 (Nagpur: 1982), pp. 78-87.
146. Mirashi, V.V. "The Age of the Bagh Caves," Studies in Indology, II (Nagpur: Vidarbha Samshodhan Mandal, 1961), pp. 263-71.
147. Mirashi, V.V. "The Rashtrakutas of Manapura," Studies in Indology, I (Nagpur: Vidarbha Samshodhan Mandal, 1961), pp. 178-88.
148. Mirashi, V.V. "Were the Vakatakas the Rulers of Ashmakas," Studies in Indology, II (Nagpur: Vidarbha Samshodhan Mandal, 1961), pp. 156-63.
149. Mirashi, V.V. Indological Research Papers, I (Nagpur: 1982).
150. Mirashi, V.V. Inscription of the Vakatakas. Corpus Inscriptionum Indicarum Series, vol. 5 (Ootacamund: Government Epigraphist for India, 1963).
151. Mirashi, V.V. Inscriptions of the Kalachuri-Chedi Era. Corpus Inscriptionum Indicarum Series, vol. 4 (Ootacamund: Government Epigraphist for India, 1955).
152. Mirashi, V.V. The Ghatotkacha Cave Inscriptions with a Note on Ghatotkacha Cave Temples by Srinivasachar, P. (Hyderabad: Archaeological Department, 1952).
153. Mirashi, V.V. The History and Inscriptions of the Satavahanas and the Western Kshatrapas (Bombay: 1981).
154. Mirashi, V.V. Vakataka inscription in Cave XVI at Ajanta. Hyderabad Archaeological Series, vol. 14 (Calcutta: Baptist mission Press for the Archaeological Department of His Highness the Nizam's Dominions, 1941).
155. Mirashi, V.V. Vakataka Nrpati ani Tyancha Kala [Marathi] (Nagpur: 1957).
156. Mirashi, V.V. Vakataka Rajavansa ka Itihas Tatha Abhilekha [Hindi], trans. Shastri, Ajay Mitra (Varanasi: Tara Publications, 1964).
157. Misra, R.N. "Aspects of Vakataka Art at Ajanta and Elsewhere," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 186-93.
158. Misra, R.N. "Vakataka Art: A Re-appraisal," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 171-176.
159. Mitra, Debala. Ajanta, 8th ed. (Delhi: Archaeological Survey of India, 1980).
160. Muir, J. Journal from Agra to Bombay (1854).
161. Mukherjee, B.H. The Kushanas and the Deccan, Part I; Kanishka I and the Deccan (Calcutta: Pilgrim Publishers, 1968).
162. Mukherjee, B.N. "A Note on the Original habitat and Kingdom of the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 21-26.
163. Mulasarvastivada-Vinaya, Sanskrit Manuscript found in Gilgit, ed. Gnoli, R.: The Gilgit Manuscripts of the Sanghabhedavastu, I, II, (Rome: 1977-78); [Tibetan] trans. and ed. Suzuki, T.: The Tibetan Tripitaka (Tokyo-Kyoto: 1955-61).
164. Nagaraju, S. Buddhist Architecture of Western India (Delhi: 1981).
165. Nandagopal, Choodamani. "Dance Forms in the Art of Ajanta with Reference to Amaravati and Bagh," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 356-65.
166. Okada, Amina. Ajanta, 2nd ed. (Delhi: Brijbasi Printers Pvt. Ltd., 1996).
167. Panikkar, Shivaji. "The Painted Figural Compositions at Ajanta: Typological Variations or Morphological Development?" The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 262-81.
168. Pant-Pratinidhi, Balasaheb. Ajanta, trans. Ranade, R.D. (Bombay: 1932).
169. Parimoo, Gauri. "Development of Paradigms in Western Indian Cave Sculpture(A) Study of Stylistic Correlatives of Sunga Idiom (B) Some Discussion on the Problem of Buddha Images," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 156-85.
170. Parimoo, Ratan. "Vidhurapandita-JatakaFrom Bharhut to AjantaA Study of Narrative, Semiological and Stylistic Aspects," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 315-41.
171. Parimoo, Ratan; Kannal, Deepak; Panikkar, Shivaji; Poduval, Jayaram; and Sharma, Indramohan, ed. The Art of Ajanta: New Perspectives, 2 vols (New Delhi: Books & Books, 1991).
172. Pathy, T.V. "Some Observations on the Art and Architecture of the Rock-cut Caves of the Vakataka Period," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 165-170.
173. Patil, D.R. The Monuments of the Udayagiri Hill (Gwalior: Archaeological Department, 1948).
174. Poduval, Jayaram. "The Asmakan Cave Doorframes of Ajanta and Their Distant Relatives in Upper Bundelkhand," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 242-52.
175. Qureshi, Dulari. Art and Vision of Aurangabad Caves (1998).
176. Rajan, K.V. Soundara. "Stylistic Framework of Vakataka Art of AjantaSome Thoughts," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 130-34.
177. Rajan, K.V. Soundara. Cave Temples of the Deccan, vol. 3. Archaeological Survey of Temples Series (New Delhi: Archaeological Survey of India, 1983).
178. Rajaram. "Are Analogous Visual Elements of the Ajanta and the Byzantine Art Testimony to Their Correlation?" The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 407-25.
179. Ramesh, K.V. "On the Vakatakas and their Inscriptions," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 27-32.
180. Ranade, P.V. "Ajanta and the Renaissance of Indian Aesthetics," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 28-41.
181. Rawson, Philip S. Indian Painting (Paris and New York: 1961), pp. 21-51.
182. Ray, Amita. Aurangabad Sculptures (Calcutta: Firma K.C. Mukhopadhyaya, 1966).
183. Raychaudhrui, H.C. Political History of Ancient India, 6th ed. (Calcutta: 1953).
184. Rowland, Benjamin. Art and Architecture of India (London: Penguin Books Ltd., 1953).
185. Rowland, Benjamin. The Ajanta Caves. Mentor UNESCO Art Book Series (New York: 1963).
186. Rowland, Benjamin; and Coomaraswamy, A.K. The Wall Paintings of India, Central Asia and Ceylon (Boston: 1938).
187. Saddharmapundarikasutra, ed. Wogihara, U.; and Tsuchida, C. (Tokyo: 1934-35).
188. Saletore, R.N. Life in the Gupta Age (Bombay: 1943).
189. Samyuttanikaya, 1-5, ed. Feer, L. (London: 1884-98).
190. Sarma, I.K. "Some Unique Representations of Siva of the Vakataka Period," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 219-224.
191. Saxena, Jyotsna. Early Indian Paintings in Sanskrit Literature (1998).
192. Schligloff, Dieter. Guide to the Ajanta Paintings, vol. 1; Narrative Wall Paintings (Delhi: Munshiram Manoharlal Publishers Pvt. Ltd., 1999).
193. Schligloff, Dieter. Studies in the Ajanta Paintings: Identifications and Interpretations (New Delhi: 1987).
194. Schlingloff, Dieter. "Fragments of a Sanskrit Palm leaf Manuscript Found in East Turkestan," Studies in the Ajanta Paintings, ed. Schlingloff, Dieter (Delhi: 1988), pp. 97-101.
195. Seckel, Dietrich. Art of Buddhism (New York: Crown Publishers, 1964).
196. Sen Gupta, R.A. A Guide to the Buddhist Caves of Elura. Ancient Monuments of India Series, vol. 4 (Bombay: Bhulabhai Memorial Institute, 1958).
197. Sharma, M.J. "Relations between Vakatakas and Kadambas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 51-56.
198. Shastri, Ajay Mitra, ed. Early History of the Deccan: Problems and Perspectives (Delhi: 1987).
199. Shastri, Ajay Mitra, ed. The Age of the Vakatakas (New Delhi: Harman, 1992).
