{"id":32002,"date":"2016-12-03T14:56:02","date_gmt":"2016-12-03T09:26:02","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=32002"},"modified":"2017-08-29T11:55:41","modified_gmt":"2017-08-29T06:25:41","slug":"periodicals-journals-bulletins-articles-papers-and-pamphlets","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/divisionss\/kalanidhi\/reference-library\/print-material\/bibliographies-abia\/periodicals-journals-bulletins-articles-papers-and-pamphlets\/","title":{"rendered":"Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets"},"content":{"rendered":"<h3 class=\"hdng\"><a name=\"Period\"><\/a>Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets<\/h3>\n<ul class=\"fa-ul\">\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=31981#INTRO\">Introduction\u00a0<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=31981#METHOD\">Methodology\u00a0<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=31981#LIST\">List of Abbreviations<\/a><\/li>\n<li><strong>Bibliography<\/strong><\/li>\n<\/ul>\n<blockquote>\n<ul class=\"fa-ul\">\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=31994#Books\">Books (Arranged alphabetically country wise)<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=32002#Period\">Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets<\/a><\/li>\n<\/ul>\n<\/blockquote>\n<ul class=\"fa-ul\">\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=37585#Selected\">Selected press clippings<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=37608#Radio\">Radio talk, Photo &#8211; Features, Calender<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=37630#Audio\">Audio Cassettes<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=37639#Slides\">Slides on Shadow Puppet<\/a><\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i><a href=\"\/?p=37657#Museum\">Museum on Shadow Puppets<\/a><\/li>\n<\/ul>\n<table border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"100%\"><strong>AUSTRALIA<\/strong><\/p>\n<p>595. Manipulation . 28, Macarthur Place, Carlton VIC 3053.<\/p>\n<p><strong>BELGIUM<\/strong><\/p>\n<p>596. Olbrechts, Frans M.<\/p>\n<p>Le Theatre Javanais.<em>\u00a0Bulletin des Muse\u5f3es Royaux d\u4f46rt et d\u8fbfistoire,<\/em>\u00a0<em>Bruxelles<\/em>. 4; 82-88; July 1932.<\/p>\n<p><strong>CHINA<\/strong><\/p>\n<p>597. Feng, Yang. and Rin Ji.<\/p>\n<p>Present situation and problems: paper. UNIMA Congress held in Japan in 1987.<\/p>\n<p>Available at IGNCA<\/p>\n<p>598. China Taipei: Present situation and issues of puppetry in our country.<\/p>\n<p>This paper was written by Chairman of the Drama Dept. China Cultural<\/p>\n<p>University about present situation of puppet theatre, govt. help and teaching programme on puppetry.<\/p>\n<p>Available at S.D.<\/p>\n<p>599. Wanxian, Cao.<\/p>\n<p>Silhouette. Paper presented in Seminar at International Puppet Festival, New Delhi, 1-15 September, 1990.<\/p>\n<p>600. China Reconstructs, No.4, 1954.<\/p>\n<p>601. Travel , December 1925.<\/p>\n<p><strong>COMMONWEALTH OF INDEPENDENT STATES (C.I.S.)<\/strong><\/p>\n<p>602. Kustodiev v teatre: katalog.\u00a0<em>Central Theatre Museum. Moscow,<\/em>\u00a01979.<\/p>\n<p>(In Russian)<\/p>\n<p>603. Zharovtseva, I.<\/p>\n<p>Puppet Theatre Festival of the Baltic Republic and Byelorussia.\u00a0<em>UNIMA<\/em><\/p>\n<p><em>Information,\u00a0<\/em>1978.Pp.62-3.<\/p>\n<p><strong>FRANCE<\/strong><\/p>\n<p>604. Brooks, Zoe.<\/p>\n<p>Spitting Image.\u00a0<em>Animations<\/em>\u00a08:3; 1985. pp.46-48.<\/p>\n<p>605. Hemmet, Christine.<\/p>\n<p>Les Masques du Khon: un artisanant traditionell de Thailande (Khon Masker from Thailand).\u00a0<em>Utg : Objects et Mondes,<\/em>\u00a0Paris, Automn-Hiver, 1983. Tome 23, Fasc. 3-4. pp.95 : ill.<\/p>\n<p>( In French )<\/p>\n<p>606. Hobart, A.<\/p>\n<p>Between things : the place of the Pandasar in Bali.\u00a0<em>Archipel<\/em>, 25, Paris, Centre National de la Recherche Scientifique et de L\u68danstitut National des Langues et Civilisations Orientals. 1983. pp.159-170.<\/p>\n<p>607. Holt, Claire.<\/p>\n<p>Theatre et danse aux Indes Neerlandaises.\u00a0<em>Les Archives Internationales de la<\/em>\u00a0<em>Danse<\/em>. Paris: 1939.<\/p>\n<p>( In French )<\/p>\n<p>608. Mulayadi , Seto.<\/p>\n<p>Puppet Theatre in Indonesia.\u00a0<em>UNIMA International<\/em>, Paris : UNIMA (Report), 1985.<\/p>\n<p>609.\u00a0<em>Puppetry<\/em>. 1937, Seraphin.<\/p>\n<p>610. Saglio, Andre.<\/p>\n<p>Marionnettes Javanaises.\u00a0<em>L\u68dallustration<\/em>, 105; 161; february 23, 1895. Illustrated.<\/p>\n<p>( In French )<\/p>\n<p>611. The Shadow Theatre of Tangshan, Hebei, China.\u00a0<em>UNIMA Internationale<\/em>, Paris: Chene, 1985.<\/p>\n<p>Available at IGNCA.<\/p>\n<p>612<em>. Studio<\/em>. Vol. 13 ,1898, Caran D Ache; Vol.15, 1899, H.Riviere; February 1935.<\/p>\n<p>613. UNIMA<\/p>\n<p>UNIMA Information 1983.<em>\u00a0UNIMA<\/em>, Paris, 1984. pp.59.<\/p>\n<p>Available at IGNCA.<\/p>\n<p>614. Verneuil, M.P.<\/p>\n<p>Javanese wayangs.\u00a0<em>Art et Decoration<\/em>, March, 1924. pp.45-46; 119-28.<\/p>\n<p>615. Wayang in Java and Bali at present.\u00a0<em>UNIMA Information<\/em>, 1978. pp.38-39.<\/p>\n<p>Available at IGNCA.<\/p>\n<p>616. Zolfaghavi, Javed.<\/p>\n<p>A summary of the History of Puppetry in Iran.\u00a0<em>UNIMA Internationale<\/em>, Paris, 1981. Pp.51-53.<\/p>\n<p><strong>GERMAN DEMOCRATIC REPUBLIC<\/strong><\/p>\n<p>617. Bohatta, H.<\/p>\n<p>Das Javanische Drama.\u00a0<em>Mitteilungen der Anthropologischen Gesellschaft in Wien<\/em>, Wien. Vol.35, 1905. pp.278-307.<\/p>\n<p>( In German)<\/p>\n<p>618. Bohatta, H.<\/p>\n<p>Die javanische Musik im allgemeinen und die dramatische Musik in besonderen.\u00a0<em>Musik und Theater<\/em>, Zeitung XII, Wien, 1901. Heft 11-12, 12-14.<\/p>\n<p>( In German )<\/p>\n<p>619. Furst, E.<\/p>\n<p>Theater und Musik der Javanen.\u00a0<em>Naturwissenschaftliche Wochenschrift<\/em>\u00a0redigiert von H.Potonie, Berlin, 1898. 13 Band. pp.493-99.<\/p>\n<p>( In German )<\/p>\n<p>620. Hagemann, Carl.<\/p>\n<p>Spiel der Volker.\u00a0<em>Birmesische Marionetten<\/em>, S.130-38;\u00a0<em>Die Puppen von Osaka<\/em>, S.253-62. Berlin, 1921.<\/p>\n<p>( In German )<\/p>\n<p>621. Hooykaas, E.<\/p>\n<p>The Function of the Dalang.\u00a0<em>Akten des 24, Internationalen Orientalistenkangs<\/em>, Munchen: 1957. pp.683-686.<\/p>\n<p>( In German )<\/p>\n<p>622. Jacob, G.<\/p>\n<p>Das Schattentheatre.\u00a0<em>Seiner Wanderung von Morgenland zum Abendland<\/em>. 1.<\/p>\n<p>( In German )<\/p>\n<p>623. Jacob, G.