













































































{"id":15231,"date":"2016-08-08T06:23:16","date_gmt":"2016-08-08T06:23:16","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=15231"},"modified":"2016-08-09T08:08:20","modified_gmt":"2016-08-09T08:08:20","slug":"the-archaeological-reports-of-professor-t-s-maxwell-02","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/the-archaeological-reports-of-professor-t-s-maxwell-02\/","title":{"rendered":"The Archaeological Reports of Professor T. S. Maxwell  02"},"content":{"rendered":"<div class=\"row\">\n<div class=\"col-sm-3 bubble\">\n<div class=\"rectangle\">\n<h2>Vaiku\u1e47\u1e6dha-Vi\u015bvar\u016bpa Vol. I<\/h2>\n<\/p><\/div>\n<div class=\"triangle-l\"><\/div>\n<div class=\"listabt\">\n<ul class=\"MT20\">\n<li><a href=\"\/?p=14619\">Page 001<\/a><\/li>\n<li><a href=\"\/?p=15231\">Page 002<\/a><\/li>\n<li><a href=\"\/?p=15396\">Page 003<\/a><\/li>\n<li><a href=\"\/?p=15544\">Page 004<\/a><\/li>\n<li><a href=\"\/?p=15642\">Page 005<\/a><\/li>\n<li><a href=\"\/?p=15813\">Page 006<\/a><\/li>\n<li><a href=\"\/?p=15888\">Page 007<\/a><\/li>\n<li><a href=\"\/?p=16231\">Page 008<\/a><\/li>\n<li><a href=\"\/?p=16513\">Page 009<\/a><\/li>\n<li><a href=\"\/?p=16724\">Page 010<\/a><\/li>\n<li><a href=\"\/?p=16805\">Page 011<\/a><\/li>\n<\/ul><\/div>\n<\/div>\n<div class=\"col-md-9\">\n<h3 class=\"hdng\" align=\"center\">Vaiku&#7751;&#7789;ha-Vi&#347;var&#363;pa Vol. I<\/h3>\n<table border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"100%\"><strong><\/p>\n<p align=\"JUSTIFY\">D:alphasitereports-2\/Ti<\/p>\n<p align=\"JUSTIFY\">TSM 1989\/90<\/p>\n<p align=\"JUSTIFY\">DFG-AZ.: Ma 1069\/3-l<\/p>\n<p>Kennwort:&nbsp;Vaiku&#7751;&#7789;ha-Vi&#347;var&#363;pa<\/p>\n<p>        <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>        <u><\/p>\n<p align=\"CENTER\" style=\"font-size:15px;\">Bericht uber die Ikonographic, Chronologie und Interpretation<\/p>\n<p align=\"center\" style=\"font-size:15px;\">des archaologischen Materials<\/p>\n<p>        <\/u><strong><\/p>\n<p align=\"CENTER\"><strong>TEIL I<\/strong><\/p>\n<p>            <u><\/p>\n<p align=\"CENTER\">SKULPTUREN DES Vaiku&#7751;&#7789;ha &#8211; UND Vi&#347;var&#363;pa-<\/p>\n<p align=\"CENTER\">TYPUS IN REGION 1<\/p>\n<p align=\"CENTER\">(RAJASTHAN MIT ANGRENZENDEN GEBIETEN IN GUJARAT)<\/p>\n<p>        <\/u><\/strong><\/p>\n<p align=\"CENTER\"><strong>T. S. Maxwell<\/strong><\/p>\n<p align=\"center\"><strong>MAP OF<\/strong><\/p>\n<p align=\"center\"><strong>REGION 1 (RAJASTHAN AND N. GVJARAT):<\/strong><\/p>\n<p align=\"CENTER\"><strong>DISTRIBUTION OF THE ARCHAEOLOGICAL MATERIAL<\/strong><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n&nbsp;<\/br><\/p>\n<table class=\"table table-bordered\">\n<tbody>\n<tr class=\"heading-rowng\">\n<th colspan=\"2\">Key<\/th>\n<\/tr>\n<tbody>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">1.\/2.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">ARTHUNA<br \/>\n          Temple site<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">3.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">DUNGARPUR<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">4.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">AHAR<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">5.\/6.\/7.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">EKALINGJI<br \/>\n          Mira temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">8.\/9.\/10.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">NAGDA<br \/>\n          S&#257;sb&#257;hu temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">11.\/12.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">CITTAURGADH<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">13.\/14.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">BIJOLIYAM<br \/>\n          Mah&#257;k&#257;la and U&#7751;&#7693;e&#347;vara temples<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">15.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">KOTA<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">16.