200. Shastri, Ajay Mitra. "Names of Ajanta: Modern and AncientA Reappraisal," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 67-70.
201. Shastri, Ajay Mitra. "New Vakataka Inscriptions," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 227-268.
202. Shastri, Ajay Mitra. "The Vakatakas: Original Home and Some Other Problems," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 3-20.
203. Shastri, Ajay Mitra. "Vakataka Coins," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 285-294.
204. Shastri, Ajay Mitra. An Outline of Early Buddhism (Varanasi: Indological Book House, 1965).
205. Shrimali, Krishna Mohan. "Some Aspects of the Economy of the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 101-115.
206. Shriniwasrao, Shrimant Bhawanrao. Ajanta (Bombay: 1932).
207. Singh, A.K. "Wall Paintings from Ladakh and Spiti," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 511-20.
208. Singh, Madanjeet. Ajanta: Ajanta Paintings of the Sacred and the Secular (New York: Macmillan, 1965).
209. Singh, Madanjeet. India: Paintings from Ajanta Caves. UNESCO World Art Series (New York: New York Graphic Society, 1954).
210. Singh, Madanjeet. The Cave Paintings of Ajanta (London: Thames & Hudson, 1965).
211. Sircar, D.C. "Vakataka Occupation of Baghelkhand-Bundelkhand Region," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 47-49.
212. Sircar, D.C. Geography of Ancient and Mediaeval India.
213. Sircar, D.C. Successors of the Satavahanas in the Lower Deccan (Calcutta: University of Calcutta, 1939).
214. Sivaram, Rama. "Influence of Ajanta in the Deccan and in South Indian Painting," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 467-76.
215. Sivaramamurti, C. Visnudharmottara-purana, 2 vols. Gaekwar Oriental Series, No. 130, 137.
216. Smith, Vincent. A History of Fine Art in India and Ceylon, 3rd ed. rev. and ed. Khandalawala, Karl (Bombay: D.B. Taraporevala Sons & Co.).
217. Sohoni, S.V. "Original Territory of the Vakataka Dynasty," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 33-35.
218. Sohoni, S.V. "Some Aspects of Pravarasena's Setubandha," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 93-100.
219. Spink, Walter M. "A Temple with Four Uchchakalpa Doorways at Nachna Kuthara," Chhavi, ed. Krishna, Anand (Benaras: 1971), pp. 171-72.
220. Spink, Walter M. "Ajanta: A Brief History," Aspects of Indian Art, ed. Pal, Pratapaditya (Lieden: E.J. Brill, 1972), pp. 49-58.
221. Spink, Walter M. "Ajanta's Chronology: Cave 1's Patronage," Chhavi II, ed. Krishna, Anand (Benares: Bharat Kala Bhawan, 1981), pp. 144-57.
222. Spink, Walter M. "Ajanta's Chronology: Cave 7's Twice-born Buddha," Studies in Buddhist Art of South Asia, ed. Narain, A.K. (New Delhi: 1985), pp. 103-16.
223. Spink, Walter M. "Ajanta's Chronology: Politics and Patronage," Kaladarsana, ed. Williams, Joanna (New Delhi: 1981), pp. 109-26.
224. Spink, Walter M. "Ajanta's Paintings: A Checklist for their Dating," Dimensions of Indian Art, Pupul Jayakar Felicitation Volume, ed. Chandra, Lokesh; and Jain, Jyotindra (Delhi: Agam Kala Prakashan, 1987), p. 457.
225. Spink, Walter M. "Notes on Buddha Images," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 213-41.
226. Spink, Walter M. "The Achievement of Ajanta," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 177-202.
227. Spink, Walter M. "The Great Cave at Elephanta: A Study of its Sources," Essays on Gupta Culture, ed. Smith, B. (Delhi: 1983), pp. 235-82.
228. Spink, Walter M. "The Vakataka's Flowering and Fall," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 71-99.
229. Spink, Walter M. Ajanta: A Brief History and Guide (Michigan: Asian Art Archives of the University of Michigan, n.d.).
230. Spink, Walter M. Caves; Microfiche Archive of the American Committee for South Asian Art (Leiden: Inter Documentation Company: 1977).
231. Suttanipata, ed. Andersen, D.; and Smith, H. (London: 1913).
232. Suzuki, D.T. Outlines of Mahayana Buddhism (London: Luzac and Co., 1907).
233. Suzuki, D.T. Studies in the Lankavatara Sutra (London: Routledge and Kegan Paul Ltd., 1957).
234. Takasaki, Jikido. A Study of the Ratnagotravibhaga (Uttaratantra): Being a Treatise on the Tathagatagarbha Theory of Mahayana Buddhism. Orientale Roma Series, vol. 33 (Rome: Instituto Italiano per il medio ed Estremo Oriente, 1966).
235. Takata, Osamu. Ajanta (Tokyo: Heibonsha, 1971).
236. Tartakov, Gary Michael. "Ajanta and Early Calukyas," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 453-66.
237. Tewari, S.P. "Architectural Import of the Term Niryyuha Occurring in the Ajanta Cave Inscription of the Varahadeva," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992).
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241. Tiwari, May Prasad. The Development of Geographic Knowledge in Ancient India.
242. Upadhyaya, Om Datta. The Art of Ajanta and Sopocani, a Comparative Study; an Enquiry in Prana Aesthetics (1994).
243. Upadhyaya, Om Datta. "The Art of Ajanta: Inner Light Expressed Through Kshayavriddhi Principle in Spatial Dimensions," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 299-311.
244. Varma, D.N. "Art of Ajanta: The Aspect of Mass Communication," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 57-66.
245. Vasant, Suresh. "Dipankar Buddha at Ajanta," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992).
246. Vasant, Suresh. "The Cult of Dipankara Buddha at Ajanta," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 151-55.
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248. Wauchope, R.S. Buddhist Cave Temples of India (Calcutta: 1933).
249. Weiner, Sheila L. Ajanta: It's Place in Buddhist Art (Berkeley and Los Angeles: University of California Press, 1977).
250. Wiener, Shiela L. "Sources for the Development of Rock-Cut Architecture and Sculpture: The Nubian Connection," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 390-406.
251. Williams, Joanna. "Vakataka Art and the Gupta Mainstream," Essays on Gupta Culture, ed. Smith, Bardwell L. (New Delhi: 1983), pp. 215-33.
252. Yadav, Jagdish S.; and Yadav, Nirmala; ed. The Imperial Guptas: A Bibliography (1997).
253. Yazdani, Gulam, ed. History of the Deccan, 3 vols. (London and Bombay: Oxford University Press, 1952).
254. Yazdani, Gulam. Ajanta: the Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography, 4 vols (London: Oxford University Press, 1930 [31?], 1955).
255. Yazdani, Gulam. The Early History of the Deccan, Parts 7-9 (Oxford: 1960).
256. Zimmer, Heinrich. The Art of Indian Asia, 2 vols., ed. and completed, Campbell, Joseph (New York: Pantheon Books, 1955).
257. Zin, Monika. Guide to the Ajanta Paintings, vol. 2; Devotional and Ornamental Paintings (Delhi: Munshiram Manoharlal Publishers Pvt. Ltd., 2003).

