{"id":39561,"date":"2017-06-28T12:03:56","date_gmt":"2017-06-28T06:33:56","guid":{"rendered":"http:\/\/ignca.gov.in\/?page_id=39561"},"modified":"2017-07-03T15:38:05","modified_gmt":"2017-07-03T10:08:05","slug":"list-of-digitized-material-available-in-media-centre-in-dvd-format","status":"publish","type":"page","link":"https:\/\/ignca.gov.in\/hi\/list-of-digitized-material-available-in-media-centre-in-dvd-format\/","title":{"rendered":"List of digitized material available in Media Centre in DVD format"},"content":{"rendered":"
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S. No.<\/td>\n SECTION<\/td>\n IGNCA ACCESSION NO.<\/td>\n Other Nos. (IGNCA)<\/td>\n NATURE<\/td>\n SOURCE<\/td>\n Tape Identifier or Title<\/td>\n EVENT<\/td>\n PROJECT<\/td>\n Genre<\/td>\n CONTENT<\/td>\n DATE OF RECORDING<\/td>\n Place of recording\/Venue<\/td>\n NUMBER OF ITEMS<\/td>\n DURATION
\n (mins)<\/td>\n		 LANGUAGE<\/td>\n REGION\/STATE
\n  <\/td>\n		 Director<\/td>\n Producer<\/td>\n FORMAT<\/td>\n AUDIO\/VIDEO<\/td>\n ANALOG\/DIGITAL<\/td>\n BRAND and TYPE<\/td>\n STANDARD<\/td>\n COLOUR<\/td>\n SOURCE OF ACQUISITION<\/td>\n ACCESS and COPYRIGHT<\/td>\n PHYSICAL CONDITION<\/td>\n LOCATION<\/td>\n NOTES<\/td>\n REMARKS<\/td>\n KEYWORDS<\/td>\n<\/tr>\n
1<\/td>\n Media Centre<\/td>\n Acc. No – D\/375<\/td>\n IG-99\/BCT- 90\/265<\/td>\n Copy<\/td>\n IG – 99\/ DVCAM – 64\/136<\/td>\n Our Cultural Heritage I<\/td>\n Lecture<\/td>\n <\/td>\n <\/td>\n Our Cultural Heritage and Identity : Lecture by Kapila Vatsyayan Part- I<\/td>\n 00-00-99<\/td>\n <\/td>\n 1<\/td>\n 55<\/td>\n English<\/td>\n Delhi  <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n IGNCA Presentation<\/td>\n <\/td>\n Lecture\/  Kapila Vatsyayan \/ Culture \/ Identity\/ History \/ Jai Chandiram<\/td>\n<\/tr>\n
2<\/td>\n Media Centre<\/td>\n Acc. No – D\/376<\/td>\n IG-99\/BCT-60\/266<\/td>\n Copy<\/td>\n IG – 99\/ DVCAM – 64\/137<\/td>\n Our Cultural Heritage II<\/td>\n Lecture<\/td>\n <\/td>\n <\/td>\n Our Cultural Heritage and Identity : A lecture by Kapila Vatsyayan Part-
\n II<\/td>\n		 00-00-99<\/td>\n <\/td>\n 1<\/td>\n 54<\/td>\n English<\/td>\n Delhi  <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n IGNCA Presentation<\/td>\n <\/td>\n Lecture\/  Kapila Vatsyayan \/ Culture \/ Identity\/ History \/ Jai Chandiram<\/td>\n<\/tr>\n
3<\/td>\n Media Centre<\/td>\n Acc. No – D\/377<\/td>\n IG-99\/BCT-60\/277<\/td>\n Copy<\/td>\n IG-99\/DVCAM – 64\/138<\/td>\n Kathakali Episode I and II<\/td>\n <\/td>\n Kathakali – Art form Kerala<\/td>\n Kathakali<\/td>\n Kathakali I and II
\n Kathakali a classical dance form of India, has an age old tradition. The
\n film highlights several perspective of this dancing tradition
\n encompassing the belief system, art and ritual. The training and
\n teaching techniques of some renowned Gurus of Kathakali is also
\n described.<\/td>\n		 00-00-99<\/td>\n Kerala<\/td>\n 1<\/td>\n 54<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n N. Radhakrishan<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kathakali \/ Performing arts \/  N. Radhakrishana \/  Kala Matam \/ Ayurveda
\n \/ Guru-Shishya \/ Mudra \/ Kerala \/  Daksha yajnam<\/td>\n<\/tr>\n
4<\/td>\n Media Centre<\/td>\n Acc. No – D\/378<\/td>\n IG-99\/BCT-60\/278<\/td>\n Copy<\/td>\n IG-99\/DVCAM – 64\/139<\/td>\n Kathakali Episode III and IV<\/td>\n <\/td>\n Kathakali – Art form Kerala<\/td>\n Kathakali<\/td>\n Kathakali III and IV
\n Film on Kathakali which highlights several perspective of this tradition
