{"id":33254,"date":"2016-12-19T15:01:42","date_gmt":"2016-12-19T09:31:42","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=33254"},"modified":"2017-07-27T15:42:04","modified_gmt":"2017-07-27T10:12:04","slug":"kalakalpa-volume-i-no-2-january-2004","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/kalakalp-journal\/kalakalpa-volume-i-no-2-january-2004\/","title":{"rendered":"Kalakalpa Volume I. No. 2 January 2004"},"content":{"rendered":"<div class=\"row\">\n<div class=\"col-md-12\">\n<p align=\"center\"><strong>\u00a0Kalakalpa<\/strong><\/p>\n<p align=\"center\"><strong><em>Journal of the Indira Gandhi National Centre for the Arts<\/em><\/strong><\/p>\n<p align=\"center\"><strong> Volume I. No. 2 <\/strong><\/p>\n<hr \/>\n<\/div>\n<div class=\"row123\">\n<div class=\"col-md-4\"><a href=\"#\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2017\/06\/kalakalp002.jpg\" alt=\"\" \/><\/a><\/div>\n<div class=\"col-md-8\">\n<p align=\"left\"><strong>Contents<\/strong>:<\/p>\n<ul class=\"fa-ul\">\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr KALYAN KUMAR CHAKRAVARTY: Prefatory (i)<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>LIONEL ROTHKRUG: Archetypes and representation: memory, Psyche, Language, and Social Structure<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr. L. M. SINGHVI: Mahabharata: Texts, Contexts and Readings<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr. S. MURALI: Austerity and Avesa: Sri Aurobindo&#8217;s Reconstruction of the Poetic<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr. RAM MURTI SHARMA: The Vedanta and Conflict Resolution<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr. MANDAKRANTA BOSE: Kohala: the Lost Dramaturge of Ancient India<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Ms. V. PREMLATHA: Compositions of Margadarssi Sesayyangar-reassessment based on the newly discovered Manuscripts<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. INEKE VAN PUT: The Popular Teacher Zhu Tanwulan &#8211; With a Translation of his devadutasutra<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. D. SCHLINGLOFF: King Mandhatar&#8217;s Rise and Fall Interpretation of the Bagh Painting<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. LOKESH CHANDRA: Qumtura Mural of Bodhisattva Siddhartha at School<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. RAJESHWARI GHOSH: An attempt at Linking the Doctrinal and the Textual with the Visual Representation of the Parinirvana Scenes in the Kizil Grottoes<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. HOLLIS DELANCY: Sarnath Buddhist Remains<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. CHALOUPKOVA L.: Amarbayasgalant Monastery: Its Past and Present<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Dr. P. BANERJEE: Painted Female Figures from Sigiriya and the Sun-Myth: Some Observations<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. SAROJ KUMAR CHOUDHURY: The Legend of Rsyasrnga from Sumer to Japan<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Ms. MICHAELA APPEL: Three Central Javanese Bronzes in the collection of the State Museum of Ethnology, Munich (Staatliches Museum fur Vokerkunde Munchen)<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. CHARLES WILLEMEN: The Buddhist Pratimalaksana &#8220;Defining the Image&#8221;<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>Prof. FREDRICK BUNCE: Maha-Vihara Dharmapala: Its Descendents<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>\u0921\u0949 \u0917\u092f\u093e\u091a\u0930\u0923 \u0924\u094d\u0930\u093f\u092a\u093e\u0920\u0940: \u092a\u094d\u0930\u093e\u091a\u0940\u0928 \u092d\u093e\u0930\u0924 \u092e\u0947\u0902 \u0930\u093e\u091c\u0915\u0940\u092f \u0938\u0947\u0935\u093e \u090f\u0902\u0935 \u092a\u094d\u0930\u0936\u093e\u0938\u0928 &#8211; \u0935\u094d\u092f\u0935\u0938\u094d\u0925\u093e<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>\u0921\u0949 \u0915\u0932\u094d\u092f\u093e\u0923 \u0915\u0941\u092e\u093e\u0930 \u091a\u0915\u094d\u0930\u0935\u0930\u094d\u0924\u0940: \u092e\u0927\u094d\u092f\u092a\u094d\u0930\u0926\u0947\u0936 \u0915\u0947 \u0907\u0924\u093f\u0939\u093e\u0938 \u0932\u0947\u0916\u0928 \u092a\u0930 \u090f\u0915 \u0910\u0924\u093f\u0939\u093e\u0938\u093f\u0915 \u0926\u0943\u0937\u094d\u091f\u093f &#8211; \u0938\u092e\u094d\u092f\u0915 \u0906\u0915\u0932\u0928 \u0915\u0940 \u0938\u092e\u0938\u094d\u092f\u093e\u090f\u0902<\/li>\n<li><i class=\"fa-li fa fa-check-square\"><\/i>\u0921\u0949 \u0935\u093f\u091c\u092f \u0936\u0902\u0915\u0930 \u0936\u0941\u0915\u094d\u0932: \u0938\u0902\u0938\u094d\u0915\u0943\u0924 &#8211; \u092a\u093e\u0902\u0921\u0941\u0932\u093f\u092a\u093f\u092f\u094b\u0902 \u0915\u0947 \u0938\u0942\u091a\u0940\u0915\u0930\u0923 \u0915\u093e \u0915\u094d\u0930\u092e\u092c\u0926\u094d\u0927 \u0907\u0924\u093f\u0939\u093e\u0938<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Kalakalpa Journal of the Indira Gandhi National Centre for the Arts Volume I. No. 2 Contents: Dr KALYAN KUMAR CHAKRAVARTY: Prefatory (i) LIONEL ROTHKRUG: Archetypes and representation: memory, Psyche, Language, and Social Structure Dr. L. M. SINGHVI: Mahabharata: Texts, Contexts and Readings Dr. S. MURALI: Austerity and Avesa: Sri Aurobindo&#8217;s Reconstruction of the Poetic Dr. &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/kalakalp-journal\/kalakalpa-volume-i-no-2-january-2004\/\" class=\"more-link\"><span class=\"screen-reader-text\">Kalakalpa Volume I. No. 2 January 2004<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50282,"featured_media":0,"parent":237,"menu_order":0,"comment_status":"open","ping_status":"open","template":"template-Online-resources.php","meta":{"footnotes":""},"class_list":["post-33254","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/33254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50282"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=33254"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/33254\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/237"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=33254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}