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Journals, Periodicals, Series and Occasional Publications

1. Agrawal, O.P. "Problems of Preservation of Ajanta Wall Paintings," Conservation of Cultural Property in India, 8 (1975), pp. 13-21.
2. Alexander, J.E. "Notice of a Visit to the Cavern Temples of Adjunta in the East-Indies," Transactions of the Royal Asiatic Society of Great Britain and Ireland, 2 (1830), pp. 362-70.
3. Altekar, A.S. "Some Alleged Naga and Vakataka Coins," Journal of the Numismatic Society of India, 5, p. 111.
4. Annual Report (Madras: Archaeological Survey of India, Southern Circle, 1916-17).
5. Annual Report of the Archaeological Department of His Exalted Highness the Nizam's Dominions, 1917-18 (1919), pp. 11-12; 1918-19 (1920), pp. 7-8; 1919-20 (1922), pp. 3-4; 1920-21 (1923), pp. 14-16; 1921-22 (1926), pp. 7-9; 1924-25 (1926), pp. 7-8; 1936-37 (1939), pp. 25-30.
6. Annual Report on Indian Epigraphy for 1956-57 (New Delhi: Department of Archaeology (1963), pp. 21-24.
7. Auboyer, Jeannine. "Composition and Perspective at Ajanta," Arts and Letters, India and Pakistan, New Series, 27, No. 1, pp. 20-28.
8. Bakker, Hans. "The Antiquities of Ramtek Hill, Maharashtra," South Asian Studies, 5 (1989), pp. 89-101.
9. Banerjea, J.N. "Schools of Buddhism in Early Indian Inscriptions," Indian Historical Quarterly, 26 (1948), pp. 251-58.
10. Barrett, Douglas. "The Later Schools of Amaravati and its influences," Arts and Letters, 28, No. 2 (1954).
11. Bhandarkar, D.R. "Epigraphic Notes," Indian Antiquary, 32, pp. 160.
12. Bird, James. "The Bauddha and Jaina Religious Sculptures in the Caves of Western India," Journal of the Royal Asiatic Society, Bombay, 2 (Bombay: 1844-47), pp. 71-108.
13. Burgess, James. "Rock-temples of Ajanta," Indian Antiquary, 3 (1874), pp. 269-74.
14. Charles, Fabri. "Frescoes of Ajanta-An Essay," Marg, 9, No. 1 (Bombay: Tata House, December 1955), p. 73.
15. Codrington, K. de B. "The Culture of Medieval India as Illustrated in the Ajanta Frescoes," Indian Archaeology, 59 (1930).
16. Coomaraswamy, A.K. "The Technique and Theory of Indian Painting," Technical Studies, 3, No. 2 (1934), pp. 59-89.
17. Daji, Bhau. "Ajunta Inscriptions," Journal of the Bombay Branch of the Royal Asiatic Society for 1861-62 and 1862-63, 8 (1865), pp. 53-74.
18. Deshpande, M.N. "Rock-Cut Caves of Pitalkhora in the Deccan," Ancient India, 15 (1959).
19. Dhavalikar, M.K. "Evolution of the Buddhist Rock-cut Caves of Western India," Journal of the Asiatic Society of Bombay, 45-46 (1974), pp. 50-60.
20. Dhavalikar, M.K. "New Inscriptions from Ajanta," Ars Orientalis, 7 (1968), pp. 147-53.
21. Dhavalikar, M.K. "Shri Yugadhara Sutradhara: Master Artist of Ajanta," Artibus Asiae, 30, No. 13 (Switzerland: Ascona, 1969), pp. 301-08.
22. Dikshit, K.N. "Notes on the Vakatakas of the Central Provinces and Berar and their Country: Fourth to Eighth Century A.D.," Journal of the Asiatic Society of Bengal, New Series, 29 (1933), pp. 159.
23. Dikshit, Moreshwar G. "An Unidentified Scene from Ajanta," Transactions of the Indian History Congress, Fifth (Hyderabad) Session (1941), pp. 567-68.
24. Erskine. "Remains of Buddhists in India" containing a note by Morgan on the visit of the Army officers in 1819. Transactions of the Bombay Branch of the Royal Asiatic Society, 3, p. 520.
25. Fabri, Charles. "Frescoes of Ajanta," Marg, 9, No. 1 (Bombay: Tata House, December 1955), pp. 61-76.
26. Fergusson, James. "On the Rock-cut Temples of India," Journal of the Royal Asiatic Society of Great Britain and Ireland, 7 (1846), pp. 30-92.
27. Fergussson, James. "On the Identification of Chrosroes II among the Paintings of Ajanta," Journal of the Royal Asiatic Society of Great Britain and Ireland, New Series, 9 (1879), pp. 155-70.
28. Foucher, A. "Preliminary Report on the Interpretation of the Paintings and Sculptures of Ajanta," The Journal of the Hyderabad Archaeological Society (Mumbai: 1919-20), pp. 50-111.
29. Ghosh, A. "Two Early Brahmi Records from Ajanta," Epigraphica Indica, 37, No. 43, Part 6, pp. 241-44.
30. Goetz, Hermann. "Ajanta," Marg, 2, No. 4 (Bombay: Tata House).
31. Goetz, Hermann. "Painting: Ajanta," Marg, 9, No. 2 (Bombay: Tata House, March 1956), p. 87.
32. Goetz, Hermann. "The Neglected Aspects of Ajanta Art," Marg, 2, No. 4 (Bombay: Tata House, 1947-48), pp. 35-64.
33. Gokhale, Shobhana. "Cultural Significance of the Personal and Place Names from Vakataka Inscriptions," Bulletin of the Deccan College Research Institute, 18 (Pune: Deccan College, 1957), pp. 173-85.
34. Gokhale, Shobhana. "Epigraphic Evidence for the Chronology of Caves at Ajanta," Journal of Indian History, 51 (1973), pp. 483.
35. Govind, Anagarika B. "Some Aspects of Stupa Symbolism," Journal of the Indian Society of Oriental Arts, 4, No. 1 (1936, June), p. 41.
36. Griffiths, John. "Note," Indian Antiquary, 2 (1873), pp. 152-53.
37. Griffiths, John. "Note," Indian Antiquary, 3 (1874), pp. 25-28.
38. Griffiths, John. Note. Indian Antiquary, 4 (1875), pp. 253.
39. Herringham, Lady. "The Paintings (Frescoes) of the Ajanta Caves," Journal of Indian Art, 15 (1913), pp. 56-60.
40. Impey, E. "Caves of Bagh," Journal of the Bombay Branch of the Royal Asiatic Society, 5 (1856), pp. 543-73.
41. Kimura, R. "A Historical Study of the Terms Mahayana and Hinayana and the Origin of Mahayana Buddhism," University of Calcutta Journal of the Department of Letters, 11 (Calcutta: University of Calcutta, 1924), pp. 1-43.
42. Konow, Sten. "Kharoshthi Inscriptions," Corpus Inscriptionum Indicarum, 2, No. 1 (Calcutta: 1929).
43. Law, B.C. "Bhiksunis in Indian Inscriptions," Epigraphica Indica, 25, pp. 31-34.
44. Leese, Marlene. "The Earlier Buddhist Icons in Kanheri Cave III," Artibus Asiae, 41 (1970), pp. 83-93.
45. Levine, Deborah. "Aurangabad: A Stylistic Analysis," Artibus Asiae, 28, No. 2/3 (Ascona: 1966), pp. 175-204.
46. Luders, H. "A list of Brahmi Inscriptions from the Earliest Times to About 400 A.D.," Appendix to Epigraphica Indica, 10 (1909), pp. 1-226.
47. Luders, H. "Arya Sura's Jataka-mala and the frescoes of Ajanta," trans, Indian Antiquary, 32 (1903), pp. 326-29.
48. Mirashi, V.V. "A Note on Sohoni's Theory about the Original Territory of the Vakatakas," Journal of Indian History, 49, pp. 143-47.