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">JHALAVADH<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">17.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">CANDRAVATI<br \/>\n          Southern Vi&#7779;&#7751;u shrine<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">18.\/19.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">AJMER<br \/>\n          State (Rajputana) Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">20.\/21.\/22.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">NILKA&#7750;&#7788;H<br \/>\n          N&#299;laka&#7751;&#7789;ha Mah&#257;deva temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">23.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">NAND<br \/>\n          Dev N&#257;r&#257;ya&#7751; temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">24.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">JATGARH<br \/>\n          Fort temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">25.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">BHARATPUR<br \/>\n          State Museum<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">26.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">SAMALAJI (Gujarat)<br \/>\n          Kalasi chokra ni Ma temple<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">27.<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">KATHLAL (Gujarat)<br \/>\n          Hochschule, Kathlal<\/td>\n<\/tr>\n<tr>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">28<\/td>\n<td valign=\"middle\" width=\"50%\" style=\"text-align:center\">Architecture\/iconographic programme 400-1200<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\n&nbsp;<\/p>\n<h3 class=\"hdng\" align=\"center\">SKULPTUREN DES Vaiku\u1e47\u1e6dha- \/ Vi\u015bvar\u016bpa -TYPUS IN REGION<\/h3>\n<p align=\"justify\"><strong>1.&nbsp;<\/strong><strong>DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"justify\">Stein: 87,63 x 50,80<\/p>\n<p align=\"justify\">urspr. 20 Hande<\/p>\n<p align=\"justify\">In situ, Arthuna; ASI-Nr.63<\/p>\n<p align=\"justify\"><strong>1.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-beaded Vi&#7779;&#7751;u seated on Garu&#7693;a. The side-heads are those of &#346;iva Bhairava (r.) and Brahm&#257; (1.). The Garu&#7693;a figure is anthropomorphic with a snake around the neck. The Vi&#7779;&#7751;u figure was originally 20-armed; the only remaining attribute is &#347;a&#7749;kha (damaged) in the front left hand. The uppermost hands on either side hold miniature images of Brahm&#257; (r.) and &#346;iva (1.). Quiver of arrows behind right shoulder. Ear-overlap used.<\/p>\n<p align=\"justify\"><strong>1.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Vi&#7779;&#7751;u augmented by the addition of the faces and images of &#346;IVA and BRAHM&#256; (commonly Hariharapit&#257;maha or Datt&#257;treya, but with far more than the iconographically required 6 arms); this sculpture seems to be conceptually related to the 20-armed Vi&#347;var&#363;pa concept in its multiple identity and originally large number of attributes, but without the avat&#257;ra faces.<\/p>\n<p align=\"justify\">Nr. 1: Arthuna&nbsp;<\/p>\n<p align=\"justify\">ASI-63<\/p>\n<hr>\n<p align=\"justify\"><strong>2. DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"justify\">Stein: 91,45 x 58,42<\/p>\n<p align=\"justify\">urspr. 12 Hande<\/p>\n<p align=\"justify\">In situ, Arthuna; ASI-Nr.39<\/p>\n<p align=\"justify\"><strong>2.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u seated on anthropomorphic Garu&#7693;a. The Vi&#7779;&#7751;u figure has si&#7747;ha (r.) and var&#257;ha (1.) side-heads; originally 12-armed; the only remaining attribute is cakra in uppermost left hand. Small figure of Brahm&#257; above the cakra. Ear-overlap used.<\/p>\n<p align=\"justify\"><strong>2.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">an augmented form of Vaiku&#7751;&#7789;ha, akin to ANANTA<\/p>\n<p align=\"JUSTIFY\">(Apar&#257;jitap&#7771;cch&#257; 219.33-37).