\n encompassing the belief system, art and ritual apart from theatrics. The
\n training and teaching techniques of some renowned Gurus of Kathakali has
\n been mentioned here.<\/td>\n		 00-00-99<\/td>\n Kerala<\/td>\n 1<\/td>\n 48<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n N. Radhakrishan<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Performing arts\/  N. Radhakrishana\/  Kala Matam\/ Ayurveda\/ Guru-Shishya\/
\n Mudra\/ Kerala\/  Daksha yajnam<\/td>\n<\/tr>\n
5<\/td>\n Media Centre<\/td>\n Acc. No – D\/379<\/td>\n IG-99\/BCT-90\/279<\/td>\n Copy<\/td>\n IG-99\/DVCAM – 184\/140<\/td>\n Kathakali Part V Episode V, VI, VII<\/td>\n <\/td>\n Kathakali – Art form Kerala<\/td>\n Kathakali<\/td>\n Kathakali V, VI, VII
\n Film on Kathakali which highlights several perspective of this tradition <\/p>\n

encompassing the belief system, art and ritual apart from theatrics. The
\n training and teaching techniques of some renowned Gurus of Kathakali has
\n been mentioned here.<\/td>\n

 00-00-99<\/td>\n Kerala<\/td>\n 1<\/td>\n 71<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n N. Radhakrishan<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kathakali \/ Performing arts\/  N. Radhakrishana\/  Kala Matam\/ Ayurveda\/
\n Guru-Shishya\/ Mudra\/ Kerala\/  Daksha yajnam<\/td>\n<\/tr>\n
6<\/td>\n Media Centre<\/td>\n Acc. No – D\/380<\/td>\n IG-98\/BCT-90\/219<\/td>\n Edited Master<\/td>\n IG-98\/DVCAM – 184\/141<\/td>\n Kham I and II<\/td>\n Exhibition. Kham – Space and the Act of Space<\/td>\n <\/td>\n <\/td>\n Kham I and II – A film based on the IGNCA exhibition held in November
\n 1986, at Rabindra Bhavan, New Delhi<\/td>\n		 00-00-98<\/td>\n New Delhi<\/td>\n 1<\/td>\n 95<\/td>\n English<\/td>\n Delhi  <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n A PTI TV Film for IGNCA<\/td>\n <\/td>\n Kham \/ Space \/ Exhibition \/ Rabindra Bhavan \/ New Delhi \/ Pleasure \/ Joy
\n \/ Delight \/ Water \/ China \/ Earth \/ Wind <\/td>\n<\/tr>\n
7<\/td>\n Media Centre<\/td>\n Acc. No – D\/381<\/td>\n AB – 60 -42<\/td>\n Copy<\/td>\n IG-98\/DVCAM- 184\/141<\/td>\n Kapila Vatsyayan in conversation with Damayanti Joshi (Kathak Exponent)<\/td>\n <\/td>\n <\/td>\n Kathak<\/td>\n Kapila Vatsyayan in conversation with Kathak exponent Damayanti Joshi <\/td>\n <\/td>\n IGNCA, New Delhi<\/td>\n 1<\/td>\n 54<\/td>\n Hindi<\/td>\n Delhi  <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kapila Vatsyayan \/ Conversation \/ Kathak \/ Dance \/ Damayanti Joshi \/
\n Performing art \/ Innovation \/ Composition \/ Gharana \/ Parampara \/
\n Tradition<\/td>\n<\/tr>\n
8<\/td>\n Media Centre<\/td>\n Acc. No – D\/382<\/td>\n IG-03\/BCT-30\/468
\n  <\/td>\n		 Copy<\/td>\n IG-03\/DVCAM -184\/142<\/td>\n Mother Goddess  Episode I<\/td>\n <\/td>\n <\/td>\n <\/td>\n Dakishin Kannada Land of the Mother Goddess I
\n The film explores the rich tradition of Mother Goddess worship,
\n transcending all communities and castes in South Karnataka. It traces
\n the mythological manifestations of the female divinity and delves deep
\n into the Pura?as to understand the concept of creation, procreation and
\n destruction, epitomized by her. The iconography, ritual and dance are
\n also featured. <\/td>\n		 00-00-03<\/td>\n Karnataka<\/td>\n 1<\/td>\n 26<\/td>\n English<\/td>\n Karnataka <\/td>\n Srinivas R.<\/td>\n Premakala Visions<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Mother Goddess\/ Dakshina Kannada\/ Karnataka \/ Srinivas R. \/ Ambudesvara\/