49.

Mirashi, V.V. "An Old Copper Plate of Pravarasena II," Nagpur University Journal, 3 (Nagpur: Nagpur University, 1937), 20 ff.
50. Mirashi, V.V. "Barwani Copperplate of Subandhu, d. 167," Epigraphica Indica, 19, 261.
51. Mirashi, V.V. "Hisse-Borala Inscription," Indian Archaeology, 1963-64 (1967), pp. 21-22, 72.
52. Mirashi, V.V. "Historical Evidence in Dandin's Dasakumaracharita," Annals of the Bhandarkar Oriental Research Institute (1945), 20 ff.
53. Mirashi, V.V. "Inscription in Cave XVII at Ajanta," Hyderabad Archaeological Series, 15 (Calcutta: 1949 [or 44?]), pp. 1-17.
54. Mirashi, V.V. "Vakataka Chronology," Indian Historical Quarterly, 24, 148 ff.
55. Mirashi, V.V. Proceedings and Transactions of the 10th All India Oriental Conference, p. 455.
56. Mirashi, V.V.; and Mahajan, D.B. "Basim Plates of Vakataka Vindhyasakti II," Epigraphica Indica, 26, pp. 137-53.
57. Mitra, Ashok. "The Pageant of Indian Painting," Bhavan's Journal, 12, No. 23 (1966), pp. 45-60.
58. Mitra, Rajendralal. "On Representation of Foreigners in the Ajanta Frescoes," Journal of the Asiatic Society of Bengal, 46 (1878).
59. Oldenburg, S.F. "Notes on Buddhist Art," trans, Journal of the American Oriental Society, 18 (1897), pp. 183-201.
60. Paramasivan, S. "Technique of the Painting Process in the Cave Temples at Ajanta," Annual Report of the Archaeological H.E.H. the Nizam's Dominions, 1936-37 (Calcutta: 1939), 25 ff.
61. Prinsep, James. "Facsimiles of Indian inscriptions," Journal of the Asiatic Society of Bengal, 5 (1836), pp. 554-61.
62. Rajan, K.V. Soundara. "Beginnings of the Temple Plan," Bulletin of the Prince of Wales Museum of Western India, 6 (Bombay: Prince of Wales Museum, 1957-59), pp. 74-81.
63. Randle, H.N. "An Unpublished India Office Plate of the Vakataka Maharaja Devasena," New Indian Antiquary, 2, pp. 177-80.
64. Sastri, Parabrahma. "Hyderabad Plates of Vakataka Devasena, Year 5," Journal of the Epigraphical Society of India, 13.
65. Schligloff, Dieter. "Kalyanakarin's Adventures. The Identification of an Ajanta Painting," Artibus Asiae, 38, No. 1, 5 ff.
66. Senart, E. "The Inscriptions in the Caves at Nasik," Epigraphica Indica, 8 (1905), pp. 56-96.
67. Shastri, Ajay Mitra. [an essay in] Journal of the Numismatic Society of India, 30, pp. 217-8.
68. Shastri, Ajay Mitra. "A Note on the Thalner Plates of Bhanushena," Journal of the Epigraphical Society of India, 12, pp. 53-58.
69. Shastri, Ajay Mitra. "Mandhal Copper-Plate Charter of Pravarasena II, Year 16," Epigraphica Indica, 41.
70. Shastri, Ajay Mitra. "Mandhal Plates of Prithivishena I, Years 2 and 10," Epigraphica Indica, 41, pp. 172-74.
71. Shastri, Ajay Mitra. "Mandhal Utkhanana," [Hindi], Vidarbha Samsodhana Mandala Varshika (1977), pp. 145-48.
72. Shastri, Ajay Mitra. "Some Aspects of Personal Names in the Vakataka Inscriptions," Journal of the Oriental Institute, 36, pp. 254 ff.
73. Shastri, Ajay Mitra. "Thalner Plates of Vakataka Harishena: A Reappraisal," Journal of the Epigraphical Society of India, 11, pp. 15-20.
74. Shastri, Ajay Mitra. "The Malhar Plates of Adityaraja: A Reappraisal," Journal of the Epigraphical Society of India, 4, pp. 30-41.
75. Shastri, Ajay Mitra. "Unique Coin of Vakataka Prithivishena," Indian Coin Society's Newsletter, 4 (October 1990).
76. Shastri, Ajay Mitra; and Gupta, Chandrashekhar. "Masod Copper-Plate Charter of Pravarasena II, Year 19," Journal of the Epigraphical Society of India, 10, pp. 108-16.
77. Shastri, Ajay Mitra; and Gupta, Chandrashekhar. "Yavatmal Plates of Pravarasena II, Year 26," Vishveshvaranand Indological Journal, 21, pp. 78-84.
78. Shrimali, Krishna Mohan. "Pattern of Settlements under the Vakatakas," Indian History Congress, 44th Session, Burdwan, pp. 394-5.
79. Sircar, D.C. "Inscription in Cave 4 at Ajanta," Epigraphica Indica, 32 (1959-60), pp. 259-62.
80. Sircar, D.C. "Two Inscriptions of the Gupta Age," Epigraphica Indica, 33 (1959-60), pp. 303-08.
81. Smith, V.A. "The Caves of Ajanta and the Frescoes therein," Journal of Indian Art, 15 (1913), pp. 55-56.
82. Smith, Vincent. "The Vakataka Dynasty of Berar in the 4th and 5th Centuries," Journal of Royal Asiatic Society (1914), 317 ff.
83. Sohoni, S.V. "A Note on the Original Territory of the Vakatakas," Journal of Indian History, 49, pp. 135-42.
84. Sohoni, S.V. "Unique Coin of Vakataka Prithivishena," Indian Coin Society's Newsleter, 4 (October 1990).
85. Spink, Walter M. "Ajanta and Ghatotkacha: A Preliminary Analysis," Ars Orientalis, 6 (1966), pp. 135-56.
86. Spink, Walter M. "Ajanta to Ellora," Marg, 20, No. 2 (Bombay: Tata House, 1967).
87. Spink, Walter M. "Ajanta's Chronology: The Crucial Cave," Ars Orientalis, 10 (1975), pp. 143-169.
88. Spink, Walter M. "Ajanta's Chronology: The Problem of Cave 11," Ars Orientalis, 7 (1968), pp. 155-168.
89. Spink, Walter M. "Bagh: A Study" Archives of Asian Art, 30 (1976-77), pp. 53-84.
90. Spink, Walter M. "Ellora's Earliest Phase," Bulletin of the American Academy of Benaras, 1 (November 1967).
91. Spink, Walter M. "History from Art History: Monuments of the Deccan," Summaries of Papers, Organizing Committee [of the] 26th International Congress of Orientalists, N. Delhi, India, 2 vols., ed. Dandekar, R.N. (New Delhi: 1964), pp. 242-43.
92. Spink, Walter M. "On the Development of Early Buddhist Art in India," Art Bulletin, 40, No. 2 (June 1958), pp. 95-104.
93. Spink, Walter M. "The Archaeology of Ajanta"....................................
94. Spink, Walter M. "The Splendours of Indra's Crown: A Study of Mahayana Development at Ajanta," Sir George Birdwood Memorial Lecture, 23 May 1974. Journal of the Royal Society for the Encouragement of Arts, Manufacturers and Commerce (October 1974), pp. 743-67.
95. Suzuki, D.T. "The Buddha in Mahayana Buddhism," Eastern Buddhist, 1, No. 2 (July 1921), pp. 109-22.
96. Tilak, S.T.; Sharma, B.R.N.; Sen Gupta, S.R.; and Kulkarni, R.L. "The Deterioration and Microbiological Studies of Ajanta and Ellora Paintings," Conservation of Cultural Property in India (1970), pp. 77-82.
97. Waddell, L.A. "Note on Some Ajanta Paintings," Indian Antiquary, 22 (1893), pp. 8-11.
98. Wilson, J. "Memoir on the Cave-temples and Monasteries and other Ancient Buddhist, Brahmanical and Jaina Remains of Western India," Journal of the Bombay Branch of the Royal Asiatic Society, 3, Part 2 (1851), pp. 36-107.
99. Yazdani, Gulam. "Notes on Frescoes Discovered at Ajanta," Annul Bibliography of Indian Archaeology for the year 1932, 7 (Leyden: 1934), pp. 31-32.

