{"id":32061,"date":"2016-12-05T16:07:10","date_gmt":"2016-12-05T10:37:10","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=32061"},"modified":"2016-12-05T16:07:10","modified_gmt":"2016-12-05T10:37:10","slug":"in-china-and-japan-2","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/divisionss\/kalanidhi\/reference-library\/print-material\/bibliographies-abia\/calligraphy-a-literature-search\/in-china-and-japan-2\/","title":{"rendered":"In China and Japan"},"content":{"rendered":"

In China and Japan<\/p>\n<\/h3>\n\n\n\n
\n

206.  Isemonger, N.E.<\/p>\n

 <\/p>\n

            Elements of Japanese writing\/ N.E. Isemongerr.- 2nd ed.- London, 1943<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

207. Jones, S.H. (Jr.)<\/p>\n

 <\/p>\n

            Sugawara and the secrets of calligraphy\/ S.H. Jones (Jr.)- New York, 1984<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

208. Karlgren, Bernhard<\/p>\n

 <\/p>\n

            Sound and symbol in Chinese\/ Bernhard Karlgren.- London, 1923<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

209. Kono Rokuro<\/p>\n

 <\/p>\n

            Chinese writing and its influence on the scripts of the neighbouring peoples<\/p>\n

            With special reference to Korea and Japan\/ Kono Rokuro (In) Memories of<\/p>\n

            The Research Department of the Toyo Bunko, v. 27 (1969), p. 84-140<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

210. Lai, T.C.<\/p>\n

 <\/p>\n

            Chinese calligraphy : its mystic beauty, kaulam\/ T.C. Lai.- Hong Kong, 1970<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

211. Lange, R.<\/p>\n

 <\/p>\n

            Einfuhrung in die Japanese Scrift\/ R. Lange.- 2nd ed. – Berlin, 1922<\/p>\n

            In German<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

212. Ledderose, Lothar<\/p>\n

 <\/p>\n

            Chinese calligraphy : its aesthetic dimension, and social function\/ Lothar<\/p>\n

            Ladderose  (In) Orientation : the monthly magazine for collectors and<\/p>\n

            Connoisseurs of oriental art, v. 17, no. 10 (1986), p. 35-50<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

213. Ledderose, Lothar<\/p>\n

 <\/p>\n

            Die siegelschrift (Chuan Shu) in der Ch’ing zeit : ein beitrag zur geschichte<\/p>\n

            Der chinesischen Schriftkunst\/ Lothar Ledderose (In) Studien zur ostasiatichen<\/p>\n

            Schriftkunst\/ edited by D. Seckel.- Wiesbaden, 1970<\/p>\n

            In Gernman<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

214. Ledderose, Lothar<\/p>\n

 <\/p>\n

            Mi Fu and the classical tradition of Chinese calligraphy\/ Lothar Ledderose.-<\/p>\n

            Princeton, 1979<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

215. Liu Shi-hung<\/p>\n

 <\/p>\n

            Chinese characters and their impact on other languages of East Asia\/ Liu Shi-hung.-<\/p>\n

            Taipei, 1969<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

216. <\/p>\n

            Lok Tsai Hsien collection of calligraphy in couplets.- Hong Kong, 1972<\/p>\n

            Catalogue of art gallery, Chinese University of Hongkong<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

217.  Long, Jean<\/p>\n

 <\/p>\n

            Art of Chinese calligraphy\/ Jean Long .- Dorset, 1987<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

218.  <\/p>\n

            Masterpieces of Chinese calligraphy in the National Palace Museum :<\/p>\n

            Supplement.- Taipei, 1973<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

219.  <\/p>\n

            Masterpieces of Chinese calligraphy in the National Palace Museum.- Taipei, 1969<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

220.  <\/p>\n

            Masterpieces of  Chinese inkstones in the National Palace Museum.- Taipai, 1973<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

221.  Mouoka Kenj<\/p>\n

 <\/p>\n

            Mojikeitaisoron = Morpheme theory of Kanj\/ Mouoka Kenj (In) Kokugo to<\/p>\n

            Kokubungaku, v. 45, no. 2 (1968), p. 8-27<\/p>\n

            In Japanese<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

222.  Nakata Yujiro<\/p>\n

 <\/p>\n

            Chinese calligraphy : a history of the art of China\/ Yujiro Nakata.- New York, 1983<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

223.  Nakata, Yujiro<\/p>\n

 <\/p>\n

            Art of Japanese calligraphy\/ Yujiro Nakata.- New York, 1973<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

224. <\/p>\n

Neurolinguistic aspects of the Japanese writing system\/ edited by Michel<\/p>\n

Paradis … [et al.].- Orlando, 1985<\/p>\n

            In English<\/p>\n

Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

225. Quong, Ross<\/p>\n

 <\/p>\n

            Chinese written characters\/ Ross Quong.- New York, 1968<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