<\/p>\n<p>Die Entdeckung des Sudindischen Schattentheatres Durch: Prof. Spies.\u00a0<em>Z.D.M.G<\/em>.<\/p>\n<p>Bd. 14, 1935. pp.387-390.<\/p>\n<p>( In German )<\/p>\n<p>624. Kahle, Paul.<\/p>\n<p>Der Lenchtturm von Alexandria Ein Aralisches Schattenspiel aus dem Mittelatter lichen Agypten. Stuttgart : W.Kohlhammer, 1930.<\/p>\n<p>( In German )<\/p>\n<p>625. Laufer, B. and Krebs, E.<\/p>\n<p>Chinesische Scattenspiele des Koniglich Bayricchen akademie der Wissenschaften, Philosophilolog, U.Historische Klasse, 28, Bandi, Inder Reiheder.<em>\u00a0Denkschriften der<\/em>, 1917, Band, Munchen.<\/p>\n<p>( In German )<\/p>\n<p>626. Luders,H.<\/p>\n<p>Die Saubhikas. Ein Beitrag zur geschichte des indischen Dramas.\u00a0<em>SPAW<\/em>, 1916. pp.689-737.<\/p>\n<p>( In German )<\/p>\n<p>627. Mulder, Niels.<\/p>\n<p>Abangan Javanese Religious Thought and Practice.\u00a0<em>B.K.I<\/em>. 139, No.2\/3; 1983. pp.260-67.<\/p>\n<p>628. Muller, F.W.K.<\/p>\n<p>Nang, Siamesische Schattenspiel figuren im Kgl. Museum fur Volkerkunde zu Berlin .\u00a0<em>Internationales Archiv fur Ethnographie<\/em>. Bd.7, Supplement, 1894.<\/p>\n<p>( In German )<\/p>\n<p>629. Mylius, N.<\/p>\n<p>Die Funktion des Javanschen Wayang in de Gengenwast.\u00a0<em>Anthropos<\/em>, 57, 1961.pp.591-603.<\/p>\n<p>( In German )<\/p>\n<p>630. Mylius, N.<\/p>\n<p>Wayang Suluk and wayang Wahyu, Zwei Moderne Wayang-astens Javas.\u00a0<em>Archiv fur<\/em>\u00a0<em>Volkerkunde\u00a0<\/em>, Vol. 26, 1962. pp.94-104.<\/p>\n<p>( In German )<\/p>\n<p>631. Parnickel, B.B.<\/p>\n<p>Towards an Interpretation of the Metempsychosis Motif in Wayang Purwa Lakons.\u00a0<em>B.K.I.<\/em>\u00a0136, No.4; 1980. pp.427-81.<\/p>\n<p>632. Pigeaud, Th.G. Th.<\/p>\n<p>Javaanche wichearijen klassifikatie .<em>\u00a0Feestbundel Koninklijk Bataviaasch Genootschap<\/em>\u00a0, 2 Weltevreden; 1929. pp.273-290.<\/p>\n<p>( In German )<\/p>\n<p>633. Pigeaud, Th.G. Th.<\/p>\n<p>Javaanse Volksvertoningen : Bijdrage tot de Beschrijving van land en volk. Batavia, Volkslectuur.<\/p>\n<p>( In German )<\/p>\n<p>634. Pischel, R.<\/p>\n<p>Das altindische Schattenspiel.<em>\u00a0Sitzungsberichte der Kgl. Preuss Akademie der<\/em>\u00a0<em>wissenschaften<\/em>, Berlin. No.23;1906. pp.482-502.<\/p>\n<p>( In German )<\/p>\n<p>635. Ras, J.J.<\/p>\n<p>De Clownfiguren in de Wajang.\u00a0<em>B.K.I<\/em>. 134, No.4; 1978. pp.451-65.<\/p>\n<p>( In German )<\/p>\n<p>636. Saal, Anton.<\/p>\n<p>Javanische Literatur und Sprache.\u00a0<em>Asien,<\/em>\u00a0Jahrg. 2 May, 1903. pp.117-20: ill.<\/p>\n<p>( In German )<\/p>\n<p>637. Schade, R.<\/p>\n<p>Rolf Schade &#8211; Puppet Maker.\u00a0<em>GDR Reports<\/em>\u00a0, June No.6, 1988.<\/p>\n<p>Available at IGNCA<\/p>\n<p>638. Seltmann, F.<\/p>\n<p>Die Dienerfiguren im javanisch-balinesischen Drama.\u00a0<em>Wayang-Puppenspiel auf Java und<\/em>\u00a0<em>Bali<\/em>, Ausstellungskatalog des Puppent heatermuseums in Munchen (Seltmann-Wilhelm, Columba), 1981. pp15-25.<\/p>\n<p>(In German)<\/p>\n<p>639. Seltmann, F.<\/p>\n<p>Java and Bali.\u00a0<em>In<\/em>\u00a0M.Thomsen, O.Karow, J.Polok, K.G.Siegler : Ausslellungskatalog Java &#038; Bali. Mainz, 1980; div Abb. Pp.135-276.<\/p>\n<p>(In German)<\/p>\n<p>640. Seltmann, F.<\/p>\n<p>Puppenspiel in Siid-Karnataka.<em>\u00a0Tribus, veroffentlichungen des Linden-Museum<\/em>, Stuttgart, 27, 1978. pp.43-86. 51 Abb.<\/p>\n<p>(In German)<\/p>\n<p>641. Seltmann, F.<\/p>\n<p>Schattenspiel in Kerala .\u00a0<em>BKI\u00a0<\/em>128; 1972. pp.458-490. 8Abb.<\/p>\n<p>(In German)<\/p>\n<p>Available at IGNCA<\/p>\n<p>642. Seltmann, F.<\/p>\n<p>Schattenspiel in Mysore und Andhra Prades.\u00a0<em>BKI<\/em>\u00a0127; 1971. Pp.451-489. 8Abb.<\/p>\n<p>(In German)<\/p>\n<p>643. Seltmann, F.<\/p>\n<p>Schattenspiel in Orissa.\u00a0<em>BKI<\/em>\u00a0133, 1977. pp.323-341. 16 Abb.<\/p>\n<p>(In German)<\/p>\n<p>644. Seltmann, F.<\/p>\n<p>Schattenspiel in Sud-Tamil Nadu.\u00a0<em>BKI<\/em>\u00a0135, 1979. pp.455-480. 16 Abb.<\/p>\n<p>645. Seltmann, F.<\/p>\n<p>Vergleichende Kemponenten der Schattenspielformen von Siid-Indien, Malayasia, Thailand, Kombodscha, Bali und Java .\u00a0<em>Tribus, Veroffentlichingen des Linden- Museum<\/em>, Stuttgart; 23; 1974. pp.23-70. 9Abb.<\/p>\n<p>646. Solomonik, I.N.<\/p>\n<p>Wayang Purwa Puppets &#8211; the Language of the Silhoutte.\u00a0<em>B.K.I.<\/em>\u00a0Vol.136, No.4; 1980. pp.482-497.<\/p>\n<p>647. Spies, O.<\/p>\n<p>Das indische Schattentheater.\u00a0<em>Theater der Welt<\/em>, 2.Jhg. No.1, 1938. (Januar)<\/p>\n<p>pp.1-3.<\/p>\n<p>( In German )<\/p>\n<p>648. Stache-Rosen, Valentine.<\/p>\n<p>Schattenspiele und Bildervorfuhrungen, zwei Formen der religiosen Volksunterhaltung in Indien.\u00a0<em>Zeitschrift der Dentschen Morgenlandischen Schattenspiele Gesellschft<\/em>, Bd.126, Wilesbaden; 1976. pp.136-148.<\/p>\n<p>( In German )<\/p>\n<p>649. Swellengrebel, I.L.<\/p>\n<p>Introduction.\u00a0<em>In\u00a0<\/em>W.F.Wertheim et.al.(ed.) Bali : Studies in Life, Thought and Ritual.<\/p>\n<p>The Hague, Van Hoeve; 1960. pp.3-76.<\/p>\n<p>650. Thieme, P.<\/p>\n<p>Das Indische Theater.\u00a0<em>H.Kindermann, fernostliches Theater<\/em>; Stuttgart. pp.21-120.<\/p>\n<p>( In German )<\/p>\n<p>651. Waguer, F.<\/p>\n<p>Das Wayangspiel.\u00a0<em>Kunst der Welt: Indonesian<\/em>, 1959. pp.122-142.<\/p>\n<p>( In German )<\/p>\n<p>652. Winternitz, M.<\/p>\n<p>Das indische Schattentheater (Besprechung des Buches von Jacob\/ Jenson\/Losch 1931, s.o.).\u00a0<em>Orientalische Literaturzeitung,<\/em>\u00a0Band 36; 1933. pp.283-287.<\/p>\n<p>( In German )<\/p>\n<p><strong>INDIA<\/strong><\/p>\n<p>653. Awasthi, Suresh.<\/p>\n<p>Indian Puppet Theatre &#8211; its revival and reconstruction.<em>\u00a0Natya<\/em>\u00a0Vol.4; 1961. Pp.29- 34.<\/p>\n<p>Available at S.D.<\/p>\n<p>654. Awasthi, Suresh.<\/p>\n<p>Puppet Theatre for India .\u00a0<em>Arts of India<\/em>. Vol.5, No.5; 1975. pp.46-54.<\/p>\n<p>655. Awasthi, Suresh.<\/p>\n<p>The Shadow Plays of South India and their affinities with the Shadow Plays of South East Asia.<em>\u00a0International Conference on the traditional Drama and Music<\/em>. 1969.<\/p>\n<p>656. Bake, A.A.<\/p>\n<p>The Javanese Shadow Play.\u00a0<em>The Modern Review<\/em>\u00a0: Calcutta. October, 1942. pp.317-320.<\/p>\n<p>657. Balu, S.<\/p>\n<p>Folk Arts: when leather comes to life.\u00a0<em>Network<\/em>. November, 1988. pp.48-50.<\/p>\n<p>658. Banerjee, Utpal.<\/p>\n<p>Vishwa Puppet Utsav . Desh, Calcutta, Weekly Magazine, October, 1990.