Top


Books, Monographs, Journals, Periodicals, Series and Occasional Publications

1.

Aall, Ingrid. "Ajanta: An Artistic Appreciation," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A (New Delhi: Archaeological Survey of India, 1967; reprint 1987).

2.

Aall, Ingrid. "The Murals: Their Art," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).

3.

Agrawal, O.P. "Conservation Problems of Ajanta Wall Paintings," Case Studies in Conservation of Stone and Wall paintings (London: India International Centre, 1986), pp. 86-89.

4.

Agrawal, O.P. "Problems of Conservation of Ajanta Wall Paintings," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 379-86.

5.

Agrawal, O.P. "Problems of Preservation of Ajanta Wall Paintings," Conservation of Cultural Property in India, 8 (1975), pp. 13-21.

6.

Agrawal, O.P.; Dhawan, Shashi; and Garg, K.L. "Microbial Activity on Ajanta Wall Paintings," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 387-89.

7.

Aiyappan, A.; and Srinivasan, P.R. Guide to the Buddhist Antiquities, rev. ed. Guide Series no. 2 (Madras: Madras Govt. Museum, 1960).

8.

Ajanta Frescoes (London: India Society, 1915).

9.

Ajanta Frescoes; Being Reproductions in Colour and Monochrome of Frescoes in Some of the Caves at Ajanta, After Copies Taken in 1909-11 by Lady Herringham and Her Assistants (Bombay: India Society, Oxford University Press, 1915).

10.

Ajanta Paintings (New Delhi: Lalit Kala Akademi and Dept. of Archaeology, Govt. of India, 1956).

11.

Alexander, J.E. "Notice of a Visit to the Cavern Temples of Adjunta in the East-Indies," Transactions of the Royal Asiatic Society of Great Britain and Ireland, 2 (1830), pp. 362-70.

12.

Altekar, A.S. "Some Alleged Naga and Vakataka Coins," Journal of the Numismatic Society of India, 5, p. 111.

13.

