{"id":341,"date":"2015-05-21T10:52:46","date_gmt":"2015-05-21T10:52:46","guid":{"rendered":"http:\/\/localhost\/ignca\/?page_id=341"},"modified":"2017-02-13T12:15:08","modified_gmt":"2017-02-13T06:45:08","slug":"music-performance","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/divisionss\/kalanidhi\/cultural-archive\/sangita-music\/music-performance\/","title":{"rendered":"Sangita (Music)"},"content":{"rendered":"<p><\/p>\n<div class=\"Sangita\">\n<h3 class=\"hdng\">Sangita (Music)<\/h3>\n<table class=\"\">\n<tbody>\n<tr class=\"heading-rowng\">\n<td><a href=\"#VedicChanting\">Vedic Chanting<\/a><\/td>\n<td><a href=\"#IndianClassicalMusicSeries\">Indian Classical Music Series<\/a><\/td>\n<td><a href=\"#Vocal\">Vocal<\/a><\/td>\n<td><a href=\"#Instrumental\">Instrumental<\/a>\u00a0<\/td>\n<td><a href=\"#Performance\">Performance<\/a><\/td>\n<td><a href=\"#Ritual\">Ritual<\/a><\/td>\n<td><a href=\"#FolkTradition\">Folk Tradition<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2421\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_vedic.jpg\" alt=\"music_vedic\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_vedic.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_vedic-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b>VEDIC\u00a0CHANTING<\/b><br \/>\n<strong>Vedic Chanting<\/strong>: A Project on Safeguard and Support of The Masterpieces of Intangible\u00a0Heritage of Humanity\u00a0\u00a0 i.e. Our Oral Tradition and Ritualistic<\/p>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2420\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_icms.jpg\" alt=\"music_icms\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_icms.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_icms-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b>Indian Classical Music Series<\/b><br \/>\n<a href=\"icms_main.htm\">Indian Classical Music Series<\/a> &#8211; Masters of Hindustan Classical Music (Video Clips)<\/p>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2419\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_mukt.jpg\" alt=\"music_mukt\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_mukt.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_mukt-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b>Vocal<\/b><br \/>\n<a href=\"aud_0003.htm\">Kalamukha<\/a> (Audio)<br \/>\nThe temples of Kittagavi lineage in Karnataka<br \/>\nThe temple of Somesvara at Haralahalli<br \/>\nThe temple of Kadambesvara at Rattihalli<br \/>\n<a href=\"mukt.htm\"> Muktesvara Temple<\/a> CD-Rom : Devotional Music &#8211; Caudadanapura is a tiny village of Karnataka in south India, where\u00a0all facets of Indian civilisation, encompassing religion, art and poetry are exemplified\u00a0in an exquisite temple with the highest degree of refinement. This temple is a jewel of\u00a0architecture of 11th-12th century, in the style now commonly called after the name of the\u00a0legendary sculptor, Jakkanacarya. It was built during the heyday of the kingdom ruled by\u00a0the Calukyas of Kalyana and the Sevunas of Devagiri. It is dedicated to an Udbhava-Linga &#8220;spontaneously born&#8221; Linga named Muktesvara. A user-friendly interactive system\u00a0will allow the user to browse the multi-dimensional architectural, sculptural and\u00a0inscriptional programme of the temple.<\/p>\n<p><\/p>\n<div style=\"clear:both\"><\/div>\n<table class=\"table123 table-bordered\">\n<tr>\n<td>Vocal<br \/>(Audio)<\/td>\n<td><a href=\"audio\/newmus1.mp3\"> No. 1<\/a><br \/>03:26<\/td>\n<td><a href=\"audio\/newmus10.mp3\"> No.\u00a02<\/a><br \/>02:55<\/td>\n<td><a href=\"audio\/newmus13.mp3\"> No.\u00a03<\/a><br \/>02:30<\/td>\n<\/tr>\n<\/table>\n<p><\/p>\n<div style=\"clear:both\"><\/div>\n<p><b>Indian Classical Music\u00a0(Hindustani)<\/b><\/p>\n<ul>\n<li><strong>&#8220;Raag Jogwanti&#8221; <\/strong>Download <strong>37:20 minute<\/strong> audio in MP3 format &#8211; (2.13MB)<strong>\u00a0<\/strong>composed by<strong> <a href=\"aud_0002.htm\">Ustad Yunus Husain Khan Saheb<\/a> (Darpan) of Agra Gharana<\/strong><\/li>\n<li><a href=\"audio\/jogwanti.mp3\">Audio\u00a0(MP3)<\/a><\/li>\n<\/ul>\n<p><strong>Raag Bhimpalasi<\/strong>&#8221; Lecture on<strong> Music in Indian Arts<\/strong> by<strong> Pt. Vidyadhar Vyas <\/strong>Former Vice Chancellor, Bharatkhande Music Institute, Lucknow held on 27th April 2012<\/p>\n<p><a href=\"audio_lectures\/20120427_VidyadharVyash.mp3\">AUDIO (MP3)<\/a><br \/>\n<sup><span>01:03:21\u00a0\u00a0\u00a0\u00a0 <strong> <a href=\"http:\/\/www.youtube.com\/watch?v=sLJPlKPwnTs\" target=\"_blank\"> Watch @ YouTube<\/a><\/strong><\/span><\/sup><\/p>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2418\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_veena.jpg\" alt=\"music_veena\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_veena.