<\/p>\n<p>( In Bengali)<\/p>\n<p>Available at S.G.<\/p>\n<p>659. Benegal, S. (Ed.)<\/p>\n<p>Natya &#8211; Theatre Arts Journal. New Delhi: Bharatia Natya Sangh. 1961.<\/p>\n<p>Available at S.D.<\/p>\n<p>660. Boopathy, D.<\/p>\n<p>Pavakoothu &#8211; the shadow play of Kerala<em>. Bulletin of the Institute of traditional Culture<\/em>, Madras, July-Dec.1980. pp.63-72.<\/p>\n<p>661. Channabasappa, Go.Ru.<\/p>\n<p>Karnataka Janapada Kalegalu &#8211; a brief introduction to the Folk arts of Karnataka. Bangalore, div. Illustrations.<\/p>\n<p>662. Chatterjee, B.R.<\/p>\n<p>India and Java.\u00a0<em>Greater India Society<\/em>. Bulletin No.5; Calcutta, 1933.<\/p>\n<p>663. Contractor, Meher R.<\/p>\n<p>Andhra Shadow Puppets.<em>\u00a0Darpana Academy Pamphlet<\/em>, Unpaginated.<\/p>\n<p>664. Contractor, Meher R.<\/p>\n<p>Various types of traditional Puppets of India.<em>\u00a0MARG<\/em>, Vol.XXI; no.3:5-9; Mumbai; 1968.<\/p>\n<p>Available at S.D.<\/p>\n<p>665. Cultural troupe from Bali-Indonesia .\u00a0<em>I.C.C.R. pamphlet<\/em>, New Delhi, 1990.<\/p>\n<p>Available at S.G.<\/p>\n<p>666. Ensink, J.<\/p>\n<p>Rekhacarmma, on the Indonesian Shadow Play with Special Reference to the Island of Bali.\u00a0<em>Raghavan, Felicitation Volume; Adayar Library bulletin,<\/em>\u00a0Vol.31- 32; 1967-68. pp.412-441.<\/p>\n<p>667. Exhibition on Traditional Theatre.\u00a0<em>Journal of Sangeet Natak Akademi,<\/em>\u00a0No.21, 1971; pp.61-65.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>668. Helstein, Mel.<\/p>\n<p>Shadow Puppets and their Iconography.\u00a0<em>In<\/em>\u00a0Our Cultural Fabric: Puppet Theatre in India; Min. of Education &#038; Culture; New Delhi, 1982. pp.23-32.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>669. Hiriyanna, A.<\/p>\n<p>Two Performing Folk Arts of Karnataka &#8211; Notes on Stringed puppet and Shadow plays.\u00a0<em>Folklore<\/em>. Vol.26, No.7; 1985. pp.1-6; Whole No.295.<\/p>\n<p>Available at S.G.<\/p>\n<p>670. IGNCA<\/p>\n<p>Chhya Putul . IGNCA pamphlet, New Delhi. February, 1994.<\/p>\n<p>Available at I.G.N.C.A.<\/p>\n<p>671. Imrapur, S.<\/p>\n<p>Bombay Karnataka (N.Karnataka) Leather Plays. Bangalorwe: Lecture; 8-12 September.1988.<\/p>\n<p>672. Iyer, E.K.<\/p>\n<p>The Shadow Play in Malabar.\u00a0<em>Bulletin of the Rama Varma Research Institute.<\/em>\u00a0Vol.XI, Part.1; Jan.1943. pp.22-26 and\u00a0<em>MARG<\/em>, Vol.21, No.3. pp.22-26.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>673. Krishnaiah, S.A.<\/p>\n<p>Indian leather puppet plays. Bangalore : Lecture 8- 12, September 1988.<\/p>\n<p>674. Krishnaiah, S.A.<\/p>\n<p>Puppetry in Karnataka.\u00a0<em>R.R.C.,<\/em>\u00a0Udupi, 1987.<\/p>\n<p>675. Krishnaiah, S.A. and Bhat, N.T.<\/p>\n<p>Trans Cult and Puppetry.<em>\u00a0Prasanga<\/em>. Vol.15; 1987. p.4.<\/p>\n<p>676. Krishnaiah, S.A. and Bhat, N.T.<\/p>\n<p>Puppetry in Karnataka.\u00a0<em>Prasanga<\/em>. Vol.16; 1987. p.2.<\/p>\n<p>677. Krishna Iyer E.<\/p>\n<p>Tanjore Puppet Show.\u00a0<em>Asiatic Review<\/em>, Vol.13; 1954.<\/p>\n<p>678. Leo, M.<\/p>\n<p>The Invisible Hand.\u00a0<em>Natya.\u00a0<\/em>Vol.4, No.4; 1961. pp.81-88.<\/p>\n<p>Available at S.D.<\/p>\n<p>679. Lokesh Chandra.<\/p>\n<p>Studies in India-Asian Art and Culture.\u00a0<em>International Academy of India,\u62c5ata- Pitaka series<\/em>, Vol.6; Indo-Asian Literature; 1980. pp.245-314.<\/p>\n<p>680. Pani, J.<\/p>\n<p>Hanuman and Traditional Indian Theatre.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>, New Delhi, No.35; 1975. pp.5-16.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>681. Pani, J.<\/p>\n<p>Shadow Puppetry and Ravan-Chhaya of Orissa.\u00a0<em>Journal of Sangeet Natak<\/em>\u00a0<em>Akademi<\/em>, Sp.Issue, No.98, Oct-Nov;1990.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>682. Paramashivaiah, J.S.<\/p>\n<p>The Traditional Leather Puppet Play. Bangalore : Lecture; 8-12 September, 1988.<\/p>\n<p>683. Pisharoti, K.Rama.<\/p>\n<p>Kerala Theatre.\u00a0<em>Journal of the Annamalai University<\/em>, Annamalainagar, Vol.III, No.2, October; 1934.<\/p>\n<p>684. Rajagopalan, L.S.<\/p>\n<p>Shadow play of Andhra.\u00a0<em>Puppet Theatre around the world<\/em>, New Delhi, 1974. pp.102-104.<\/p>\n<p>685. Rajendra, D.K.<\/p>\n<p>Southern Karnataka Leather Puppet Plays. Bangalore : Lecture, 8-12 September; 1988.<\/p>\n<p>686. Ramakrishna Rao, G.<\/p>\n<p>Leather Puppets in Andhra.\u00a0<em>Natya.<\/em>\u00a0vol.9, No.2; 1966.pp.15-16.<\/p>\n<p>Available at S.D.<\/p>\n<p>687. Raman, K.L.<\/p>\n<p>Sowacar Seethalakshmi and her world of leather puppets.\u00a0<em>Pratibha<\/em>\u00a0,India. Vol.7, No.3; 1988. pp.43-46.<\/p>\n<p>688. Ramanamurthy, M.V.<\/p>\n<p>Shadow Play of Andhra.\u00a0<em>Puppet Theatre Around the World: Bharatia Natya<\/em>\u00a0<em>Sangh.<\/em>\u00a0New Delhi, 1960. pp.102-104.<\/p>\n<p>Available at S.D.<\/p>\n<p>689. Razdan, Inder.<\/p>\n<p>Shadow Puppets of Orissa.\u00a0<em>Natya<\/em>. Vol.8, pt.4; 1964. pp.10-12.<\/p>\n<p>Available at S.D.<\/p>\n<p>690. Regional Resource Centre (R.R.C.)<\/p>\n<p>Doddabharamappas take-off.\u00a0<em>New Bulletin of the R.R.C.<\/em>\u00a0and the Yakshagana Kendra, January, 1985.<\/p>\n<p>691. Report of the all India Festival of Puppets and Dummy Dancing.<em>\u00a0Journal of<\/em>\u00a0<em>Sangeet Natak Akademi<\/em>, New Delhi. No.15; 1960. Pp.5-8.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>692. Samar, D.L.<\/p>\n<p>Kathputli &#8211; kala aur uski monovygyanik prishtabhumi.\u00a0<em>Rangayan: Bharatia Lok<\/em>\u00a0<em>Kala Mandal<\/em>, June, 1974.<\/p>\n<p>( In Hindi )<\/p>\n<p>Available at B.L.K.M.<\/p>\n<p>693. Samar, D.L.<\/p>\n<p>Modern Puppetry and its Contemporary Scene. Our Cultural Fabric- Puppet Theatre in India, New Delhi, Min. of Education and Culture. 1982. Pp.1-9.<\/p>\n<p>Available at Central Library<\/p>\n<p>694. Samar, D.L.<\/p>\n<p>Putli Ki Abhivyanjanatamak Shakti.<em>\u00a0Rangayan : Bharatia Lok Kala Mandal<\/em>, Udaipur, October ;1974.<\/p>\n<p>( In Hindi )<\/p>\n<p>Available at B.L.K.M.<\/p>\n<p>695. Samar, D.L.<\/p>\n<p>Role of Puppets in Mental Therapy.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>, New Delhi, No.36; 1975; pp.54-63.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>696. Samar, D.L.<\/p>\n<p>Traditional Indian Puppetry- its dramatrugy, styles and technique.\u00a0<em>Journal of<\/em>\u00a0<em>Sangeet Natak Akademi<\/em>. 1981.Pp.38-44. and\u00a0<em>Sangeet Natak Akademi<\/em>, New Delhi; No.30; 1973<\/p>\n<p>Available at S.N.A.