Anand, Mulk Raj. Ajanta (Marg Publications and Tata McGraw-Hill, 1971).
14. Andhare, Shridhar. "Sutradhara as a Painter," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 351-55.
15. Annual Report (Madras: Archaeological Survey of India, Southern Circle, 1916-17).
16. Annual Report of the Archaeological Department of His Exalted Highness the Nizam's Dominions, 1917-18 (1919), pp. 11-12; 1918-19 (1920), pp. 7-8; 1919-20 (1922), pp. 3-4; 1920-21 (1923), pp. 14-16; 1921-22 (1926), pp. 7-9; 1924-25 (1926), pp. 7-8; 1936-37 (1939), pp. 25-30.
17. Annual Report on Indian Epigraphy for 1956-57 (New Delhi: Department of Archaeology (1963), pp. 21-24.
18. Aryasura. Jatakamala, Eng. trans. Speyer, J.S. (London: 1895); Hindi trans. Chaudhary, Suryanarayan (Delhi: 1971, 2nd ed. 1982).
19. Aryasura. The Jatakamala, ed. Kern, H. (Boston: 1891).
20. Asvaghosa. Discourse on the Awakening of the Faith in the Mahayana, trans. and ed. Suzuki, D.T. (Chicago: Open Court Publishing Co, 1900).
21. Asvaghosa. Saundarananda, ed. Johnston, E.H. (London: 1928).
22. Auboyer, Jeannine. "Composition and Perspective at Ajanta," Arts and Letters, India and Pakistan, New Series, 27, No. 1, pp. 20-28.
23. Bajpai, K.D. "Location of Ramagiri of Kalidasa," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 85-91.
24. Bakker, Hans T. "The Antiquities of Ramtek Hill, Maharashtra," South Asian Studies, 5 (1989), pp. 89-101.
25. Bakker, Hans T. The Vakatakas: An Essay in Hindu Iconology (Groningen: Egbert Forsten, 1997).
26. Banerjea, J.N. "Schools of Buddhism in Early Indian Inscriptions," Indian Historical Quarterly, 26 (1948), pp. 251-58.
27. Banerjee, P. "Buddhist Wall Painting from India and Central Asia and Their major Themes: A Brief Survey," Central Asian Art: New Revelations from Xinjiang, (Noida, U.P.: Abha Prakashan, 2001), 114-122.
28. Banerjee, P. "Some Aspects of Cultural Relations Between Ajanta, Bamiyan, Turfan and Dunhuang, Central Asian Art: New Revelations from Xinjiang, (Noida, U.P.: Abha Prakashan, 2001), 103-113.
29. Barrett, Douglas. "The Later Schools of Amaravati and its influences," Arts and Letters, 28, No. 2 (1954).
30. Barrett, Douglas. A Guide to the Buddhist Caves of Aurangabad. Ancient Monuments of India Series, vol. 3 (Bombay: Bhulabhai Memorial Institute, 1957).
31. Barrett, Douglas; and Gray, Basil. Painting of India (Cleveland: World Publishing Co., Skira, 1963).
32. Beal, S. Buddhist Record of the Western World translated from the Chinese of Hiuen-tsiang (A.D. 629), 2 vols. (London: Kegan Paul, 1906).
33. Beal, S., trans. The Romantic legend of Sakya Buddha, Chinese trans. of a Sanskrit text not preserved (London: 1875).
34. Begley, Wayne E. The Chronology of Mahayana Buddhist Architecture and Painting at Ajanta, Ph.D. dissertation (University of Penn, 1966) and Microfilms No. 67-3050 (Michigan: University of Michigan).
35. Bhagwat, Nalini. "Ajanta Paintings: A Formal Analysis of Composition," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 282-93.
36. Bhandarkar, D.R. "Epigraphic Notes," Indian Antiquary, 32, pp. 160.
37. Bhandarkar, D.R. Early History of the Deccan (Calcutta: Susil Gupta Pvt. Ltd., 1957).
38. Bhattacharya, Ashok K. "Time in Ajanta Painting," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 294-98.
39. Bhattacharya, B. Indian Buddhist Iconography (Calcutta: K.L. Mukhopadhyaya, 1968).
40. Bhattacharyya, D.C. Studies in Buddhist Iconography (New Delhi: Manohar, 1978).
41. Bird, James. "The Bauddha and Jaina Religious Sculptures in the Caves of Western India," Journal of the Royal Asiatic Society, Bombay, 2 (Bombay: 1844-47), pp. 71-108.
42. Bird, James. Historical Researches (1847).
43. Blake. Bombay Courier (1839).
44. Blake. Description of the Ruined City of Mandu, also an Account of Buddhist Cave Temples of Ajanta, Khandesh (Bombay: 1844).
45. Brown, Percy. Indian Architecture (Buddhist and Hindu), 3rd ed. (Bombay: D.B. Taraporevala Sons & Co., 1942).
46. Buhler, G., Indian Palaeography. Indian Studies: Past & Present Series (2nd reprint Calcutta: 1962); originally published with "Introductory Notes" by James F. Fleet in Indian Antiquary, 1904.
47. Bunce, Fredrick W. A Dictionary of Buddhist and Hindu Iconography: Illustrated, Objects, Devices, Concepts, Rites and Related Terms (1997), pp. xxviii, 473.
48. Burgess, James, and Indraji, Bhagwanlal. "Inscriptions from the Cave Temples of Western India," Archaeological Survey of Western India, Memoirs, 10 (Bombay: Government Central Press, 1881).
49. Burgess, James. Cave Temples of India (London: 1880).
50. Burgess, James. "Buddhist Cave Temples and Their Inscriptions," Archaeological Survey of Western India, 4 (London: Trubner & Co., 1883; Varanasi: Indological Book House, 1964).
51. Burgess, James. "Notes on the Bauddha Rock Temples of Ajanta, Their Paintings and Sculptures," Archaeological Survey of Western India, 9 (Bombay: Government Central Press, 1879).
52. Burgess, James. "Report on the Elura Cave Temples and the Brahmanical and Jaina Caves in Western India," Archaeological Survey of Western India, 5 (London: Trubner & Co., 1883; Varanasi: Indological Book House, 1970).
53. Burgess, James. "Rock-temples of Ajanta," Indian Antiquary, 3 (1874), pp. 269-74.
54. Burgess, James. "The Buddhist Stupas of Amaravati and Jagaayyapeta," Archaeological Survey of South India, 1 (London: Trubner & Co. 1887; Varanasi: Indological Book House, 1970).
55. Burgess, James. Ancient Monuments, Temples & Sculpture of India, 2 vols. (London: W. Grigg & Sons Ltd.).
56. Campbell, J.M. Gazetteer of Bombay Presidency, Khandesh, 12 (Bombay: 1880), pp. 480-574.
57. Catusparisatsutra, 1-3, ed. Waldschmidt, E. (London: 1890-1911).
58. Chakrabarti, Jayanta. "Impact of Ajanta Mural Technique on the Paintings of Kusana-Central Asia," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 537-42.
59. Charles, Fabri. "Frescoes of Ajanta-An Essay," Marg, 9, No. 1 (Bombay: Tata House, December 1955), p. 73.
60. Chattopadhyaya, Ratnabali. "The Artistic Discovery of Ajanta and the National Artist in Bengal," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 42-56.
61. Chimpa, Lama; and Chattopadhyaya, Alaka; trans. Taranatha's History of Buddhism in India (Simla: Indian Institute of Advanced Studies, 1970).
62. Codrington, K. de B. "The Culture of Medieval India as Illustrated in the Ajanta Frescoes," Indian Archaeology, 59 (1930).
63. Coomaraswamy, A.K. "The Technique and Theory of Indian Painting," Technical Studies, 3, No. 2 (1934), pp. 59-89.
64. Coomaraswamy, A.K. History of Indian and Indonesian Art (London: Edward Goldston, 1927).
65. Cousins, Henry. "Central Provinces and Berar," Archaeological Survey of Western India, Memoirs, New Series, 19 (Calcutta: 1897).
66. Cowell, E.B. The Jataka, I-VI (Cambridge: Cambridge, 1895; reprint, 1907).
67. Daji, Bhau. "Ajunta Inscriptions," Journal of the Bombay Branch of the Royal Asiatic Society for 1861-62 and 1862-63, 8 (1865), pp. 53-74.
68. Dandin. Dandin's Dasakumaracharita; trans. and eds. Satakopan, V.; Anantacharya, V.; and Bhaktavatsalam, M. (Madras: 1963).
69. Dandin. Dasakumaracharita of Dandin, ed. Acharya, N.R. (Bombay: Nirnayasagar Press, 1951).
70. Dandin. Dasakumaracharita: The Ten Princes, trans. Ryder, Arthur W. (Chicago: 1927, 1960).
71. Dave, Parul. "Correlatives between Ajanta Painting and Amaravati Sculptures," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 342-50.
72. Davids, Rhys. Buddhist India. Stories of Nations Series (London: 1903).
73. Der Weise und der Thor, 1, 2. Tibetan trans. of a Chinese compilation based on Sanskrit texts; ed. Schmidt, I.J. (St. Petersburg-Leipzig: 1843).
74. Deshpande, M.N. "Ajanta: The Kaleidoscopic Enigma of Art Historians," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 6-27.
75. Deshpande, M.N. "Rock-Cut Caves of Pitalkhora in the Deccan," Ancient India, 15 (1959).
76. Deshpande, M.N. "The Caves: Their Historical Perspective," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
77. Deshpande, M.N. "The Caves: Their Sculpture," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).
78 Deshpande, M.N. "The Murals, their Theme and Content," Ajanta Murals: an Album of Eighty-Five Reproductions in Colour, ed. Ghosh, A. (New Delhi: Archaeological Survey of India, 1967; reprint, 1987).