<\/p>\n<hr>\n<p align=\"justify\"><strong>3. DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"JUSTIFY\">Stein: 71,12 x 40,64<\/p>\n<p align=\"justify\">urspr. 20 Hande<\/p>\n<p align=\"justify\">aus Pith, Dungarpur-Distrikt<\/p>\n<p align=\"justify\">Government Museum, Dungarpur<\/p>\n<p align=\"justify\"><strong>3.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u seated on anthropomorphic Garu&#7693;a. The Vi&#7779;&#7751;u figure has side-heads which are theriomorphic but too narrowly depicted for visual identification; originally 20-armed; 4 attributes remain, viz. Khe&#7789;aka top left, hand drawing arrow from quiver top right, ak&#7779;am&#257;l&#257; on varada-mudr&#257; bottom right, &#347;a&#7749;kha (broken) bottom left. Ear-overlap used.<\/p>\n<p align=\"justify\"><strong>3.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">an augmented form of Vaiku&#7751;&#7789;ha, probably Vi&#347;var&#363;pa. (Apar&#257;jitap&#7771;cch&#257; 219.26-32, cp. R&#363;pama&#7751;&#7693;ana 3.55-57, cp. Agnipur&#257;&#7751;a 49.21-23).<\/p>\n<hr>\n<p align=\"justify\"><strong>4. DREIKOPFIGER VI&#7778;&#7750;U<\/strong><\/p>\n<p>        &gt;<\/p>\n<p align=\"justify\">Stein: 74.93 x 47,00<\/p>\n<p align=\"justify\">urspr. 14 Hande<\/p>\n<p align=\"justify\">aus Gangodbheda Kund, Ahar<\/p>\n<p align=\"justify\">State Museum, Ahar; Inv.-Nr.1\/4<\/p>\n<p align=\"justify\"><strong>4.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u with si&#7747;ha (r.) and var&#257;ha (1.) side-heads; 14 hands:-<\/p>\n<p>&nbsp;<\/p>\n<\/td>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">?a&#7749;ku&#347;a<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">khe&#7789;aka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">cakra<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">?danta\/`&#347;&#7771;&#7749;g&#299;<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">b&#257;&#7751;a<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">-?-<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">b&#299;jap&#363;raka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">varadamudr&#257;<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kama&#7751;&#7693;alu<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"30%\" valign=\"TOP\">\n<p align=\"justify\">j&ntilde;&#257;na -\/<\/p>\n<p align=\"justify\">vy&#257;khy&#257;namudr&#257;<\/p>\n<\/td>\n<td width=\"70%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">1.h. supports r.h.<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\">Independent &#257;yudhapuru&#7779;as on plinth: &#346;ankhapuru&#7779;a (r.), Cakrapuru&#7779;a (1.). The side-heads of Vi&#7779;&#7751;u are si&#7747;ha (r.) and var&#257;ha (1.). rendered in flat relief and partly concealed by cakra and gad&#257;; the snouts of the avat&#257;ra-heads touch the back of the cakra and khe&#7789;aka. The double-handed teaching mudr&#257; (?yogamudr&#257;, APRP 219.40) in front of the body is of interest; the concept of three-headed teaching Vi&#7779;&#7751;u as guru\/communicator of vai&#7779;&#7751;av&#299; vidy&#257; probably originated in P&#257;?car&#257;tra images in Kashmir, and it is perpetuated into the 12th century or later in the Rajasthan\/Gujarat area (cf. Pal, Indian Sculpture 2, Los Angeles\/Berkeley 1988: p.56, no.56, &#8220;A Cosmic Form of Vishnu&#8221;). All heads crowned. Polished marble.<\/p>\n<p align=\"justify\"><strong>4.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">an augmented form of Vaiku&#7751;&#7789;ha, between ANANTA and TRAILOKYAMOHANA (cf. Apar&#257;jitap&#7771;cch&#257; 219.33-41).<\/p>\n<p align=\"justify\">Nr. 4: Ahar (Museum)<\/p>\n<p align=\"justify\">aus Gangodbheda Kund<\/p>\n<p align=\"justify\">Ahar-1\/4<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>5. DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"justify\">stein: &#8212;- x &#8212;-<\/p>\n<p align=\"justify\">8 Hande<\/p>\n<p align=\"justify\">In situ, &#8216;Mira&#8217;-Tempel, Eklingji: Nordbhadra<\/p>\n<p align=\"JUSTIFY\"><strong>5.