\n Mahalingesvara\/ Adilakshmi\/ Durgaparmesvari\/ Mangala Devi Temple\/ 
\n Navaratra\/ Kadari Temple \/ Custom \/ Tradition \/ Religion \/ Agriculture
\n \/ <\/td>\n<\/tr>\n
9<\/td>\n Media Centre<\/td>\n Acc. No – D\/383<\/td>\n IG-03\/BCT-30\/469
\n  <\/td>\n		 Copy<\/td>\n IG-03\/DVCAM -184\/142<\/td>\n Mother Goddess  Episode II<\/td>\n <\/td>\n <\/td>\n <\/td>\n Dakishin Kannada Land of the Mother Goddess II
\n The film explores the rich tradition of Mother Goddess worship,
\n transcending all communities and castes in South Karnataka. It traces
\n the mythological manifestations of the female divinity and delves deep
\n into the Pura?as to understand the concept of creation, procreation and
\n destruction, epitomized by her. The iconography, ritual and dance are
\n also featured. <\/td>\n		 00-00-03<\/td>\n Karnataka<\/td>\n 1<\/td>\n 29<\/td>\n English<\/td>\n Karnataka <\/td>\n Srinivas R.<\/td>\n Premakala Visions<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Mother Goddess\/ Dakshina Kannada\/ Karnataka \/ Srinivas R. \/ Ambudesvara\/
\n Mahalingesvara\/ Adilakshmi\/ Durgaparmesvari\/ Mangala Devi Temple\/ 
\n Navaratra\/ Kadari Temple \/ Custom \/ Tradition \/ Religion \/ Agriculture
\n \/ <\/td>\n<\/tr>\n
10<\/td>\n Media Centre<\/td>\n Acc. No – D\/384<\/td>\n IG-03\/BCT-30\/470
\n  <\/td>\n		 Copy<\/td>\n IG-03\/DVCAM -184\/142<\/td>\n Mother Goddess  Episode III<\/td>\n <\/td>\n <\/td>\n <\/td>\n Dakishin Kannada Land of the Mother Goddess III
\n The film explores the rich tradition of Mother Goddess worship,
\n transcending all communities and castes in South Karnataka. It traces
\n the mythological manifestations of the female divinity and delves deep
\n into the Pura?as to understand the concept of creation, procreation and
\n destruction, epitomized by her. The iconography, ritual and dance are
\n also featured. <\/td>\n		 00-00-03<\/td>\n Karnataka<\/td>\n 1<\/td>\n 33<\/td>\n English<\/td>\n Karnataka <\/td>\n Srinivas R.<\/td>\n Premakala Visions<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Mother Goddess\/ Dakshina Kannada\/ Karnataka \/ Srinivas R. \/ Ambudesvara\/
\n Mahalingesvara\/ Adilakshmi\/ Durgaparmesvari\/ Mangala Devi Temple\/ 
\n Navaratra\/ Kadari Temple \/ Custom \/ Tradition \/ Religion \/ Agriculture
\n \/ <\/td>\n<\/tr>\n
11<\/td>\n Media Centre<\/td>\n Acc. No – D\/385<\/td>\n IG-03\/BCT-30\/471<\/td>\n Copy<\/td>\n IG-03\/DVCAM -184\/142<\/td>\n Mother Goddess  Episode IV<\/td>\n <\/td>\n <\/td>\n <\/td>\n Dakishin Kannada Land of the Mother Goddess IV
\n The film explores the rich tradition of Mother Goddess worship,
\n transcending all communities and castes in South Karnataka. It traces
\n the mythological manifestations of the female divinity and delves deep
\n into the Pura?as to understand the concept of creation, procreation and
\n destruction, epitomized by her. The iconography, ritual and dance are
\n also featured. <\/td>\n		 00-00-03<\/td>\n Karnataka<\/td>\n 1<\/td>\n 30<\/td>\n English<\/td>\n Karnataka <\/td>\n Srinivas R.<\/td>\n Premakala Visions<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12<\/td>\n Media Centre<\/td>\n Acc. No – D\/386<\/td>\n BCT-60\/ Acc – 1795<\/td>\n Copy<\/td>\n IG-
\n DVCAM -64\/143<\/td>\n		 Kapila Vatsyayan in conversation with K.S. Karanth (Author, Musicologist
\n and Yakshagana expert)<\/td>\n		 <\/td>\n <\/td>\n Yakshagana<\/td>\n Kapila Vatsyayan in conversation with K.S. Karanth (Author, Musicologist