226. Rosenfield, John M.<\/p>\n

 <\/p>\n

            Traditions of Japanese art : selections from the Kimiko and John Powers<\/p>\n

            Collections\/ John M. Rosenfield and Shimoda Shnujir.- Cambridge, 1970<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

227. Seeki Kosuke<\/p>\n

 <\/p>\n

            Kanji to Sonoshuken : Chinese characters and their context\/ Saeki Kosuke<\/p>\n

            (In) Izumi, v. 66 (1966)<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

228. Sanderson, I.<\/p>\n

 <\/p>\n

            Teaching of writing in Japan\/ I. Sanderson.- Reading, 1976<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

229. Sanford, James Hugh<\/p>\n

 <\/p>\n

            Ikkyu sojun :  a Zen monk of fifteenth century Japan\/ James Hugh Sanford.-<\/p>\n

            Harvard, 1972<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

230. Sasanuma, S.<\/p>\n

 <\/p>\n

            Kana and Kanji processing in Japanese aphasics\/ S. Sasanuma (In) Brain and<\/p>\n

            Language (1975), p. 369-383<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

231. Sato Habein, Yaeko<\/p>\n

 <\/p>\n

            History of the Japanese written language\/ Yaeko Sato Habein.- Tokyo, 1984<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

232. Seyboldt, Peter<\/p>\n

 <\/p>\n

            Language reform in China\/ Peter Seyboldt (In) Documents and commentary :<\/p>\n

            White Paints, New York, 1979<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

233. Shimuzu, Y.<\/p>\n

 <\/p>\n

            Masters of Japanese calligraphy : 8th-9th century’ Y. Shimuzu and John M.<\/p>\n

            Rosenfield.- New York, 1984<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

234. Sogen, Omori<\/p>\n

 <\/p>\n

            Zen and the art of calligraphy : the essence of Sho\/ Omori Sogen and<\/p>\n

            Terayama Katsujo; translated from Japanese by J. Stevens.- London, 1983<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

235. <\/p>\n

            Speech recording in reading Chinese characters\/ edited by O.J. Tzeng…<\/p>\n

            [et al.] (In) Journal of experimental psychology : human learing and memory,<\/p>\n

            v. 3 (1977), p. 621-630<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

236. Sprengling, M.<\/p>\n

 <\/p>\n

            Alphabet : its rise nd development from the Sinai inscriptions\/ M.<\/p>\n

            Sprengling.- Chicago, 1931<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

237. Strehlneek, F.A.<\/p>\n

 <\/p>\n

            Chinese pictorial art\/ F.A. Strehlneek.- Shanghai, 1914<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

238. Sugira, Kohei<\/p>\n

 <\/p>\n

            Cosmology of the written word\/ Kohei Sugira.- Tokyo, 1985<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

239. Sullivan, Michael<\/p>\n

 <\/p>\n

            Three perfections : Chinese painting, poetry and calligraphy\/ Michael<\/p>\n

            Sullivan.- New York, 1980<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

240. Tei T’ung<\/p>\n

 <\/p>\n

            Six scripts, or , the priciples of Chinese writing\/ Tei T’ung; translared by<\/p>\n

            L.C. Hopkins.- Cambridge, 1954<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

241. Tcheng-Ming, Tchang<\/p>\n

 <\/p>\n

            L’ecriture chinoise et le humain\/ Tchang Techeng-Ming.- Shanghai, 1939<\/p>\n

            In French<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

242. Tz’u-Yun, Lu<\/p>\n

 <\/p>\n

            I-Shih-chi-yu : a collection of samples of foreign scripts\/ Lu Tz’u-Yun.- Tokyo, 1660<\/p>\n

            In Japanese<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

243. Van Gulik, R.H.<\/p>\n

 <\/p>\n

            Siddham : an essay on the history of Sanskrit studies in China and Japan\/<\/p>\n

            R.H. Van Gulik.- New Delhi, 1982, v. 2<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

244. Weng, Wan-go<\/p>\n

 <\/p>\n

            Chinese painting and calligraphy : a pictorial survey\/ Wan-go- Weng.-<\/p>\n

            Mangolia, 19007<\/p>\n

            In English<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/p>\n

245. Wieger, Leon<\/p>\n

 <\/p>\n

            Caracterres Chinols : etymologie, graphics, lexioues\/ Leon Wieger.-<\/p>\n

            5th ed.- Taichung, 1932<\/p>\n

            In French<\/p>\n

            Description based on secondary source<\/p>\n

 <\/p>\n

 <\/strong><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In China and Japan 206.  Isemonger, N.E.               Elements of Japanese writing\/ N.E. Isemongerr.- 2nd ed.- London, 1943             In English             Description based on secondary source     207. Jones, S.H. (Jr.)               Sugawara and the secrets of calligraphy\/ S.H. Jones (Jr.)- New York, 1984             In English             Description based on secondary source     208. Karlgren, Bernhard               Sound and … In China and Japan<\/span> →<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":32011,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-32061","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=32061"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32061\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32011"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=32061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}