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Measurement and photography prohibited. Three-headed Vi&#7779;&#7751;u seated on flying anthropomorphic Garu&#7693;a. Vi&#7779;&#7751;u with si&#7747;ha (r.) and var&#257;ha (l.)<\/p>\n<p align=\"JUSTIFY\">side-heads. Tall kir&#299;&#7789;mukunta. 8 arms:&#8211;<\/p>\n<p align=\"justify\">&nbsp;<\/p>\n<\/td>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">khe&#7789;aka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7751;kha<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">2xb&#257;&#7751;a<\/p>\n<\/td>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;-<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">vajra<\/p>\n<\/td>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;-<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\"><strong>5.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">a form of Vaiku&#7751;&#7789;ha (cp. Apar&#257;jitap&#7771;cch&#257; 219.24-27).<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>6.<\/strong><strong>DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"justify\">Stein: &#8212;- x &#8212;-12<\/p>\n<p align=\"justify\">12 Hande<\/p>\n<p align=\"justify\">In situ, &#8216;Mira&#8217;-Tempel, Eklingji: Ostbhadra<\/p>\n<p align=\"JUSTIFY\"><strong>6.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Measurement and photography prohibited. Three-headed Vi&#7779;&#7751;u seated on flying anthropomorphic Garu&#7693;a. Tall kir&#299;&#7789;a. 12 arms:&#8211;<\/p>\n<p>&nbsp;<\/p>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">khe&#7789;aka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">vajra<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">da&#7751;&#7693;a<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">padma(?)<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">p&#257;&#347;a<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">cakra<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">padma (?)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"47%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">varadamudr&#257;<\/p>\n<\/td>\n<td width=\"53%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kama&#7751;&#7693;alu<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\"><strong>6.2<\/strong><strong>PRELIMARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">An augmented form of Vaiku&#7751;&#7789;ha, akin to ANANTA<\/p>\n<p align=\"JUSTIFY\">(Apar&#257;jitap&#7771;chh&#257; 219.33-37).<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>7.<\/strong><strong>DREIKOPFIGER VI&#7778;&#7750;U AUF GARU&#7692;A<\/strong><\/p>\n<p align=\"justify\">Stein: &#8212;- x &#8212;-<\/p>\n<p align=\"justify\">urspr. 16 Hande<\/p>\n<p align=\"justify\">In situ, &#8216;Mira&#8217;-Tempel, Eklingji: Siidbhadra<\/p>\n<p align=\"JUSTIFY\"><strong>7.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Measurement and photography prohibited. Three-headed Vi&#7779;&#7751;u seated on<\/p>\n<p align=\"JUSTIFY\">flying anthropomorphic Garu&#7693;a. Tall kir&#299;&#7789;a 16 arms:&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p><\n\n\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">cakra<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">sarpa\/p&#257;&#347;a(?)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">padma(?)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">pustaka(?)<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">2xb&#257;&#7751;a<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">dhanus<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">vajra<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">sruk(?)<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;-<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;-<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">varadamudr&#257;<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\"><\/td>\n<\/tr>\n<tr>\n<td width=\"135\" valign=\"TOP\">\n<p align=\"JUSTIFY\">w.(?)da&#7751;&#7693;a<\/p>\n<\/td>\n<td width=\"126\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kama&#7751;&#7693;alu<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\">vitarkamudr&#257; resting on l.h. palm.