\n and Yakshagana expert)<\/td>\n		 <\/td>\n New Delhi<\/td>\n 1<\/td>\n 69<\/td>\n English<\/td>\n Delhi  <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n IGNCA Presentation<\/td>\n <\/td>\n K.S. Karanth\/ Kapila Vatsyayan\/ Kannada\/ Writer\/ Yakshagana\/ Artist\/
\n Interview \/ Author \/ Musicologist<\/td>\n<\/tr>\n
22<\/td>\n Media Centre<\/td>\n Acc. No – D\/396<\/td>\n <\/td>\n Copy<\/td>\n IG-\/DVCAM – 184\/153<\/td>\n The Kesar Saga I, II,III<\/td>\n <\/td>\n <\/td>\n <\/td>\n The Kesar Saga I, II,III – is an ancient Tibetan epic. The story
\n revolves around the exploits of a super human hero, Kesar and his
\n efforts to establish peace and order in the world.<\/td>\n		 <\/td>\n Ladakh<\/td>\n 1<\/td>\n 83<\/td>\n English<\/td>\n <\/td>\n Iffat Fatima<\/p>\n

 <\/td>\n

 <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n Subtitle – Yes<\/td>\n <\/td>\n Kesar \/  Epic \/ Tibet \/ Ladakh \/ Story \/ Peace \/ Hero<\/td>\n<\/tr>\n
23<\/td>\n Media Centre<\/td>\n Acc. No – D\/397<\/td>\n <\/td>\n Copy<\/td>\n IG-\/DVCAM – 184\/153<\/td>\n Ek thi Gulab<\/td>\n <\/td>\n Ek thi Gulab<\/td>\n Nautanki<\/td>\n Ek thi Gulab – the film talks about the journey of legendry artist Gulab
\n Bai, who was perhaps the first female actress to join the male-dominated
\n Nau?a?ki show. A self-trained artist Gulab Bai is still remembered for
\n her efforts for rejuvenating the eclectic tradition of folk theatre with
\n fresh ideas, themes, stylistic improvisations and linguistic nuances. <\/td>\n		 <\/td>\n Kanpur<\/td>\n 1<\/td>\n 73<\/td>\n Hindi<\/td>\n <\/td>\n Krishna Raghav<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gulab Bai \/ Nautanki \/ Theatre \/ Performing Art  \/ Kanpur \/ Music <\/td>\n<\/tr>\n
24<\/td>\n Media Centre<\/td>\n Acc. No – D\/398<\/td>\n IG- \/ BCT-30 \/ 339<\/td>\n Copy<\/td>\n IG-\/DVCAM – 184\/153<\/td>\n Interview of Amrit Rai<\/td>\n Interview<\/td>\n <\/td>\n <\/td>\n Amrit Rai in conversation with Kapila Vatsyayan<\/td>\n <\/td>\n IGNCA, New Delhi<\/td>\n 1<\/td>\n 23<\/td>\n Hindi<\/td>\n Delhi  <\/td>\n Gopal Saksena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Amrit Rai \/ Critic \/ Hindi \/ Writer \/ Kapila Vatsyayan \/ Interview \/
\n Urdu \/ Munshi Premchand \/ Literature \/ Gopal Saksena<\/td>\n<\/tr>\n
25<\/td>\n Media Centre<\/td>\n Acc. No – D\/399<\/td>\n 657<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM – 64\/154<\/td>\n		 In Search of the man of the Heart<\/td>\n <\/td>\n <\/td>\n Baul<\/td>\n In search of the man of the heart- A documentary about Bauls, the mystic
\n minstrels from Bengal.<\/td>\n		 <\/td>\n West Bengal<\/td>\n 1<\/td>\n 45<\/td>\n English<\/td>\n West Bengal <\/td>\n Susmit Bose<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Man \/ Baul \/ Minstrel \/ Mystic \/ Music \/ Folk \/ West Bengal  <\/td>\n<\/tr>\n
27<\/td>\n Media Centre<\/td>\n Acc. No – D\/401<\/td>\n Acc – 1804<\/td>\n Mixed Master<\/td>\n IG- \/
\n DVCAM – 64\/156<\/td>\n		 Pandwani<\/td>\n <\/td>\n <\/td>\n Pandavani<\/td>\n Pandavani –  about the narrative tradition performed by the traditional
\n communities like Pardhan, Gaund and Devar across Chattisgarh, Orissa and
\n Andhra Pradesh. In such tradition a single performer narrates episodes
\n from Mahabharata. The documentary highlights two main styles – Vedamati
\n and Kapalika<\/td>\n		 <\/td>\n <\/td>\n 1<\/td>\n 59<\/td>\n Hindi<\/td>\n <\/td>\n Manohar Aashi<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Pandavani \/ Folk \/ Music \/ Performance \/ Mahabharata \/ Tale <\/td>\n<\/tr>\n