<\/p>\n<p>697. Samar, D.L.<\/p>\n<p>Puppets and Puppeteers of Rajasthan.\u00a0<em>Puppet Theatre Around the World<\/em>, New Delhi. Pp.64-72.<\/p>\n<p>Available at Central Library<\/p>\n<p>698. Sanganna, M.<\/p>\n<p>Understanding leather puppetry. Bangalore : Lecture, 8-12 September, 1988.<\/p>\n<p>699. Sarma, M.N.<\/p>\n<p>Tolu Bommalatta &#8211; the shadow puppet theatre of Andhra Pradesh.\u00a0<em>Journal of<\/em>\u00a0<em>Sangeet Natak Akademi<\/em>, New Delhi. No. 74, 1984. pp.5-15.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>700. Sarma, M.N.<\/p>\n<p>The Shadow Puppet Theatre of Andhra Pradesh.\u00a0<em>Journal of S.N.A.,<\/em>\u00a0Sp.Issue &#8211; Indian Shadow Puppetry, No.98, Oct-Nov. ;1990.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>701. Sastri, K.A.N. and Raman K.R.V.<\/p>\n<p>The Tamils and the art of dance .\u00a0<em>Bulletin of the Institute of Traditional<\/em>\u00a0<em>Cultures.<\/em>\u00a01971. P.29.<\/p>\n<p>702. Sastri, S.M.Natesa<\/p>\n<p>The Killekyata.\u00a0<em>The Indian Review<\/em>, Vol.VII; Jan.-Dec. 1906; Madras. pp.655-658.<\/p>\n<p>703. Schade, R.<\/p>\n<p>On the Shadow theatre in India. German Scholars of Indian &#8211; Contribution to Indian Studies, Mumbai. Vol.Ii. pp.276-285.<\/p>\n<p>704. Sekhar, A. Chadra.<\/p>\n<p>Leather Puppet Dolls.\u00a0<em>Census of India<\/em>\u00a0&#8211; 1961, Vol.II; Andhra Pradesh, Part VII A(I), 1964. pp.15-35.<\/p>\n<p>Available at Central Library<\/p>\n<p>705. Seltmann, F.<\/p>\n<p>Shadow Play in Kerala. Our Cultural Fabric- Puppet Theatre in India, Min. of Education and Culture, Govt. of India. Pp.11-22; 1982.<\/p>\n<p>Available at Central Library<\/p>\n<p>706. Shadow Play in Kerala. Puppet Theatre in India, Min. of Education and Culture; New Delhi;pp.11-22.<\/p>\n<p>Available at Central Library<\/p>\n<p>707. Sharadadevi<\/p>\n<p>Leather shadow puppets.\u00a0<em>Illustrated Weekly of India<\/em>, February 1969. p.18-20.<\/p>\n<p>708. Sheppard, H.M.<\/p>\n<p>The Khmer Shadow Play and Its Links with Ancient India &#8211; a possible source of the Malay Shadow play of Kelantan and Trengganu.<em>\u00a0Bulletin of the Institute of<\/em>\u00a0<em>Traditional Cultures;<\/em>\u00a0Jan-June, 1969. pp.181-187.<\/p>\n<p>709. Siegal, H.<\/p>\n<p>Puppetry and Myself.\u00a0<em>Naty.,<\/em>\u00a0Vol.4, No.4; 1961. pp.45-53.<\/p>\n<p>Available at S.D.<\/p>\n<p>710. Sorenson, N.R.<\/p>\n<p>Shadow Theatre in Andhra Pradesh &#8211; Tolo Bommalu Kattu.\u00a0<em>Journal of<\/em>\u00a0<em>Sangeet Natak Akadem.<\/em>\u00a0No.33; 1974. pp.14-29.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>711. Spatharis, E.<\/p>\n<p>The Comic Substance in Karaghiozis.\u00a0<em>Natya<\/em>. Vol.4, No.4; 1961. pp.157-160.<\/p>\n<p>Available at S.D.<\/p>\n<p>712. Suleiman, S.<\/p>\n<p>Indonesian Puppetry.\u00a0<em>Natya.<\/em>\u00a0Vol.4, No.4; 1961. pp.54-58.<\/p>\n<p>Available at S.D.<\/p>\n<p>713. Swaminathan, Venkat.<\/p>\n<p>Puppet Theatre &#038; Tamil Nadu.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>, Sp.Issue. Oct.- Dec.; 1990.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>714. Tramote, M.<\/p>\n<p>Thai Puppet Shows.\u00a0<em>Natya.<\/em>\u00a0Vol.4, No.4; 1961. pp.59-63.<\/p>\n<p>Available at S.D.<\/p>\n<p>715. Upadhyaya, K.S.<\/p>\n<p>The Puppet Theatre tradition of Karnataka.<em>\u00a0Journal of Sangeet Natak Akademi<\/em>, Sp.Issue. No.98, Oct.- Dec.; 1990.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>716. Upadhyaya, K.S.<\/p>\n<p>Shadow Theatre in India.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>\u00a0.1978.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>717. Venkataraman, M.<\/p>\n<p>Puppet Dance Drama, an Ancient Art of India.\u00a0<em>Bulletin of the Institute of<\/em><\/p>\n<p><em>traditional Culture<\/em>. Pt.1, June; 1960. pp.56-60.<\/p>\n<p>718. Venu, G.<\/p>\n<p>Tolpava Koothu &#8211; the traditional Shadow Puppet Play of Kerala.\u00a0<em>N.C.P.A.<\/em><\/p>\n<p><em>Quarterly Journal<\/em>. Vol.10, No.4; 1981. pp.25-36.<\/p>\n<p>719. Venu, G.<\/p>\n<p>The Traditional Puppet Theatre of Kerala.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>. Sp.Issue. No.98, Oct.- Dec. ;1990.<\/p>\n<p>Available at S.N.A.<\/p>\n<p>720. Vidyarthi, Govind.<\/p>\n<p>In Search of a Lost tradition &#8211; Chamddyache Bahulya, Kalasutri Bahulya and Potthi.\u00a0<em>Journal of Sangeet Natak Akademi<\/em>. No.47. pp.23-26.<\/p>\n<p>Available at S.N.A.<\/p>\n<p><strong>INDONESIA<\/strong><\/p>\n<p>721. Atmatjendana, K.I.<\/p>\n<p>Seral pedalgangan Ringgit Purwa; Karanganipun, Surakarta : Mahabharata .<em>I.<\/em>\u00a0Vol.3; 1996.ill.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>722. Darnawi, S.<\/p>\n<p>Wayang Sebagai Wahana Penyampai Nilai-Nilai- Sebuah Kasos Serat Tripama.\u00a0<em>Gatra<\/em>. No.6; 1985. pp.32-35.<\/p>\n<p>723. Dewa Ruci; di Kisahkan Kembali oleh dakman Mudyadi.<em>\u00a0In<\/em>\u00a0Jakarta : Pustaka Jaya, 1964. p.67.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>724. Gurito, P.<\/p>\n<p>Konsepsi Kebudayaan Dan Peragaannya- Dalam Wayang Purwa.\u00a0<em>Gatra<\/em>. No.6; 1985. pp.6-12.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>725. Hadiluwih, S.<\/p>\n<p>Wayang Kulit, tantanan Lahir Batin.<em>\u00a0Gatra<\/em>. No.6; 1985. pp.44-47.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>726. Hadisoeseno, H.<\/p>\n<p>Wayang and Education.<em>\u00a0Education and Culture<\/em>. Vol.8; 1955. pp.1-20.<\/p>\n<p>727. Hadisutjipto, S.Z.<\/p>\n<p>Cerita Rama dari Madura.\u00a0<em>Gatra<\/em>. No.6; 1985. pp.23-31.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>728. Heins, Ernst.<\/p>\n<p>Cueing the Gamelan Orchestra in a Performance of Wayang Kulit.\u00a0<em>Indonesia.<\/em>\u00a09; 1970. pp.101-27.<\/p>\n<p>729. Heroesoekarto.<\/p>\n<p>Hadigang, Hadigung, Dan Hadiguna.\u00a0<em>Gatra<\/em>. No.6; 1985. pp.21-22.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>730. Hill, A.H.<\/p>\n<p>Wayang Kulit Stories from Trengganu.\u00a0<em>JMBRAS<\/em>. Vol.XVI, No.3; 1949.<\/p>\n<p>Pp.85- 105.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>731. Hobart, A.<\/p>\n<p>Between Things, the place of the Pendsar in Bali.<em>\u00a0Archipet<\/em>. No.25; 1983. Pp.159- 170.<\/p>\n<p>732. Hobart, A.<\/p>\n<p>The Kakayonan : Cosmic tree or world mountain .\u00a0<em>Indonesia Circle<\/em>. No.30; 1983. pp.13-16.<\/p>\n<p>733. Hoevell, W.R.Van.<\/p>\n<p>Veshandelingen Batav.\u00a0<em>Genootschap v.k.&#038; w<\/em>. tome 20; Bat, F: Java; 1843.