{"id":38944,"date":"2017-06-20T12:31:19","date_gmt":"2017-06-20T07:01:19","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=38944"},"modified":"2017-06-20T14:57:32","modified_gmt":"2017-06-20T09:27:32","slug":"vihangama-the-ignca-newsletter","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/vihangama-news-letter\/vol-ii-no-2-july-september-1994\/vihangama-the-ignca-newsletter\/","title":{"rendered":"VIHANGAMA THE IGNCA NEWSLETTER"},"content":{"rendered":"

<\/p>\n

VIHANGAMA THE IGNCA NEWSLETTER <\/h3>\n

Vol. II No. 2 July – September 1994 \"hazari_prasad_dwivediji\"<\/p>\n

CONTENTS<\/u><\/strong><\/p>\n

\n List of Newsletter<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
OUTREACH<\/a><\/td>\n<\/td>\n<\/tr>\n
CONCEPT<\/td>\nKala Nidhi<\/a> – A (Reference Library<\/a>)<\/td>\n<\/tr>\n
PERESPECTIVE <\/td>\nNartananirnaya<\/a><\/td>\n<\/tr>\n
FOCUS<\/td>\nThe Attractions of Dunhuang Art Treasure<\/a><\/td>\n<\/tr>\n
RESEARCH<\/td>\nBajra: The Concept of
\n Seed and Beyond<\/a><\/td>\n<\/tr>\n
<\/td>\nDongson Culture of
\n Vietnam<\/a><\/td>\n<\/tr>\n
LECTURE<\/td>\nIndian Influence in
\n Indonesian Culture<\/a> <\/td>\n<\/tr>\n
<\/td>\nThe Introduction of
\n Lithography and its Impact on Book Design in India <\/a><\/td>\n<\/tr>\n
<\/td>\nConservation of Oil
\n Paintings<\/a> by Shri K K Gupta<\/td>\n<\/tr>\n
<\/td>\nConservation of Paper<\/a>
\n by Ms. Ritu Jain<\/td>\n<\/tr>\n
<\/td>\nLanguage Perspective
\n and Indianness<\/a> ( Acharya Hazari Prasad Dwivedi Memorial Lecture )<\/td>\n<\/tr>\n
IGNCA UPDATE<\/td>\nFoundation day
\n Celebrations<\/a><\/td>\n<\/tr>\n
FILM REVIEW<\/td>\np=15793″>Dissolving the Dividing
\n Line<\/a><\/td>\n<\/tr>\n
BOOK REVIEW<\/td>\nThe Power of the Sacred
\n Name<\/a><\/td>\n<\/tr>\n
<\/td>\nVishnupriya – The
\n Forgotten Wife of Sri Gauranga<\/a><\/td>\n<\/tr>\n
<\/td>\nThirty Songs From the
\n Punjab and Kashmir<\/a><\/td>\n<\/tr>\n
PERSONALITY<\/td>\nAesthetics
\n of Nail Drawing<\/a><\/td>\n<\/tr>\n
IGNCA
\n Publications<\/a><\/td>\n		<\/td>\n<\/tr>\n
\n

List of Newsletter<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"

VIHANGAMA THE IGNCA NEWSLETTER Vol. II No. 2 July – September 1994 CONTENTS List of Newsletter OUTREACH CONCEPT Kala Nidhi – A (Reference Library) PERESPECTIVE Nartananirnaya FOCUS The Attractions of Dunhuang Art Treasure RESEARCH Bajra: The Concept of Seed and Beyond Dongson Culture of Vietnam LECTURE Indian Influence in Indonesian Culture The Introduction of Lithography … VIHANGAMA THE IGNCA NEWSLETTER<\/span> →<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":8987,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-38944","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/38944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=38944"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/38944\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/8987"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=38944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}