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In doing so, it encompasses the study of some major thinkers, brief analysis of their texts, underlining their contributions, and thus mapping the intellectual trajectories of Indian aesthetics. The thrust of the course is to prepare a foundation in domain of Indian theories of aesthetics and gradually conceptualizing an Asian aesthetics.<\/p>\n<h5><strong>Course Outline<\/strong><\/h5>\n<h5>Modules<\/h5>\n<ul>\n<li>Indian Aesthetics: Context, Text &amp; Issues<\/li>\n<li>Interdisciplinarity of Indian Arts<\/li>\n<li>Birth of Art: An episode from the Vi\u1e63\u1e47udharmottara Pur\u0101\u1e47a &amp; the Citralak\u1e63a\u1e47a of Nagnajit<\/li>\n<li>Introduction to the N\u0101\u1e6dya\u015b\u0101stra of Bharatamuni: the foundational text of Indian Aesthetics<\/li>\n<li>Reading some sections of the N\u0101\u1e6dya\u015b\u0101stra<\/li>\n<li>Art as Yoga (<em>kal\u0101yoga<\/em>)<\/li>\n<li>Six limbs of Indian Painting<\/li>\n<li>The text of K\u0101mas\u016btra of V\u0101tsyayana and Sixty-four arts<\/li>\n<li>Brief study of thinkers and their texts: Bh\u0101maha, Da\u1e47\u1e0d\u012b, V\u0101mana, Udbha\u1e6d\u1e6da (Analytical period)<\/li>\n<li>\u0100nandavardhana and Abhinavagupta: the philosophical period<\/li>\n<li>Mamma\u1e6da, Pa\u1e47\u1e0ditar\u0101ja Jagann\u0101tha: the elaboration period<\/li>\n<li>Theories of aesthetics reception (rasa &amp; bh\u0101va)<\/li>\n<li>Reading Modern Indian Aestheticians: Ravindranath Tagore, A K Coomaraswamy, Govind Chandra Pandey, Kanti Chandra Pandey, Kapila Vatsyayan<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>Readings<\/h5>\n<ul>\n<li>Coomaraswamy, Ananda. <em>The Dance of Shiva<\/em>. New York: The Sunrise Turn Inc, 1918.<\/li>\n<li>Chakrabarti, Arindam, ed. <em>The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art<\/em>. USA: Bloomsbury Academic, 2016.<\/li>\n<li>De, Sushil Kumar. <em>Studies in the History of Sanskrit Poetics<\/em>. (Volume 1). London: Luzac &amp; Co, 1923.<\/li>\n<li>De, Sushil Kumar. <em>Studies in the History of Sanskrit Poetics<\/em>. (Volume 2). London: Luzac &amp; Co, 1925.<\/li>\n<li>Gnoli, Raniero. <em>The Aesthetic Experience According to Abhinavagupta<\/em>. Varanasi: Chowkhamba Sanskrit Series Office, 1985.<\/li>\n<li>Kane, P. V. <em>History of Sanskrit Poetics<\/em>. Delhi: MLBD, 1961<\/li>\n<li>Krishnamoorthy, K. <em>Some Thoughts on Indian Aesthetics and Literary Criticism (special lectures)<\/em>. Madras: University of Madras, 1968.<\/li>\n<li>Raghvan, V. <em>Studies on Some Concepts of the Ala\u1e45k\u0101ra\u015b\u0101stra<\/em>. Madras: The Adyar Library, 1963<\/li>\n<li>Pandey, Kanti Chandra. <em>Comparative Aesthetics<\/em> (vol.1). Varanasi: Chowkhamba Sanskrit Series Office, 1995.<\/li>\n<li>Paranjape, Makarand, and Sunthar Visuvalingam, ed. <em>Abhinavagupta: Reconsiderations<\/em>. New Delhi: Samvad India Foundation, 2006.<\/li>\n<li>Sasaki, Ken-ichi, ed. <em>Asian Aesthetics<\/em>. Singapore: NUS, 2011.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Indian Aesthetics Course Name: Indian Aesthetics Course Code: CCIA Division: Kalakosa Course HoD\/ Coordinator: Prof. Sudhir Lall\/ Dr. Mayank Shekhar Duration: 3 Months Total Credits: 4 Mode of Classes: Offline Eligibilty: Graduation in any discipline (preferably in Sanskrit\/Hindi\/English\/Linguistics\/Philosophy Art History\/Civilizational Studies) FEES: Rs. 10,000 Course Objective The course primarily aims to explore the history and &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/divisionss\/academic-unit\/short-term-certification-course\/indian-aesthetics\/\" class=\"more-link\"><span class=\"screen-reader-text\">Indian Aesthetics<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":74426,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-short-term-certification.php","meta":{"footnotes":""},"class_list":["post-110507","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/110507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=110507"}],"version-history":[{"count":3,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/110507\/revisions"}],"predecessor-version":[{"id":111561,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/110507\/revisions\/111561"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/74426"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=110507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}