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>734. Hooykaas, C.<\/p>\n<p>Pamurtian in Balinese Art.\u00a0<em>Indonesia Circle<\/em>. No.12; 1971. pp.1-12.<\/p>\n<p>735 Keeler, Ward.<\/p>\n<p>Musical Encounter in Java and Bali .<em>\u00a0Indonesia<\/em>\u00a0. No.19; 1975. pp.85-125.<\/p>\n<p>736. Keeler, Ward.<\/p>\n<p>Javanese Generations : Gender Roles and Intergenerational Ties in Javanese muth and Ritual \/ Paper presented at the SSRC Conference on Gender Roles in Insular Southeast Asia , Princeton, Dec. 1983.<\/p>\n<p>737. Moens-Larab, M.V.<\/p>\n<p>The Wajang- Koelit: the shadow play of Java and Bali.\u00a0<em>Inter Ocean<\/em>. 1930. p.69<\/p>\n<p>738. Purba, S.<\/p>\n<p>Wahya Cahyaningsat.\u00a0<em>Majalah Panyeban Semangat<\/em>. No.5.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>739. Sardhono, A.D.<\/p>\n<p>Mengungkapakan latar bela Kang-Lakon Karna Tanding.<em>\u00a0Gatra<\/em>. No.6; 1985. Pp.36-40.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>740. Siswaharsaya, Ki.<\/p>\n<p>Wahyu Makutarama.\u00a0<em>Ngayogyakarta<\/em>. 1960.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>741. Subalidinate, R.S.<\/p>\n<p>Wahyu Dalam Cerita Pewayangan.\u00a0<em>Gatra<\/em>\u00a0. No.6; 1985. pp13-20.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>742. Surabaya.<\/p>\n<p>Wahya Jayaningsat .\u00a0<em>Majalah Panyebar Semengat<\/em>\u00a0. No.7; 1982.<\/p>\n<p>743. Surabaya.<\/p>\n<p>Wahyu Tirta Manik Mahadi.\u00a0<em>Majalah Penyebar Semangat<\/em>. No.4; 1983.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>744. Surjodiningrat, W.<\/p>\n<p>Shadow puppets and family planning &#8211; the Indonesian experience.<em>\u00a0Population<\/em>\u00a0<em>communication technical Documentation<\/em>. No.8; 1982.<\/p>\n<p>745. Suryodiningrat, Wasisto.<\/p>\n<p>Gamelan, Dance and Wayang .<em>\u00a0In<\/em>\u00a0Jogjakarta. 2nd Ed.; 1971. vi, pp.80.<\/p>\n<p>746. Widodo, W.S.<\/p>\n<p>Wahyu Wasesa Tunggal .<em>\u00a0Majalah Penyebar Semangat<\/em>. No.5; 1980.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>747. Widyastuti, M.<\/p>\n<p>Tunas &#8211; Tunas Muda di Lingkungan W.O.Bharata.\u00a0<em>Gatra<\/em>. No.6; 1985. pp.41-43.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p><strong>ITALY<\/strong><\/p>\n<p>748. A.B.C. On the Marionette Theatre of the Javanese.<em>\u00a0The Marionette.<\/em>\u00a0No.7, July 4; 1918. pp.209-222.<\/p>\n<p>749.\u00a0<em>The Marionette Tonight at 12.30<\/em>. Florence, Italy, Box 444. Vol.1;1918.<\/p>\n<p>750.<em>\u00a0The Mask.<\/em>\u00a0Florence, Italy, Box 44.15 Vols; 1908-1929.<\/p>\n<p>Vol.14, No.3; Vol.6, No4; Vol.6, No.2. have articles about puppets.<\/p>\n<p><strong>JAPAN<\/strong><\/p>\n<p>751. Light and Shadow Fantasy.\u00a0<em>Brochure of The Kageboushi Shadow Play Company.<\/em>\u00a0Tokyo, Japan.<\/p>\n<p>Available at S.G.<\/p>\n<p><strong>MALAYSIA<\/strong><\/p>\n<p>752. Pa\u596aogol and Wa\u9c48ong &#8211; The evolution of the comedians in the Malay shadow play in Kelantan.<em>\u00a0Journal of the Royal Biotic Society.<\/em>\u00a0Malay Branch. Vol.38, Pt.1; 1965.<\/p>\n<p>753. Reutse, A.<\/p>\n<p>The Kalantan Shadow Play.\u00a0<em>Journal of the Royal Asiatic Society<\/em>. Malayan Branch. Vol. 14, No.3; 1946.<\/p>\n<p>754. Shahrum, B.Y.<\/p>\n<p>The technical aspects of the Kelantan Malay Shadow play theatre.\u00a0<em>In\u00a0<\/em>International Conference on the traditional Drama and Music of South East Asia, Malaysian Society for Asian studies, Kualalumpur, August 27-31; 1969.<\/p>\n<p>755. Sheppard, D.H.M.<\/p>\n<p>The Khmer Shadow play and its link with ancient India.\u00a0<em>Journal of the Malasian<\/em>\u00a0<em>Branch Royal Asiatic Society<\/em>. No.41, Part. I; 1968. pp. 199-204.<\/p>\n<p><strong>NETHERLAND<\/strong><\/p>\n<p>756. Aichele, W.<\/p>\n<p>Oud Javaansche bijdragetot de geschiedesius van de Wenschboom.\u00a0<em>Djowo.<\/em>\u00a07, 1928.pp.28.<\/p>\n<p>( In Dutch )<\/p>\n<p>757. Boedihardjo.<\/p>\n<p>Grepen int de Wajang.\u00a0<em>Djowo<\/em>. 2, 1922. pp.22.<\/p>\n<p>( In Dutch )<\/p>\n<p>758. Boedihardjo.<\/p>\n<p>Petilan.\u00a0<em>Djaja Baja<\/em>. Vol.Ii, No.43; 1957. pp.6.<\/p>\n<p>( In Dutch )<\/p>\n<p>759. Brandts &#8211; Buys.<\/p>\n<p>Omtrent de rebab.\u00a0<em>Djowo.<\/em>\u00a06; 1939.<\/p>\n<p>( In Dutch )<\/p>\n<p>760. Brotolanojo, S.<\/p>\n<p>Beschouwingen over de esoterische beteekenis van het wajangspel ( Wayang Poerwa ).\u00a0<em>Theosoph Maandblad\u00a0<\/em>. 1928. pp.522-570.<\/p>\n<p>( In Dutch )<\/p>\n<p>761. Cohenstuart, A.B.<\/p>\n<p>De Wayjang en de heroische periode in de outwikkeling van Jan.<em>\u00a0Djowo<\/em>. 2;1923. pp.109.<\/p>\n<p>( In Dutch )<\/p>\n<p>762. Dangklung, Kidalang.<\/p>\n<p>Sorogan padalangan.\u00a0<em>Djaja Baja.<\/em>\u00a0Vol.11, No.44 &#038; 52; 1957. pp.6.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>763. Djayadipura, R.M.T.<\/p>\n<p>Gegevens met betrekking tot de gammelan.\u00a0<em>Djawa.<\/em>\u00a0Prae-adviezen, Vol.I, No.2; 1921.<\/p>\n<p>( In Dutch )<\/p>\n<p>764. Greneman, J.<\/p>\n<p>Natah Wajang Welulang (Das Meisselnder ledernan Wajang-puppender Javaner).\u00a0<em>Internationales Archiv fur Ethnographic ( Leiden ).<\/em>\u00a0Vol.2; 1913. pp.25-35.<\/p>\n<p>( In Dutch )<\/p>\n<p>765. Hidding, K.A.H.<\/p>\n<p>De beteckenis van de kekajon.\u00a0<em>Bijdgragen tot de Taal-, Land-en Volkenkunde.\u00a0<\/em>73,Leiden, Ned. 1931. pp.623-662.<\/p>\n<p>( In Dutch )<\/p>\n<p>766. Hidding, K.A.H.<\/p>\n<p>De Betekenis van de Kakajon: Tijdschrift vor Indische Taal.\u00a0<em>Leiden Volkenkunde<\/em>. Vol.LXXI; 1931. pp.624.<\/p>\n<p>( In Dutch )<\/p>\n<p>767. Hooykaas, C.<\/p>\n<p>The Balinese realm of death.<em>\u00a0Bijdragen Koninklijk Instituut voor taal-, Land -en Volkenkunde<\/em>. 112; 1956. pp.74-87.<\/p>\n<p>768. Hooykaas, C.<\/p>\n<p>Kama and Kala : Materials for the Study of the Shadow Theatre in Bali.\u00a0<em>In<\/em><\/p>\n<p>German Verhandelingen Konin Klyjke-Institute foor Taal-Land-en Volkenkunde 79, Amsterdam &#038; London. North Holland Publishing Company, 1973.<\/p>\n<p>769. Hooykaas, J.H.<\/p>\n<p>A journey into the realm of death.<em>\u00a0Bijdragen Koninklijk Instituut voor Taal-, Land-en Volkenkunde.<\/em>\u00a0111,1955. pp.236-273.<\/p>\n<p>770. Inggris, H.R.<\/p>\n<p>De desa Karangdjati in Bagelen.\u00a0<em>Djawa<\/em>. 1923. pp.45-50.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>771. Inggris, H.R.<\/p>\n<p>Het Soewatens feast in de Karangdjati in Bagelan.\u00a0<em>Djowa<\/em>. No.3; 1923.