29<\/td>\n Media Centre<\/td>\n Acc. No – D\/403<\/td>\n 17<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 1 Portraits of a Tradition<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Portraits of a Tradition<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 27<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Portraits \/ \/ Tradition \/ Performing Art
\n \/ Tradition \/ Culture \/ Kerala \/ Theyyam \/ Dance \/ Music<\/td>\n<\/tr>\n
30<\/td>\n Media Centre<\/td>\n Acc. No – D\/404<\/td>\n 19<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 2 Self of the Collective<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Self of the Collective<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 23<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/Collective \/ \/ Tradition \/ Performing Art
\n \/ Tradition \/ Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Dance \/
\n Music<\/td>\n<\/tr>\n
31<\/td>\n Media Centre<\/td>\n Acc. No – D\/405<\/td>\n 20<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 3 The Thirty plus Five<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – The Thirty Plus Five<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 22<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music<\/td>\n<\/tr>\n
32<\/td>\n Media Centre<\/td>\n Acc. No – D\/406<\/td>\n 21<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 4 Saiva Tradition<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Saiva Tradition Power and Glory<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 22<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Saiva \/
\n Power \/ Glory \/ Music \/ Dance<\/td>\n<\/tr>\n
33<\/td>\n Media Centre<\/td>\n Acc. No – D\/407<\/td>\n 22<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 5 Images through Words<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam –  The Ritual Theatre – Image through Words<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 21<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity <\/td>\n<\/tr>\n
34<\/td>\n Media Centre<\/td>\n Acc. No – D\/408<\/td>\n 23<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 6 Crafting and Ritual<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Crafting a Ritual<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 27<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity \/ Interface \/ Costume<\/td>\n<\/tr>\n
35<\/td>\n Media Centre<\/td>\n Acc. No – D\/409<\/td>\n 24<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 158<\/td>\n Kaliyattam Episode 7 Theatricality<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Theatricality<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 26<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity \/ Interface \/ Costume<\/td>\n<\/tr>\n
36<\/td>\n Media Centre<\/td>\n Acc. No – D\/410<\/td>\n 25<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 159<\/td>\n Kaliyattam Episode 8 Muthappan<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Muthappan the Errant<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 26<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity \/ Interface \/ Costume \/ Muthappan<\/td>\n<\/tr>\n
37<\/td>\n Media Centre<\/td>\n Acc. No – D\/411<\/td>\n 26<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 159<\/td>\n Kaliyattam Episode 9 Is not our blood red<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Is not our blood red?<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 25<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity \/ Interface \/ Costume <\/td>\n<\/tr>\n