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_veena-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b> Instrumental<\/b><br \/>\n<a href=\"veena001.htm\">Veena Festival &#8211; Veena Navrathri in Chennai, Tamilnadu<\/a> (video clips of 2008 &#038; 2009) <strong><br \/>\n<a href=\"mukt.htm\"> Muktesvara Temple<\/a> <\/strong> CD-Rom :   Devotional Music\u00a0 <\/p>\n<p><\/p>\n<div style=\"clear:both\"><\/div>\n<table class=\"table123 table-bordered\">\n<tr>\n<td>Instrumental<br \/>(Audio)<\/td>\n<td><a href=\"audio\/newmus15.mp3\">No.\u00a01<\/a><br \/>07:51<\/td>\n<td><a href=\"audio\/newmus9.mp3\">No.\u00a02<\/a><br \/>04:32<\/td>\n<td><a href=\"audio\/mus10.mp3\">No. 3<\/a><br \/>10:50<\/td>\n<td><a href=\"audio\/newmus8.mp3\">No.\u00a04<\/a><br \/>05:40<\/td>\n<\/tr>\n<\/table>\n<p><\/p>\n<div style=\"clear:both\"><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2417\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/ex031_01.jpg\" alt=\"ex031_01\" width=\"224\" height=\"253\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/ex031_01.jpg 224w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/ex031_01-170x192.jpg 170w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><b>Performance<\/b><br \/>\n<strong> <a href=\"gita.htm\" name=\"Gita\"> Gita Govinda<\/a>\u00a0&#8211; <\/strong>12th Century Sanskrit Poem on Radha and Krishna: Adopted in\u00a0Painting, Music and Dance.\u00a0 (Video Clips) A multimedia experience on Gita\u00a0Govinda, a\u00a012th Century epic by Jayadeva was developed with the objective to familiarise audiences on\u00a0the fundamental concepts of Indian music, dance, art and their inter-relationships and\u00a0interpretation. The content was conceived by Dr. Kapila Vatsyayan, a scholar of Gita\u00a0Govinda for over thirty years and an internationally acknowledged authority and pioneer of\u00a0inter-and multi-disciplinary studies in the humanities, and the arts. She is the author of\u00a0many definitive monographs on the Gita Govinda including those on the diverse painting\u00a0schools, specially Mewar, Jaipur, Bundi and Assam. <strong> <a href=\"video\/kutiyat2.asf\"> Kutiyattam<\/a><\/strong><br \/>\n&#8211;\u00a0 Sanskrit Theatre from Kerala: Declared as among the Masterpieces of\u00a0the oral and Intangible Heritage of Humanity by UNESCO (Video Clip). (Courtsey\u00a0 MARGI) \u00a0[text <a href=\"kuti0001.htm\">About Kutiyattam<\/a>] <\/p>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2416\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_brah.jpg\" alt=\"music_brah\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_brah.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_brah-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b>Ritual<\/b><\/p>\n<p><strong> <a href=\"brah.htm\" name=\"Brha\">Brhadisvara\u00a0Temple<\/a> <\/strong> <strong>\u00a0&#8211; <\/strong>11th Century Shiva Temple at Tanjore.<br \/>\n(Video Clips) &#8211; In the course of history, certain regions have developed into cultural centres attracting people from all over the world. The Brhadisvara temple is acclaimed as the finest achievement of Chola art, built by Raja Raja I in 1010 A.D. Its artistic excellence lies in the perfect balance of the parts and the whole, its architecture, sculptures, paintings, bronze images, the idols and reliefs. It is a part of the UNESCO World Heritage Site &#8216;Great Living Chola Temples&#8217;. Dedicated to Lord Shiva, the temple stands in the middle of a spacious rectangular court and can be entered from the east side of the temple through two gopurams widely separated from each other.<\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2423\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_devn.jpg\" alt=\"music_devn\" width=\"200\" height=\"129\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_devn.