<\/p>\n<p>( In Dutch )<\/p>\n<p>772. Javaanse Volksvertoningen : Bijdrage tot de Beschrijving van Land en Volk.\u00a0<em>Batavioa, Volkslectuur.\u00a0<\/em>1938.<\/p>\n<p>773. Juynboll, Hendrik Herman.<\/p>\n<p>Catalogus van\u75f4 Rijks Ethnographisch Museum.\u00a0<em>Deel.<\/em>\u00a0XIII, Java, 3e.gedeelte. Leiden : 1918.<\/p>\n<p>774. Kats, J.<\/p>\n<p>Het Javaansche Toneel Wajang Poerwa.\u00a0<em>Wajang Poerwa<\/em>. Weltefeeden, 1923.<\/p>\n<p>( In Dutch )<\/p>\n<p>775. Kern, H.<\/p>\n<p>Over de Oud-Javaansche iofdicht vertaling van het Mahabharata : verhandel.\u00a0<em>Verhandel de Konik Academic<\/em>, tome 10, No.2; 1879.<\/p>\n<p>( In Dutch )<\/p>\n<p>776. Kern, H.<\/p>\n<p>Ramayana, Oud-Javannasche heldendicht.\u00a0<em>Kon.Inst. V.D. Taal-, Land en<\/em>\u00a0<em>Volkenkunde V Ned-Indie<\/em>. S-Grav; 1900.<\/p>\n<p>( In Dutch )<\/p>\n<p>777. Kunst, Jaap.<\/p>\n<p>Met Medewerking van R.Goris, Hindoe-Javaansche musiek-instrumenten, speciaal die van Oost-Java.<\/p>\n<p>778. Kunst, Jaap.<\/p>\n<p>The Music of Java. Amsterdam : Koninklijke Vereeniging.\u00a0<em>Koloniaal Instituut.\u00a0<\/em>Medeeling No.XLIII. Afd. Volkenkunde No.10, 1937.<\/p>\n<p>779. Loeber, J.A.<\/p>\n<p>Over de Siameesche en de Javaansche wajang Koelit.\u00a0<em>Nederlandsch Indie out en<\/em>\u00a0<em>Nieeiw Jaargang<\/em>. 1928. pp.99.<\/p>\n<p>780. Mangkunegoro.A.<\/p>\n<p>Over de Wajang Koelit ( C. Poerwa) in het algemen en over de daarin vookomende symbolische en mystiek elementen.\u00a0<em>Djawa<\/em>. XIII; 1933. pp.79.Translation into English by Clane Hoft under the Title : On the lords International.\u00a0<em>In<\/em>\u00a0Wayang Kulit (Purwa) and its Symbolic and Mystical Elements. Data Paper No.27. New York : Southeast Asia Programme; Dept. of Eastern Studies, Cornell University, 1933.<\/p>\n<p>( In Dutch )<\/p>\n<p>781. McPhee, Colin.<\/p>\n<p>The Balinese Wajang Koelit and Its Music.\u00a0<em>Djawa<\/em>. 1936.<\/p>\n<p>782. Mechelan, CH.Te.<\/p>\n<p>Ece en ander over de Wajang.\u00a0<em>T.B.G.<\/em>\u00a0Vol.25; 1896. Pp.12.<\/p>\n<p>( In Dutch )<\/p>\n<p>783. Overbeek, H.<\/p>\n<p>Bambang To Sena een Palembang sch Wajang Verhaal.<em>\u00a0Djowo<\/em>. Vol.14; 1934. pp.108.<\/p>\n<p>( In Bahasa Indonesia )<\/p>\n<p>784. Pigeaud, Th.G. Th.<\/p>\n<p>Javaansche wichelarji en klassifikatie.<em>\u00a0Feestbundel Koninklijk Bataviaasch Genootschap<\/em>. 2, Weltervreden; 1929. pp.273-290.<\/p>\n<p>785. Poensen, C.<\/p>\n<p>De Wajang.\u00a0<em>Mededeelingen vanwege het Nederlandsche Zendelinggenootschap<\/em>. Jarrgang XVI, 1872. pp.59-115, 204-222, 233-80; Jarrgang XVII, 1873. pp.138- 64..<\/p>\n<p>( In Dutch )<\/p>\n<p>786. Poerbatjaraka, R.<\/p>\n<p>Arjuna Wiwaha : Tekst en Vestaling.\u00a0<em>Bijdragen tot de Taal, &#8211; Land-en Volkenkunde<\/em>. Vol.82; 1926. pp.181-305.<\/p>\n<p>( In Dutch )<\/p>\n<p>787. Raffles, S.<\/p>\n<p>History of Java. tome 1; 2nd Ed.\u00a0<em>Tijdschr U.Neesl. Indie<\/em>.Tome 2;1817. pp.4.<\/p>\n<p>788. Rassers, W.H.<\/p>\n<p>Over de Oorsprang van het Javaansche Tonnel.\u00a0<em>Bijdragen Taal, &#8211; Land- en Volkenkunde<\/em>. Vol.88; 1931. pp.317-450.<\/p>\n<p>( In Dutch )<\/p>\n<p>789. Rassers, W.H.<\/p>\n<p>Over Denzin van het Javaansche Drama.\u00a0<em>Bijdr, taal-Land-en Volkenkunde van Nederlandsche- India Deel.\u00a0<\/em>81; 1925. pp.361-375.<\/p>\n<p>( In Dutch )<\/p>\n<p>790. Robson, S.O.<\/p>\n<p>The kawi classics in Bali.\u00a0<em>Bijdragen tot de Taal-Land-en Volkenkunde<\/em>. Vol.128; 1972. pp.308-326.<\/p>\n<p>791. Wagner, F.<\/p>\n<p>Das Wayangspiel.<em>\u00a0Kunst der Welt.<\/em>\u00a0Indonesian. 1959. pp.122-142.<\/p>\n<p>( In Dutch )<\/p>\n<p>792. Wajang Kelitik oder Kerutjil.\u00a0<em>Internationales Archiv fur Ethnographie<\/em>. Band XIII, Leiden : 1900. S.4-17, 97-119.<\/p>\n<p><strong>SINGAPORE<\/strong><\/p>\n<p>793. Samat , Jasmine.<\/p>\n<p>Innovation in Puppetry. Unima Congress at Japan in 1987.<\/p>\n<p>Available at S.D.<\/p>\n<p><strong>SWITZERLAND<\/strong><\/p>\n<p>794. Reichardt, J.<\/p>\n<p>Botero\u75f4 Blow ups.\u00a0<em>Artibus Asiae ( Switzerland )<\/em>. Vol.45; 1985. pp.253-256.<\/p>\n<p>( In Swedish )<\/p>\n<p><strong>THAILAND<\/strong><\/p>\n<p>795. Bridhyakorn, B.K.D.<\/p>\n<p>The Nang.<em>\u00a0Thailand Culture series.<\/em>\u00a0No.12.<\/p>\n<p>796. Chitthan, P.<\/p>\n<p>Nang kan Thonglo-sinlapin Phunban diden pi 2528 ( Puppeteer Kan Thonglo- Distinguished folk artist of 1985 ).\u00a0<em>Waras an Watthanatham Thai.<\/em>\u00a0Vol.25, No.5; 1986. pp.11-16.<\/p>\n<p>( In Thai )<\/p>\n<p>797. Dhani, N.<\/p>\n<p>The shadow play as a possible origin of the masked play.\u00a0<em>Journal of the Siam<\/em>\u00a0<em>Society , Bangkok<\/em>. Vol.37, No.1; 1947.<\/p>\n<p>798. Marchal, H.<\/p>\n<p>Note sur un Theatric d\u4e39mbres a Siem reap.\u00a0<em>Saigon : Bulletin de la Society des Etudes Indochinoise.<\/em>\u00a0Vol.33, No.3; 1958.<\/p>\n<p>( In French )<\/p>\n<p>799. Nicolas, R.<\/p>\n<p>Le Theatre d\u4e39mbres au Siam.\u00a0<em>The Journal of the Siam Society ( Bangkok ).<\/em>\u00a0Vol.21, Part.1; 1927. pp.37-52.<\/p>\n<p>( In French )<\/p>\n<p>800. Rutnin, Mattani.<\/p>\n<p>The Development of theatre studies at the University level.<em>\u00a0The journal of National Research Council of Thailand<\/em>. Vol.14, No.2, July-Dec.; 1982. pp.20 : ill.<\/p>\n<p>801. Smithes, M. and Kerdchunay, E.<\/p>\n<p>Nang talung &#8211; the shadow theatre of Southern Thailand.\u00a0<em>Journal of the Siam Society.\u00a0<\/em>Vol.60; 1975. pp.379-390.<\/p>\n<p>802. Yuthavong, Onchuma<\/p>\n<p>Present Situation of Puppetry in Thailand. UNIMA &#8211; Japan; 1987.<\/p>\n<p>Available at S.D.<\/p>\n<p><strong>TURKEY<\/strong><\/p>\n<p>803. Karagoz.\u00a0<em>Editions Post<\/em>, Ankara, 1977.<\/p>\n<p><strong>UNITED KINGDOM<\/strong><\/p>\n<p>804. Adam, Tassilo.<\/p>\n<p>Javanese Shadow Plays &#8211; Symbal of People.<em>\u00a0Knickerbocker Weekly.<\/em>\u00a0No.4, August 7; 1944. pp.18-20.<\/p>\n<p>805.\u00a0<em>Animation.\u00a0<\/em>The Puppet Centre Trust, London.<\/p>\n<p>806.\u00a0<em>Atlantis.\u00a0<\/em>Feb.1935.<\/p>\n<p>807. Awasthi, Suresh.<\/p>\n<p>Puppet Theatre of India.<em>\u00a0Arts of Asia, Hongkong.\u00a0<\/em>1975. pp.46-54.<\/p>\n<p>808. Banner, H.S.<\/p>\n<p>Java\u75f4 Shadow Shows and the Kawi Epics.<em>\u00a0London Mercury.<\/em>\u00a016 August; 1927. pp.389-99.<\/p>\n<p>809. Bloch, S. and Coomaraseamy, A.K.<\/p>\n<p>Javanese Theater.<em>\u00a0Asia.<\/em>\u00a0July; 1929. pp.536-39.<\/p>\n<p>810.