38<\/td>\n Media Centre<\/td>\n Acc. No – D\/412<\/td>\n 50<\/td>\n Copy<\/td>\n IG- \/DVCAM\/184\/ 159<\/td>\n Kaliyattam Episode 10 Silhouttes of Grandeur<\/td>\n <\/td>\n <\/td>\n Kaliyattam<\/td>\n Kaliyattam – The Ritual Theatre – Silhouttes of Grandeur<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 26<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n Centre for Development of Imaging Technology and IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n C-DIT and IGNCA Presentation<\/td>\n <\/td>\n Kaliyattam \/ Ritual \/ Theatre \/ Tradition \/ Performing Art \/ Tradition \/
\n Culture \/ Kerala \/ Theyyam \/ Community \/ Society \/ Practice \/ Dance \/
\n Vocal \/ Instumental \/ Music \/ Deity \/ Interface \/ Costume \/ 
\n Perungaliyattam \/ Astrology<\/td>\n<\/tr>\n
39<\/td>\n Media Centre<\/td>\n Acc. No – D\/413<\/td>\n 51<\/td>\n Copy<\/td>\n IG- \/DVCAM\/64\/ 160<\/td>\n The Legacy of Tana Bhagat<\/td>\n <\/td>\n <\/td>\n <\/td>\n The Legacy of Tana Bhaghat – Docu-drama based on Tana Bhagat, a tribal
\n community leader of Chota Nagpur. He fought against the superstitions
\n and drunkenness prevalent among tribals and preached non-violence long
\n before Gandhiji. <\/td>\n		 <\/td>\n Chota Nagpur<\/td>\n 1<\/td>\n 31<\/td>\n Hindi<\/td>\n <\/td>\n Saurabh Kishore<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Tana Bhaghat \/ Documentary \/ Drama \/ Tribe \/  Community \/ Leader \/ Chota
\n Nagpur \/ Non-violence <\/td>\n<\/tr>\n
45<\/td>\n Media Centre<\/td>\n Acc. No – D\/419<\/td>\n 56<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM-64\/166<\/td>\n		 Yelhou Jagoi <\/td>\n <\/td>\n Yelhou Jagoi<\/td>\n Lai Haraoba<\/td>\n Yelhou Jagoi – Re-enactment of the creation (The dances of Lai
\n Haraoba).The documentation also highlights Panthoibi Jagoi, which
\n celebrates romantic love of Lord Nongpok and Goddess Panthoibi.<\/td>\n		 <\/td>\n K.P.Recording Studio<\/td>\n 1<\/td>\n 35<\/td>\n <\/td>\n Manipur <\/td>\n Aribam Shyam Sharma<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n Subtitles: Yes<\/td>\n <\/td>\n Yelhou Jagoi \/ Aribam Shyam Sharma \/ Documentary \/ Dance \/ Lai Haraoba \/
\n Manipur \/ Hand gestures \/ Panthoibi Jagoi \/ Khutheks \/ Festival \/ Ritual<\/td>\n<\/tr>\n
46<\/td>\n Media Centre<\/td>\n Acc. No – D\/420<\/td>\n 57<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM-64\/167<\/td>\n		 Born to Sing I <\/td>\n <\/td>\n Mirasans of Punjab – Born to Sing<\/td>\n <\/td>\n Born to Sing I- The film nostalgically traverses the unique tradition of
\n the Punjab, in which the Mirasans cry on death, bring laughter at birth
\n and marriage and bridge communities. <\/td>\n		 <\/td>\n Patiala<\/td>\n 1<\/td>\n 26<\/td>\n English<\/td>\n Punjab <\/td>\n Shikha Jhingan<\/td>\n IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n Subtitles: Yes<\/td>\n <\/td>\n Shikha Jhingan \/ Mirasans \/ Punjab \/ Death \/ Birth \/ Marriage \/
\n Communities \/ Documentary \/ Life cycle \/ Ritual \/ Musicians \/ Baba
\n Mardana \/ Sikh<\/td>\n<\/tr>\n
47<\/td>\n Media Centre<\/td>\n Acc. No – D\/421<\/td>\n 57<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM-64\/167<\/td>\n		 Born to Sing II<\/td>\n <\/td>\n Mirasans of Punjab – Born to Sing<\/td>\n <\/td>\n Born to Sing II- The film nostalgically traverses the unique tradition
\n of the Punjab, in which the Mirasans cry at occasions death, bring