79.

Deshpande, M.N. On a Western Indian School of Sculpture, unpublished paper delivered at a conference (Benaras: Lalit Kala Akademi, 1964).
80. Dey, Mukul Chandra. My Pilgrimages to Ajanta and Bagh, 2nd edition (New York: George H. Doran Co., 1925; reprint, Oxford: Oxford, 1950).
81. Dhavalikar, M.K. "Ajanta Cave III: A Vakataka Edifice," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 203-207.
82. Dhavalikar, M.K. "Evolution of the Buddhist Rock-cut Caves of Western India," Journal of the Asiatic Society of Bombay, 45-46 (1974), pp. 50-60.
83. Dhavalikar, M.K. "Foreigners in Ajanta Painting," Foreigners in Ancient India, ed. Sircar, D.C. (Calcutta: 1970), pp. 11-24.
84. Dhavalikar, M.K. "Mahad Chaitya I: A Fresh Look," Indian Studies: Essays Presented in Memory of Prof. Nihar Ranjan Ray, ed. Ray, Amita, et al (Delhi: 1984), pp. 53-56.
85. Dhavalikar, M.K. "New Inscriptions from Ajanta," Ars Orientalis, 7 (1968), pp. 147-53.
86. Dhavalikar, M.K. "Shri Yugadhara Sutradhara: Master Artist of Ajanta," Artibus Asiae, 30, No. 13 (Switzerland: Ascona, 1969), pp. 301-08.
87. Dhavalikar, M.K. "The Beginnings of Mahayana Architecture at Ajanta," Madhu: M.N. Deshpande Felicitation Volume, ed. Rao, M.S. Nagaraja (Delhi: 1981), pp. 131-138.
88. Dhavalikar, M.K. "The Blind Arch," Dr. U.P. Shah Felicitation Volume.
89. Dhavalikar, M.K. Late Hinayana Caves of Western India (Pune: 1984).
90. Dhavalikar, M.K.; and Deo, S.B. Paunar Excavation 1967 (Nagpur: 1968).
91. Dighanikaya, 1-3, ed. Rhys Davids, T.W.; and Carpentier, J.E. (Berlin: 1952-62).
92. Dikshit, K.N. "Notes on the Vakatakas of the Central Provinces and Berar and their Country: Fourth to Eighth Century A.D.," Journal of the Asiatic Society of Bengal, New Series, 29 (1933), pp. 159.
93. Dikshit, Moreshwar G. "An Unidentified Scene from Ajanta," Transactions of the Indian History Congress, Fifth (Hyderabad) Session (1941), pp. 567-68.
94. Dikshit, Moreshwar G. The Origin and Development of the Buddhist Settlements of Western India, Ph.D. thesis (Bombay: Indian Historical Research Institute, St. Xavier College, University of Bombay, 1942).
95. Divyavadana, ed. Cowell, E.B.; and Neill, R.A. (Cambridge: 1886).
96. Dutt, Nalinaksha. Early History of the Spread of Buddhism and the Buddhist Schools (London: Luzac & Co., 1925).
97. Dutt, Nalinaksha. Some Aspects of Mahayana and its Relation to Hinayana (London: Luzac & Co., 1930).
98. Dutt, Sukumar. Buddhist Monks and Monasteries of India (London: George Allen & Unwin Ltd., 1962).
99. Dutt, Sukumar. The Buddha and Five After-Centuries (London: Luzac & Co., 1957).
100. Erskine. "Remains of Buddhists in India" containing a note by Morgan on the visit of the Army officers in 1819. Transactions of the Bombay Branch of the Royal Asiatic Society, 3, p. 520.
101. Fabri, Charles. "Frescoes of Ajanta," Marg, 9, No. 1 (Bombay: Tata House, December 1955), pp. 61-76.
102. Fa-hsien. A Record of the Buddhist Kingdoms, trans. Legge, James (Oxford: Clarendon Press, 1886).
103. Fergusson, James. "On the Rock-cut Temples of India," Journal of the Royal Asiatic Society of Great Britain and Ireland, 7 (1846), pp. 30-92.
104. Fergusson, James. History of Indian and Eastern Architecture, 2 vols. (New York: Dodd Mead, 1899; Delhi: Munshiram Manoharlal, 1967).
105. Fergusson, James. Illustrations of the Rock-Cut Temples of India, Selected from the Best Examples of the Different Series of Caves at Ellora, Ajunta, Cuttack, Salsette, Karli, and Mahavellipore, 2 vols. (London: John Weale, 1845).
106. Fergusson, James; and Burgess, James. Cave Temples of India (London: W.H. Allen & Co., 1880).
107. Fergussson, James. "On the Identification of Chrosroes II among the Paintings of Ajanta," Journal of the Royal Asiatic Society of Great Britain and Ireland, New Series, 9 (1879), pp. 155-70.
108. Foucher, A. "Preliminary Report on the Interpretation of the Paintings and Sculptures of Ajanta," The Journal of the Hyderabad Archaeological Society (Mumbai: 1919-20), pp. 50-111.
109. Ghosh, A. "Two Early Brahmi Records from Ajanta," Epigraphica Indica, 37, No. 43, Part 6, pp. 241-44.
110. Gill, R. One Hundred Stereoscopic Illustrations of Architecture and Natural History (1864).
111. Gill, R. Stereoscopic Photographs of Ajanta and Ellora (1862).
112. Goetz, Hermann. "Ajanta," Marg, 2, No. 4 (Bombay: Tata House).
113. Goetz, Hermann. "Painting: Ajanta," Marg, 9, No. 2 (Bombay: Tata House, March 1956), p. 87.
114. Goetz, Hermann. "The Neglected Aspects of Ajanta Art," Marg, 2, No. 4 (Bombay: Tata House, 1947-48), pp. 35-64.
