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The Pur\u0101\u1e47as &#8211; Agni, Vi\u1e63\u1e47u, Matsya and M\u0101rka\u1e47\u1e0deya &#8211; provide a necessary bridge between the ritual texts and the texts of the particular arts. The Pur\u0101\u1e47as are neither a sub-stream of popular discourse as considered by some nor are they narratives of complex mythologies and legends manifesting flights of poetic imagination or shrouding social histories only. Indeed they are another mode of communicating the same ontological and epistemological concerns of the Vedas and the Upni\u1e63ads and the systematization of method of the Br\u0101hma\u1e47as as they provide another method of relating the abstract and the concrete, the universal and the specific, the philosophic and the artistic. The chapters on the arts in the Pur\u0101\u1e47a have to be comprehended against the larger concerns. There is the endeavour to contain multi-dimensions of concepts and meanings through narrative myth and its transformation into a vocabulary of formal elements in the arts, singly and together.<\/p>\n<p>The Vi\u1e63\u1e47udharmottara Pur\u0101\u1e47a occupies a predominant position among the Upapur\u0101\u1e47as and is also related to the discourse within the Pur\u0101\u1e47as. Moreover it is central to the discourse on the arts, both preceding and succeeding it. The voluminous text can be viewed only within the framework of the Pur\u0101\u1e47as or it can be placed through Kha\u1e47\u1e0da III in the mainstream of the discourse on the arts from the N\u0101tya\u015b\u0101stra to the medieval texts. Its contents can be profitably compared with those of both its predecessors as also successors.<\/p>\n<p>The Citras\u016btra constitutes an important cluster in the larger concerns of the Vi\u1e63\u1e47udharmottara Pur\u0101\u1e47a on both the nature of art, artistic expression and communication as also its insistence on establishing a meaningful interdependence and inter-relationship between and among the arts.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CITRAS\u016aTRAM VI\u1e62\u1e46UDHARMOTTARA PUR\u0100\u1e46A (KMS No 32) Edited and Translated by: PARUL DAVE MUKHERJI 2001, xlv+293pp., line drawings, bibl., gloss., index, ISBN:81-208-1805-9, Rs.750(HB). The Citras\u016btra belongs to the Vi\u1e63\u1e47udharmottra Pur\u0101\u1e47a, K\u0101\u1e47\u1e0da III, Chapters 35-43. The Pur\u0101\u1e47as &#8211; Agni, Vi\u1e63\u1e47u, Matsya and M\u0101rka\u1e47\u1e0deya &#8211; provide a necessary bridge between the ritual texts and the texts of the &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/citrasutram-vi%e1%b9%a3%e1%b9%87udharmottara-pura%e1%b9%87a\/\" class=\"more-link\"><span class=\"screen-reader-text\">CITRAS\u016aTRAM VI\u1e62\u1e46UDHARMOTTARA PUR\u0100\u1e46A<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50282,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-30469","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/30469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50282"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=30469"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/30469\/revisions"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=30469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}