\n laughter at birth and weddings and bridge communities. <\/td>\n		 <\/td>\n Patiala<\/td>\n 1<\/td>\n 24<\/td>\n English<\/td>\n Punjab <\/td>\n Shikha Jhingan<\/td>\n IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n Subtitles: Yes<\/td>\n <\/td>\n Shikha Jhingan \/ Mirasans \/ Punjab \/ Death \/ Birth \/ Marriage \/
\n Communities \/ Documentary \/ Life cycle \/ Ritual \/ Musicians \/ Baba
\n Mardana \/ Sikh \/ Malerkotla<\/td>\n<\/tr>\n
48<\/td>\n Media Centre<\/td>\n Acc. No – D\/DVD \/ 422<\/td>\n <\/td>\n Copy<\/td>\n IG-\/
\n DVCAM-184\/189<\/td>\n		 Folklore Museum of Mysore  (Janapada Sampada ) Part II<\/td>\n <\/td>\n <\/td>\n <\/td>\n A Documentary on Folklore Museum of Mysore Janapada Sampada  <\/td>\n <\/td>\n Folklore Museum of Mysore<\/td>\n 1<\/td>\n 25<\/td>\n English<\/td>\n South India<\/td>\n M.Lingraj<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Folklore \/ Museum \/ Mysore \/ M. Lingraj \/ Documentary \/ Mother Goddess \/
\n Bhootaradhana \/ Karnataka \/ Intangible \/ Tangible \/ Heritage \/ S.N.Hegde
\n \/ University<\/td>\n<\/tr>\n
49<\/td>\n Media Centre<\/td>\n Acc. No – D\/DVD \/ 423<\/td>\n <\/td>\n Copy<\/td>\n IG-\/
\n DVCAM -64\/169<\/td>\n		 A film on Todas by Bappa Ray<\/td>\n <\/td>\n <\/td>\n <\/td>\n Sacred World of the Toda – Features the life style of Toda community of
\n the Nilgiri Hills. This film looks through the eyes of a Toda family,
\n their surrounding and interaction with other Todas, and their daily life
\n which revolves around buffaloes.<\/td>\n		 <\/td>\n Nilgiri Hills<\/td>\n 1<\/td>\n 57<\/td>\n <\/td>\n South India<\/td>\n Bappa Ray<\/td>\n IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Todas \/ IGNCA \/ Nilgiri Hills \/ Bappa Ray \/ Documentary \/ Community \/
\n Buffalo \/ Ritual \/ Society<\/td>\n<\/tr>\n
50<\/td>\n Media Centre<\/td>\n Acc. No – D\/ 424<\/td>\n Copy Acc. No. 19 – 23<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM -184\/170<\/td>\n		 Folk Instruments and Sources of Rajasthan<\/td>\n <\/td>\n <\/td>\n <\/td>\n Folk instruments and songs of Rajasthan<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 87<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Folk \/ Songs \/ Instruments \/ Music \/ Rajasthan \/ UNESCO <\/td>\n<\/tr>\n
51<\/td>\n Media Centre<\/td>\n Acc. No – D\/ 425<\/td>\n <\/td>\n Copy<\/td>\n IG-\/
\n DVCAM -184\/170<\/td>\n		 Interview : Sumati Mutakar<\/td>\n <\/td>\n <\/td>\n Hindustani music – vocal<\/td>\n My World of Music – Sumati Mutatkar<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 89<\/td>\n <\/td>\n <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Sumati Mutatkar \/ Interview \/ Vocalist \/ Gharana \/ Agra \/ Musicologist \/
\n Performing art \/ Classical \/ Music \/ Hindustani<\/td>\n<\/tr>\n
86<\/td>\n Media Centre<\/td>\n Acc.No. – D \/ 460<\/td>\n IG-98\/ BCT-90\/ 159<\/td>\n Copy<\/td>\n IG \/ DVCAM- 184\/ 237 A<\/td>\n Interview: Zohra Sehgal<\/td>\n <\/td>\n Zohra Unmasks<\/td>\n <\/td>\n Zohra Unmasks – Kapila Vatsyayan in conversation with Zohra Sehgal<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 72<\/td>\n English<\/td>\n <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Interview \/ Zohra Sehgal \/ Kapila Vatsyayan \/ Dance \/ Performing art \/
\n Uday Shankar \/ Ballet \/ Theatre \/ Prithviraj Kapoor \/ Art \/ Feminism<\/td>\n<\/tr>\n
87<\/td>\n Media Centre<\/td>\n Acc.No. – D \/ 461<\/td>\n <\/td>\n Copy<\/td>\n IG-98\/DVCAM- 184\/141<\/td>\n Banam Santhal<\/td>\n <\/td>\n <\/td>\n <\/td>\n Banam :  Myth and Cosmology of the Santhal<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 43<\/td>\n English<\/td>\n <\/td>\n Bappa Ray<\/td>\n IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Banam \/ Santhal \/ Music \/ Instrument \/ Myth \/ Cosmology<\/td>\n<\/tr>\n