\u00a0<em>British UNIMA Bulletin.<\/em>\u00a0Percy Press II ( Hon. Secretary), 16, Templeton Road, London.<\/p>\n<p>3 yearly journal on puppets by British Centre of UNIMA.<\/p>\n<p>811. Cousins, J.H.; Kramrisch, Stella and Poduval, R.<\/p>\n<p>Dance, Drama and Shadow play.\u00a0<em>The Arts and Crafts of Travancore<\/em>. 1948. pp.177-178.<\/p>\n<p>812. Damais, L.C.<\/p>\n<p>The Shadow theatre in Java and Bali.\u00a0<em>World Theatre<\/em>. Vol.14; 1965. pp.480-489.<\/p>\n<p>813. De.Boer, F.E.<\/p>\n<p>&#8220;Pak Rajegs&#8221; Life in Art.\u00a0<em>The Drama Review<\/em>. Vol.23, No.2; 1979. pp.57-62.<\/p>\n<p>814. De.Boer, F.E.<\/p>\n<p>The Dimba and Dimti of J. Nyoman rajeg : A Balinese Shadow play.<em>\u00a0Asian Theatre Journal<\/em>. Vol.4, No.1; 1987. pp.76-121.<\/p>\n<p>815. Francis, P.<\/p>\n<p>A World of Puppets.\u00a0<em>Crafts.\u00a0<\/em>Vol.37; 1939.<\/p>\n<p>816. Goffin, W.Earl.<\/p>\n<p>Silhonette.\u00a0<em>Far and Wide<\/em>. Autumn; 1950.<\/p>\n<p>817. Guritno, P.<\/p>\n<p>Wayang Purwa.\u00a0<em>Arts of Asia, Hongkong.<\/em>\u00a01976. pp.15-26.<\/p>\n<p>818. Guritno, P.<\/p>\n<p>Wayang Purwa &#8211; transmitter of Indonesian Culture.\u00a0<em>Asian Culture<\/em>. No.27; 1980. pp.2-9.<\/p>\n<p>819. Harding, S.<\/p>\n<p>Ramayana Shadow Play in India.<em>\u00a0Asia<\/em>. April, 1935. pp.234-235.<\/p>\n<p>820. Hobart, A.<\/p>\n<p>The Balinese Shadow Figures : their Ritual and Social Significance.\u00a0<em>Occasional Paper<\/em>. London, British Museum. 1986.<\/p>\n<p>821. Holt, Claire.<\/p>\n<p>The Dance in Java.\u00a0<em>Asia<\/em>. 37. pp.843-46.<\/p>\n<p>822. In This Far Island.\u00a0<em>Asia<\/em>. December 1944 &#8211; July 1945.<\/p>\n<p>823. Javanese Shadow Puppets &#8211; the craftsman and the artists.\u00a0<em>Arts and Crafts<\/em>. Sec.4, Jan.-June; 1971. pp.207-212. and\u00a0<em>Bulletin of the Institute of Traditional Culture,<\/em>\u00a0Trustee of the British Museum. Jan.-June;1971.<\/p>\n<p>824. Javaneses Topang Dalang.<em>\u00a0Illustrated London News<\/em>. 1911.<\/p>\n<p>825. Jones, J.M.F.<\/p>\n<p>The Wayang Kulit of Java and Bali.\u00a0<em>Man.\u00a0<\/em>September; 1957. pp.131-133.<\/p>\n<p>826. Kawajira. T.<\/p>\n<p>The Rich Variety of Asian Oceanian Puppet Theatre.<em>\u00a0Asian Culture<\/em>. No.27; 1980. pp.20-21.<\/p>\n<p>827. Kincaid, Zoe.<\/p>\n<p>Artists of the Ningyo State.\u00a0<em>Asia<\/em>. 38, June 1938. pp.341-45.<\/p>\n<p>828. Koanantakool, P.C.<\/p>\n<p>Relevance of the textual and contextual analyses in understanding folk<\/p>\n<p>performances in modern society: a case of Southern Thai Shadow puppet theatre.\u00a0<em>Asian Folklore Studies<\/em>. Vol.48; 1989. pp.31-47.<\/p>\n<p>829. Leach, E.R.<\/p>\n<p>Magical Hair.\u00a0<em>Journal of the Royal Anthropological Institute<\/em>. No.88; 1958. pp.147-164.<\/p>\n<p>830.\u00a0<em>Life and Letters<\/em>. March 1936.<\/p>\n<p>831. Long, R.A.C. and Scott.<\/p>\n<p>Javanese Shadow theatre : movement and characterisation of Ngayogyakarta Wayang Kulit.\u00a0<em>Asian Theatre Journal<\/em>. Vol.1, No.1. p.120.<\/p>\n<p>832. McPhee, C.<\/p>\n<p>The Balinese Wayang Kulit and Its Music.<em>\u00a0Traditional Balinese Culture.<\/em>London; 1970. pp.146-197.<\/p>\n<p>833. Meinhard, H.<\/p>\n<p>Javanese Wayang and Its Indian Prototype.\u00a0<em>Man<\/em>. No.94; 1939. pp.109-111.<\/p>\n<p>834.\u00a0<em>The Puppet Master<\/em>.<\/p>\n<p>Annual journal of the British Puppet and Model Theatre Guild.<\/p>\n<p>835. Reed, C.L.<\/p>\n<p>Bima Suarga performed by Ida Bagus Baduk.\u00a0<em>Asian Theatre Journal<\/em>. Vol.3, No.1; 1980. pp.1-39.<\/p>\n<p>836. Robbins, K.X.<\/p>\n<p>Indo-Asian Shadow Figures.\u00a0<em>Arts of Asia<\/em>. Vol.13, Pt.5; 1983. pp.64-75.<\/p>\n<p>837. Simmonds, E.H.S.<\/p>\n<p>New Evidence on Thai Shadow &#8211; Play Invocations.<em>\u00a0Bulletin of the School of Oriental and African Studies<\/em>, University of London. 1961. pp.542-559.<\/p>\n<p>838. Speaight, George.<\/p>\n<p>The Turkish Ibis.\u00a0<em>Animations.<\/em>\u00a0The Puppet Centre Trust, London. 10, No.2; Dec.- Jan. 1986-87.<\/p>\n<p>839. The Stage and Television Today.\u00a0<em>Carson and Comerford<\/em>, London.<\/p>\n<p>Weekly theatrical newspaper with features in puppetry.<\/p>\n<p>840.\u00a0<em>UNESCO Courier<\/em>. June 1955.<\/p>\n<p>841. Young, C.C.S.<\/p>\n<p>Taiwanese Shadow Puppets and the Development of Shadow Theatre.\u00a0<em>The Visual<\/em>\u00a0<em>arts: Plastic and Graphic<\/em>.<\/p>\n<p><strong>UNITED STATES OF AMERICA<\/strong><\/p>\n<p>842. Bakshy, Alexandre.<\/p>\n<p>The Lesson of the Puppet.\u00a0<em>Theatre Arts Monthly<\/em>. No.12, July; 1928. pp.485-88.<\/p>\n<p>843. The Balinese temper.\u00a0<em>Traditional Balinese Culture<\/em>. New York, Columbia<\/p>\n<p>University Press. 1970. pp.85-110.<\/p>\n<p>844. Batchelder, Marjorie.<\/p>\n<p>A World Museum of Puppets.\u00a0<em>Players Magazine<\/em>. 20, May; 1944. pp.22-23.<\/p>\n<p>845. Becker, A.L.<\/p>\n<p>Text-building epistemology, and aesthetic in Javanese Shadow Theatre.<em>\u00a0In\u00a0<\/em>The Imagination of Reality: Essays in Southest Asian Coherence Systems. ed. by A.A.Yengoyan. New Jersey: Ablex, 1979. pp.211-241.<\/p>\n<p>846. Bender, L. and Woltmann, A.G.<\/p>\n<p>The Use of Puppet Shows as a Psychotherepeutic Method for Behaviour Problems in Children.\u00a0<em>American Orthopsychiatry<\/em>. No.6. pp.341-354.<\/p>\n<p>847. Benton, Pauline.<\/p>\n<p>China.<em>\u00a0Puppetry.<\/em>\u00a0No.7;1936. pp.65-66.<\/p>\n<p>848.\u00a0<em>Billboard<\/em>. Broadway: Billboard Publishing Co., 1564,<\/p>\n<p>Weekly journal contains writing about puppets.<\/p>\n<p>849. Binyon, Helen.<\/p>\n<p><em>Visual Education<\/em>. Dec.; 1958 and March; 1959.<\/p>\n<p>850. Brooks, Zoe.<\/p>\n<p>Spitting Image.\u00a0<em>Animations<\/em>. Vol.8, No.3; 1985. pp.46-8.<\/p>\n<p>851. Covarrubias, Miguel.<\/p>\n<p>The Shadow-Play, Mysticism, and Slapstick.\u00a0<em>Theatre Arts Monthly<\/em>. Vol.20,<\/p>\n<p>August; 1936. pp.629-35.<\/p>\n<p>852. Dilley, Perry.<\/p>\n<p>Deaves\ufffd Manikins.<em>\u00a0Puppetry.<\/em>\u00a0No.4; 1933. pp.40-41.<\/p>\n<p>853. Eiseman, M.<\/p>\n<p>Wayang Kulit : the popular Balinese shadow play.\u00a0<em>In<\/em>\u00a0Essays on Religion, Ritual and Art. Berkely: Periplus Editions, 1989. Vol.1, pp.322-332.<\/p>\n<p>854. Erda, B.<\/p>\n<p>Malaysian Shadow Puppets.<em>\u00a0Puppetry at the Smithsonian.<\/em>\u00a01980. pp.20-21.<\/p>\n<p>855. Flanagan, Hallie.<\/p>\n<p>Karagiozis in Athens.