<\/p>\n<p align=\"JUSTIFY\"><strong>7.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">an augmented form of Vaiku&#7751;&#7789;ha, akin to TRAILOKYAMOHANA<\/p>\n<p align=\"JUSTIFY\">(cp. Apar&#257;jitap&#7771;chh&#257; 219.38-41).<\/p>\n<p align=\"JUSTIFY\"><strong>7.3<\/strong><strong>REMARK:<\/strong><\/p>\n<p align=\"JUSTIFY\">These 3 images (#5, #6, #7) as a group appear to correspond to the three icon-types described in Apar&#257;jitap&#7771;chh&#257; 219.28-41, viz. Vaiku&#7751;&#7789;ha. ANANTA, and TRAILOKYAMOHANA (the latter two being augmented forms of Vaiku&#7751;&#7789;ha).<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>8.<\/strong><strong><strong>DREIKBPFIGER VI&#7778;&#7750;U<\/strong><\/strong><\/p>\n<p align=\"justify\">Stein: 55,88 x 35,56<\/p>\n<p align=\"justify\">urspr. 10 Hande<\/p>\n<p align=\"justify\">In situ, s&#257;sb&#257;hu-Tempel, Nagda: Anataralawand, Sudeite, Mitte<\/p>\n<p align=\"JUSTIFY\"><strong>8.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u seated on anthropomorphic Garu&#7693;a under a karimakara-tora&#7751;a between pilasters flanked by elephants and vy&#257;las. Garu&#7693;a appears in flying posture facing left, left leg broken; a diminutive figure appears to each side on the base. Vi&#7779;&#7751;u has tall kir&#299;&#7789;a and downward sloping side-faces, lion on the right, boar on the left, overlapped by swordblade and noose. One right hand is missing. 10 arms:&#8211;<\/p>\n<p>&nbsp;<\/p>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"48%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">bana<\/p>\n<\/td>\n<td width=\"52%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">cakra<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"48%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">snile<\/p>\n<\/td>\n<td width=\"52%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">dhams<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"48%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">musala<\/p>\n<\/td>\n<td width=\"52%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">p&#257;&#347;a<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"48%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"52%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kama&#7751;dal<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"48%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"52%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\"><strong>8.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">An augmented form of Vaiku&#7751;&#7789;ha, attributed with symbols of Balar&#257;ma, Brahm&#257;, Yama.<\/p>\n<p align=\"justify\">Nr. 8: Nagda<\/p>\n<p align=\"justify\">Sasbahu-Tempel, S<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>9.<\/strong><strong><strong>DREIKBPFIGER VI&#7778;&#7750;U<\/strong><\/strong><\/p>\n<p align=\"justify\">Stein: 22,37 x 14,23<\/p>\n<p align=\"justify\">8 Hande<\/p>\n<p align=\"justify\">In situ, s&#257;sb&#257;hu-Tempel, Nagda: Garbhagrhaeingang, Hauptsakha, rechts.<\/p>\n<p align=\"JUSTIFY\"><strong>9.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u, standing. Side-heads are theriomorphic but indistin-guishable from each other. 8 arms:&#8212;<\/p>\n<p>&nbsp;<\/p>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"54%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;<\/p>\n<\/td>\n<td width=\"46%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">khe&#7789;aka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"54%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">abhayamudr&#257;<\/p>\n<\/td>\n<td width=\"46%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">cakra<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"54%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"46%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">dhanus<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"54%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"46%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\">Iconographical context on right sanctum doorframe &#347;&#257;kh&#257;, from base upward: 1. female dancer w. 2 musicians \/ 2. Cakrapuru&#7779;a w. cakra in r.h., leans on gad&#257; \/ 3. Vaiku&#7751;&#7789;ha-form \/ 4. Narasi&#7747;ha, standing, in battle w. Hira&#7751;yaka&#347;ipu \/ 5. Trivikrama w. V&#257;mana \/ 6. &#346;iva w. P&#257;rvat&#299;, standing.