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In some they provide context while in others, they are akin to the texts of form and technique, specially \u015bilpa, citra, n\u0101\u1e6dya and n\u1e5btya. A free narrative style of the Pur\u0101\u1e47as facilitates an understanding of the \u015bilpa (i.e. measurement, proportion and iconography) and the \u0100gama aspect (i.e. ritual and the worship methodologies) together. Also, since the Pur\u0101\u1e47as are texts which move freely in time and space, social strata, they are able to make connections between different levels of society as also in different periods of history.<\/p>\n<p align=\"justify\">The present volume K\u0101lik\u0101pura\u1e47e M\u016brtivinirde\u015ba\u1e25, is a selection of 550 verses from the K\u0101lik\u0101 Pur\u0101\u1e47a roughly ascribed to the period between tenth and eleventh<\/p>\n<p>  centuries CE. It is an important landmark for understanding the iconography as also the ritual practices related to \u015aaiva images particularly the Dev\u012b in eastern India. The sculptured style of medieval eastern India is distinctive and cannot be mistaken for contemporary sculptural style prevalent in Bengal and Orissa. What is true of the sculptural style is also true of the iconographical details of images from Assam and specially some only recently excavated and housed in the Assam State Museum.<\/p>\n<p align=\"justify\">For understanding the iconography of these images, the K\u0101lik\u0101 Pur\u0101\u1e47a is an indispensable tool. The detailed descriptions enable one to comprehend the particularities of the iconographical details. The Pur\u0101\u1e47a is specially concerned with K\u0101m\u0101khy\u0101, K\u0101l\u012b and K\u0101p\u0101l\u012b-Bhairavi. The fusion of the legend and the iconographical details can, no doubt, help in further interpretative work on eastern India sculpture.<\/p>\n<p>  Equally significant are the sections relating to the methodogies of worship through rituals. Very fine and sensitive details are enumerated as to how to meditate upon and worship the Goddess specially K\u0101me\u015bvar\u012b (K\u0101m\u0101khy\u0101).<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>K\u0100LIK\u0100PUR\u0100\u1e46E M\u016aRTIVINIRDE\u015aA\u1e24 (KMS No. 9) \u00a0Edited and Translated by\u00a0 BISWANARAYANA SHASTRI 1994, xxxviii+144pp., indexs, ISBN: 91-208-1125-9, Rs 200 (HB) Most of the Pur\u0101\u1e47as contain sections devoted to the arts. In some they provide context while in others, they are akin to the texts of form and technique, specially \u015bilpa, citra, n\u0101\u1e6dya and n\u1e5btya. A free &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/kalikapurane-murtivinirdesah\/\" class=\"more-link\"><span class=\"screen-reader-text\">kalikapurane Murtivinirdesah<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50282,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-30459","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/30459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50282"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=30459"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/30459\/revisions"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=30459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}