\u00a0<em>Puppetry<\/em>. No.5; 1934. pp.68-70.<\/p>\n<p>856. Frankenstein, Alfred.<\/p>\n<p>Shadow Plays in a Chinatown Alley.\u00a0<em>San Francisco Chronicle<\/em>. July 16; 1939.<\/p>\n<p>857. Goffin, W.Earl.<\/p>\n<p>Silhouette.\u00a0<em>Far and Wide<\/em>. Autum; 1950.<\/p>\n<p>858. Hall, M.P.<\/p>\n<p>Java\u75f4 dancing Shadows.\u00a0<em>Overland Monthly<\/em>. July; 1928. pp.230.<\/p>\n<p>859. Harding, Stan.<\/p>\n<p>The Ramayana Shadow Play in India.<em>\u00a0Asia<\/em>. New York. 1935. pp.234-235<\/p>\n<p>.<\/p>\n<p>860. Helstein, M.<\/p>\n<p>Karnataka Cikka Puppets.\u00a0<em>Puppetry at the Smithsonian<\/em>. 1980. pp.1-3.<\/p>\n<p>861. Holt, C. and Bateson, G.<\/p>\n<p>Form and function of the dance in Bali. In Traditional Balinese Culture. ed. by J.Belo. New York: Columbia University Press, 1970. pp.322-30.<\/p>\n<p>862. Hooykaas, C.<\/p>\n<p>Review of the Art and Culture of Bali.\u00a0<em>The Times Literary Supplement<\/em>. August 18; 1978. pp.937.<\/p>\n<p>863. Karaguez.\u00a0<em>Puppetry<\/em>. 1931. p.43; 1934. pp.68-70; 1937. p.40.<\/p>\n<p>864. Kelly, M.<\/p>\n<p>13th Congress of UNIMA and 1980 World Puppetry Festival.<em>\u00a0Puppetry in Smithsonian<\/em>. 1980. pp.33-34.<\/p>\n<p>865. Koentjaraningrat, R. (Ed.)<\/p>\n<p>Tjelapar: a village in South Central Java.\u00a0<em>In<\/em>\u00a0Village in Indonesia. Ithaca: Cornell University Press,1967. pp.244-80.<\/p>\n<p>866. Kreymborg, Alfred.<\/p>\n<p>Writing for Puppets.\u00a0<em>Theatre Arts Monthly<\/em>. No.7, October; 1923. pp.302-316.<\/p>\n<p>867. Levinson, Andre.<\/p>\n<p>Javanese Dancing.\u00a0<em>Theatre arts Monthly<\/em>. No.14, December; 1930. pp.1056-65.<\/p>\n<p>868. MacDougall, Allen Ross.<\/p>\n<p>Athenian Shadow-Show: Karagheuze Theatre of Antoine Mollas.<em>\u00a0Theatre Arts<\/em>\u00a0<em>Monthly<\/em>. No.17; 1933. pp.387-93.<\/p>\n<p>869. Making Shadow Figures.\u00a0<em>Puppetry<\/em>. No.5; 1934. pp.70-72.<\/p>\n<p>870. Mangkunegara VII, K.G.P.A.A.<\/p>\n<p>On the Wayang Kulit (Purwa) and Its Symbolic and mystical Elements; tr. by Claire Holt. Southeast Asia Program Data Paper No.27, Ithaca, N.Y. : Cornell University Southeast Asia Program, 1957.<\/p>\n<p>871. McPharlin, Paul.<\/p>\n<p>Styles in Puppet Design.\u00a0<em>Design<\/em>. 38, May; 1936. pp.28-30.<\/p>\n<p>872. McPhee, C.<\/p>\n<p>The Balinese wayang Kulit and its music.<em>\u00a0Traditional Balinese Culture<\/em>. New York: Columbia University Press, 1970. pp.146-197.<\/p>\n<p>873. Mead, M.<\/p>\n<p>The arts in Bali.\u00a0<em>Traditional Balinese Culture<\/em>. New York: Columbia University Press, 1970. pp.331-340.<\/p>\n<p>874. Meader, Deborah.<\/p>\n<p>The Revival of the Art of the Chinese Shadow.\u00a0<em>School Arts<\/em>. No.38. pp.85-87.<\/p>\n<p>875. Obrazsov.<\/p>\n<p>Actor with Puppet : Obrasov.\u00a0<em>Puppetry.\u00a0<\/em>12; 1941. p.6.<\/p>\n<p>876. The Peiping Shadow Drama.\u00a0<em>Puppetry.<\/em>\u00a01931, No.2. pp.65-71.<\/p>\n<p>877. Propos.\u00a0<em>UNIMA<\/em>.<\/p>\n<p>2 year journal of the American Centre of UNIMA.<\/p>\n<p>878. Proschan, F.<\/p>\n<p>Conference on World Traditions of Puppetry and Performing Objects.\u00a0<em>Puppetry at<\/em>\u00a0<em>the Smithsonian<\/em>. 1930. pp.25-26.<\/p>\n<p>879. Puhonny, Ivo.<\/p>\n<p>The Physiognomy of the Puppe.\u00a0<em>Theatre Arts Monthly<\/em>. No.12, July; 1928. pp.507- 512<\/p>\n<p>880. Puppet Types in Java.<em>\u00a0Puppetry<\/em>. 6; 1935. pp.113-17.<\/p>\n<p>881. The Puppeteers of America- Official yearbook published by Imprints. Michigan: USA.<\/p>\n<p>882.\u00a0<em>Puppetry.<\/em>\u00a01934. pp.33-34; 1938. pp.39; 1939. pp.39.<\/p>\n<p>883. Puppetry &#8211; A Yearbook of Puppets and Marionettes; ed. by Paul McPharlin.<\/p>\n<p>Michigan: USA,1930-47. 15 Vols.<\/p>\n<p>884. Puppetry in the curriculam.\u00a0<em>Curriculam Bulletin<\/em>, New York. 1947-48 Series, No.1, reprinted 1954.<\/p>\n<p>885. Stern, C.H.<\/p>\n<p>Classic Allusions Reconsidered.<em>\u00a0Puppetry<\/em>. No.11; 1940. pp.56.<\/p>\n<p>886. Stowitts, H.J.<\/p>\n<p>Java, the Home of Orchestral Drama.\u00a0<em>Theatre Arts Monthly<\/em>. 13, March; 1929. pp.187-93.<\/p>\n<p>887. Study of Customs Pertaining to Twins in Bali.\u00a0<em>Traditional Balinese Culture<\/em>. 1970. pp.3-56.<\/p>\n<p>888. Sumarsam.<\/p>\n<p>Inner Melody in Javanese Gamelan.\u00a0<em>In\u00a0<\/em>Karawitan : Source Readings in Javanese Gamelan and Vocal Music; ed. by J.Becker and A. Feinstein. Ann Arbor:<\/p>\n<p>University of Michigan.Vol.1. pp.245-304.<\/p>\n<p>889. Symonds, Arthur.<\/p>\n<p>An Apology for Puppets.\u00a0<em>In<\/em>\u00a0Plays, Acting and Music. New York : E.P.Dutton, 1909.<\/p>\n<p>890. Webb, Tim and Amanda.<\/p>\n<p>The Puppet Theatre in China Today.\u00a0<em>Animations<\/em>. 9,1; 1985. pp.9.<\/p>\n<p>891. Wimsatt, Genevieve.<\/p>\n<p>The Curious Puppet Shows of China.<em>\u00a0Travel.<\/em>\u00a0December; 1925.<\/p>\n<p><strong>U.S.S.R.<\/strong><\/p>\n<p>892. Kustodiev v teatre: katalog.\u00a0<em>Central Theatre Museum<\/em>, Mosco. 1979.<\/p>\n<p>( In Russian )<\/p>\n<p>893. Zharovtseva, I.<\/p>\n<p>Puppet Theatre Festival of the Baltic Republic and Byelorussia.\u00a0<em>UNIMA Information<\/em>. 1978. pp.62-63.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"100%\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets Introduction\u00a0 Methodology\u00a0 List of Abbreviations Bibliography Books (Arranged alphabetically country wise) Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets Selected press clippings Radio talk, Photo &#8211; Features, Calender Audio Cassettes Slides on Shadow Puppet Museum on Shadow Puppets AUSTRALIA 595. Manipulation . 28, Macarthur Place, Carlton VIC 3053. BELGIUM &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/divisionss\/kalanidhi\/reference-library\/print-material\/bibliographies-abia\/periodicals-journals-bulletins-articles-papers-and-pamphlets\/\" class=\"more-link\"><span class=\"screen-reader-text\">Periodicals, Journals, Bulletins, Articles, Papers and Pamphlets<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":239,"menu_order":0,"comment_status":"open","ping_status":"open","template":"template-3.php","meta":{"footnotes":""},"class_list":["post-32002","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=32002"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32002\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/239"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=32002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}