<\/p>\n<p align=\"JUSTIFY\"><strong>9.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">A form of Vaiku&#7751;&#7789;ha associated with the disk, destruction and conquest.<\/p>\n<p align=\"justify\">Nr. 9: Nagda<\/p>\n<p align=\"justify\">Sabahu-Tempel<\/p>\n<p align=\"justify\">Hauptsakha, R.<\/p>\n<hr>\n<p align=\"JUSTIFY\"><strong>10.<\/strong><strong>DREIKBPFIGER VI&#7778;&#7750;U<\/strong><\/p>\n<p align=\"justify\">Stein: 24,40 x 14,25<\/p>\n<p align=\"justify\">8 Hande<\/p>\n<p align=\"justify\">In situ, s&#257;sb&#257;hu-Tempel, Nagda: Garbhgrhaeingang, Hauptsakha, links<\/p>\n<p align=\"JUSTIFY\"><strong>10.1<\/strong><strong>DESCRIPTION:<\/strong><\/p>\n<p align=\"JUSTIFY\">Three-headed Vi&#7779;&#7751;u standing. Side-heads are theriomorphic but almost indistinguishable from each other. 8 arms:&#8211;<\/p>\n<p>&nbsp;<\/p>\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td width=\"56%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">gad&#257;<\/p>\n<\/td>\n<td width=\"44%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">khe&#7789;aka<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"56%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">kha&#7693;ga<\/p>\n<\/td>\n<td width=\"44%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#8212;-<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"56%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">b&#257;&#7751;a<\/p>\n<\/td>\n<td width=\"44%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">dhanus<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"56%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">varadamudr&#257;<\/p>\n<\/td>\n<td width=\"44%\" valign=\"TOP\">\n<p align=\"JUSTIFY\">&#347;a&#7749;kha<\/p>\n<p align=\"JUSTIFY\">&nbsp;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"JUSTIFY\">Iconographical context on left sanctum doorframe &#347;&#257;kh&#257;, from base upward: 1. three dancers \/ 2. &#346;a&#7749;khapuru&#7779;a w. &#347;a&#7749;kha in l.h., leaning on gad&#257; \/ 3. Vaiku&#7751;&#7789;ha-form \/ 4. Var&#257;ha \/ 5. Gajendramok&#7779;a \/ Vi&#7779;&#7751;u w. Lak&#7779;m&#299;, standing.<\/p>\n<p align=\"JUSTIFY\"><strong>10.2<\/strong><strong>PRELIMINARY IDENTIFICATION:<\/strong><\/p>\n<p align=\"JUSTIFY\">A form of Vaiku&#7751;&#7789;ha associated with the conch, preservation and stability.<\/p>\n<p align=\"justify\">Nr.10: Nagda<\/p>\n<p align=\"justify\">Sasbahu-Tempel<\/p>\n<p align=\"justify\">Hauptsakha, L.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vaiku\u1e47\u1e6dha-Vi\u015bvar\u016bpa Vol. I Page 001 Page 002 Page 003 Page 004 Page 005 Page 006 Page 007 Page 008 Page 009 Page 010 Page 011 Vaiku&#7751;&#7789;ha-Vi&#347;var&#363;pa Vol. I D:alphasitereports-2\/Ti TSM 1989\/90 DFG-AZ.: Ma 1069\/3-l Kennwort:&nbsp;Vaiku&#7751;&#7789;ha-Vi&#347;var&#363;pa &nbsp; Bericht uber die Ikonographic, Chronologie und Interpretation des archaologischen Materials TEIL I SKULPTUREN DES Vaiku&#7751;&#7789;ha &#8211; UND Vi&#347;var&#363;pa- TYPUS &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/the-archaeological-reports-of-professor-t-s-maxwell-02\/\" class=\"more-link\"><span class=\"screen-reader-text\">The Archaeological Reports of Professor T. S. Maxwell  02<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50282,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-15231","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/15231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50282"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=15231"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/15231\/revisions"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=15231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}