115. Goetz, Hermann. India: Five Thousand Years of Indian Art (Bombay: 1959). pp. 104-107.
116. Gokhale, Shobhana. "Ajanta: The Centre of Monastic Education," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 144-50.
117. Gokhale, Shobhana. "Cultural Significance of the Personal and Place Names from Vakataka Inscriptions," Bulletin of the Deccan College Research Institute, 18 (Pune: Deccan College, 1957), pp. 173-85.
118. Gokhale, Shobhana. "Epigraphic Evidence for the Chronology of Caves at Ajanta," Journal of Indian History, 51 (1973), pp. 483.
119. Gokhale, Shobhana. "Epigraphical Evidence on Harishena's Conquest from Kanheri," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 269-278.
120. Govind, Anagarika B. "Some Aspects of Stupa Symbolism," Journal of the Indian Society of Oriental Arts, 4, No. 1 (1936, June), p. 41.
121. Goyal, Shankar. "The Progress of Vakataka Historiography," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 297-308.
122. Griffiths, John. "Note," Indian Antiquary, 2 (1873), pp. 152-53.
123. Griffiths, John. "Note," Indian Antiquary, 3 (1874), pp. 25-28.
124. Griffiths, John. "Note," Indian Antiquary, 4 (1875), p. 253.
125. Griffiths, John. The Paintings in the Buddhist Cave Temples of Ajanta, Khandesh, India, 2 vols. (London: W. Griggs, P., 1896-97).
126. Gunasinghe, Siri. "Ajanta's Shadow on Sigiriya," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 494-510.
127. Gupta, Chandrashekhar. "Authorship of Ajanta Caves 17 to 20," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 100-04.
128. Gupta, Chandrashekher. "Paunar under the Vakatakas," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 119-153.
129. Gupte, R.S. The Iconography of the Buddhist Sculptures of Ellora (Aurangabad: Registrar, Marathwada University, 1946), pp. 112-13.
130. Gupte, R.S., and B.D. Mahajan. Ajanta, Ellora and Aurangabad Caves (Bombay: D.B. Taraporevala Sons & Co., 1962).
131. Haloi, Ganesh. "Ajanta Painting: Its Technique and Execution," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 366-78.
132. Haribhatta. Jatakamala, ed. Hahn, M. (Kathmandu: 1998).
133. Havell, E.B. Ancient and Medieval Architecture of India (London: 1915), pp. 140-55.
134. Havell, E.B. Indian Sculpture and Painting, 2nd ed. (London: 1928), pp. 166-73.
135. Herringham, Lady, et al. Ajanta Frescoes: 57 Plates 15 Coloured Plates (London: 1915; reprint, India Society, 1998).
136. Herringham, Lady. "The Paintings (Frescoes) of the Ajanta Caves," Journal of Indian Art, 15 (1913), pp. 56-60.
137. Huntington, John. "Cave Six at Aurangabad: A Tantrayana Monument?" Kaladarsana ed. Williams, Joanna (New Delhi: Oxford & I.B.H. Publishing Co., 1981), pp. 50-51.
138. Impey, E. "Caves of Bagh," Journal of the Bombay Branch of the Royal Asiatic Society, 5 (1856), pp. 543-73.
139. India: Paintings from Ajanta Caves (New York Graphic Society & UNESCO, 1954).
140. I-tsing. A Record of the Buddhist Religion (A.D. 671-95), trans. and ed. Takakusu, J. (Oxford: Clarendon Press, 1896; reprint, Delhi: Munshiram Manoharlal, 1966).
141. Jadhav, Suresh V. "Ajanta Cave VIII: A Study," Kusumanjali: New Interpretation of Indian Art and Culture, Sivaramamurti Commemoration Volume, vol. 2, ed. Rao, M.S. Nagaraja (Delhi: 1987), pp. 249-254.
142. Jamkhedkar, A.P. "A Newly Discovered Vakataka Temple at Ramtek, District Nagpur," Kusumanjali: A New Interpretation of Indian Art and Culture, Sivaramamurti Commemoration Volume, ed. Rao, M.S. Nagaraja (Delhi: 1987).
143. Jamkhedkar, A.P. "Discovery of Vakataka Temples at Ramtek," The Age of the Vakatakas, ed. Shastri, Ajaya Mitra (New Delhi: Harman Publishing House, 1992), pp. 155-164.
144. Jamkhedkar, A.P. "Vakataka Sculpture," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 194-12.
145. Jataka, 1-7, ed. Fausboll, M.V. (London: 1877-97).
146. Jayaswal, K.P. History of India: 150 A.D. to 350 A.D. (Lahore: 1933).
147. Kail, Owen C. Buddhist Cave Temples of India (Bombay: D.B. Taraporevala Sons and Co., 1975).
148. Kalidos, Raju. "Buddhist Parallels in Hindu Iconography: A Case Study of Dakshinamurti," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 477-93.
149. Kannal, Deepak H. "Relationship between Ajanta Sculpture and the Early Brahmanical Sculpture of Ellora in the Light of Ancient Indian Textual Sources," The Art of Ajanta: New Perspectives, vol. 2, ed. Parimoo, Ratan, et al (New Delhi: Books & Books, 1991), pp. 426-39.
150. Kantisagar, Muni. Khandaharom Ka Vaibhava [Hindi] (Varanasi: 1959).
151. Kaul, Manohar. Trends in Indian Painting (New Delhi: Dhoomimal Ramchand, 1961).
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