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/music_devn-170x110.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b>Folk Tradition<\/b><br \/>\n<strong><a href=\"devn.htm\">Devnarayan<\/a> <\/strong>Devnarayana is the name of a folk deity worshipped by the pastoral communities of<br \/>\nGujjars in Rajasthan and Madhya Pradesh. The main feature of the cult is the performance\u00a0of individual episodes from a two-part, 45 to 50 hour long oral narrative which contains\u00a0both sung and spoken section (<i>gav<\/i> and <i>arthav<\/i>). Devnarayan&#8217;s epic is\u00a0performed during all night vigils (<i>Jagran<\/i>), by pairs of male singers called Bhopas.\u00a0The CD-ROM will focus on this oral narrative which is painted on large scrolls. The\u00a0professional unfolds the story through singing and performance. The relationship between<br \/>\nthe pictorial image, the sung narrative performances and audience responses will be\u00a0recreated.<\/p>\n<ul>\n<li><a href=\"audio\/bhunaji.mp3\">Bhunaji and\u00a0Chochu Bhat Urdu ke Bazaar mein<\/a>\u00a0 (17:22)<\/li>\n<li><a href=\"audio\/d17a3.mp3\">Devnarayan&#8217;s\u00a0Birth (Janam Patri)\u00a0<\/a>(03:02)<\/li>\n<\/ul>\n<p><\/p>\n<div style=\"clear:both\">\n<hr>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2422\" src=\"http:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/tribal01.jpg\" alt=\"tribal01\" width=\"200\" height=\"169\" srcset=\"https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/tribal01.jpg 200w, https:\/\/ignca.gov.in\/wp-content\/uploads\/2015\/07\/tribal01-170x144.jpg 170w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><b><a href=\"tribal_art.htm\">Tribal\u00a0Art &#038; Culture<\/a><\/b><br \/>\nThe history of India\u2019s Adivasis dates back to the pre-Aryan era. For ages they reigned\u00a0over the Subcontinent\u2019s hilly terrains. But over the centuries those\u00a0with access to the written word (apart from other things) gained\u00a0prominence over those whose traditions were rooted in the oral culture.\u00a0During the colonial period, Adivasis were given the new designation of\u00a0tribal, and in post independent India, they are known as the scheduled\u00a0tribes. The essence of the tribe was interpreted as \u201ca stage of\u00a0evolution\u201d, as opposed to a type of society. When education centres were\u00a0opened, the syllabi focused on the socio-cultural roots of select\u00a0communities, which deprived non-Adivasi children of knowledge of Adivasi\u00a0culture and denied Adivasi children the pride of their heritage&#8230;<\/p>\n<p><strong>View Video Clips<\/strong><\/p>\n<ul>\n<li><a href=\"tribal_art_intro_gonds_koiture.htm\"><i>The\u00a0Gond or Koiture Cultural Roots<\/i><\/a><\/li>\n<li><a href=\"tribal_art_artist_gond.htm\">Gond\u00a0Artists<\/a><\/li>\n<li><a href=\"tribal_art_intro_bhills.htm\">The\u00a0Bhils<\/a><\/li>\n<li><a href=\"tribal_art_intro_bhills_mp.htm\">The\u00a0Bhils of Madhya Pradesh<\/a><\/li>\n<li><a href=\"tribal_art_intro_bhills_raj.htm\">The\u00a0Bhils of Rajasthan<\/a><\/li>\n<li><a href=\"tribal_art_artist_bhil.htm\">Bhil\u00a0Artist<\/a><\/li>\n<\/ul>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sangita (Music) Vedic Chanting Indian Classical Music Series Vocal Instrumental\u00a0 Performance Ritual Folk Tradition VEDIC\u00a0CHANTING Vedic Chanting: A Project on Safeguard and Support of The Masterpieces of Intangible\u00a0Heritage of Humanity\u00a0\u00a0 i.e. Our Oral Tradition and Ritualistic Indian Classical Music Series Indian Classical Music Series &#8211; Masters of Hindustan Classical Music (Video Clips) Vocal Kalamukha (Audio) &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/divisionss\/kalanidhi\/cultural-archive\/sangita-music\/music-performance\/\" class=\"more-link\"><span class=\"screen-reader-text\">Sangita (Music)<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":32246,"menu_order":5,"comment_status":"open","ping_status":"open","template":"template-3.php","meta":{"footnotes":""},"class_list":["post-341","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/341\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/32246"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}