120<\/td>\n Media Centre<\/td>\n Acc.No. D \/ DVD \/ 494<\/td>\n IG – 99\/BCT-90\/154<\/td>\n Edited Master<\/td>\n <\/td>\n Mulk Raj<\/td>\n <\/td>\n <\/td>\n <\/td>\n Kapila Vatsyayan in conversation with Mulk Raj Anand<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 103<\/td>\n English<\/td>\n <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Interview \/ Mulk Raj Anand \/ Kapila Vatsyayan \/ Writer \/ Jai Chandiram<\/td>\n<\/tr>\n
125<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 499<\/td>\n IG-99\/BCT-90\/131<\/td>\n Copy<\/td>\n IG \/ DVCAM- 184\/ 237 A<\/td>\n Sampoorma (Odissi Dance)<\/td>\n <\/td>\n <\/td>\n Odissi dance<\/td>\n Sampurna – Odissi Dance production based on the Devadasis of Puri Temple
\n by Sharmila Biswas and group<\/td>\n		 <\/td>\n <\/td>\n 1<\/td>\n 104<\/td>\n English<\/td>\n <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Sampurna \/ Odissi \/ Dance \/ Devadasi \/ Temple \/ Sharmila Biswas \/ Temple
\n \/ Puri<\/td>\n<\/tr>\n
126<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 500<\/td>\n IG-2K\/BCT-90\/244<\/td>\n Copy<\/td>\n IG 2K\/ DVCAM-184\/ 215<\/td>\n Abhinaya Darpan – Choreographic Composition Part I and II<\/td>\n <\/td>\n <\/td>\n <\/td>\n Abhinaya Darpan – Choreographic Composition Part I and II<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 99<\/td>\n English<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Abhinaya \/ Darpan \/ Choreography \/ Dance \/ Slokas \/ Acharya Parvati
\n Kumar \/ Nandikesvara \/ Kapila Vatsyayan<\/td>\n<\/tr>\n
127<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 501<\/td>\n IG-98\/BCT-90\/290
\n Copy Acc.No.14-18<\/td>\n		 Copy<\/td>\n IG- 98\/ DVCAM- 184\/209<\/td>\n Documentation of Exhibition ‘Akara’<\/td>\n Exhibition – Akara<\/td>\n <\/td>\n <\/td>\n Documentation of Exhibition ‘Akara’<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 86<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Exhibition \/ Akara \/ Mantra \/ Tibetan \/ Buddhism \/ Uchen \/ Ume \/ Bamyik
\n \/ Drutsa \/ Lentsa \/ Chuyik<\/td>\n<\/tr>\n
128<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 502<\/td>\n IG- 98\/ BCT-90\/0019-143
\n Copy Acc. No – 53 to 57<\/td>\n		 Copy<\/td>\n IG-\/ DVCAM- 184\/205<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n <\/td>\n Ramayana<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n Ayodha<\/td>\n 1<\/td>\n 93<\/td>\n English<\/td>\n Uttar Pradesh <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ South East Asia \/ K.S Srinivasan <\/td>\n<\/tr>\n
129<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 503<\/td>\n IG- 98\/ BCT-90\/145
\n Copy Acc. No – 63 to 65<\/td>\n		 Copy<\/td>\n IG-98-\/DVCAM- 184\/207<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n <\/td>\n Ramayana<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n Ayodha<\/td>\n 1<\/td>\n 60<\/td>\n English<\/td>\n Uttar Pradesh <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ South East Asia \/ K.S Srinivasan <\/td>\n<\/tr>\n
130<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 504<\/td>\n IG- 98\/ BCT-90\/146
\n Copy Acc. No – 66 to 70<\/td>\n		 <\/td>\n IG-98-\/DVCAM- 184\/207<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n <\/td>\n Ramayana<\/td>\n Ramayana in India and S.E.Asia by K.S. Srinivasan<\/td>\n <\/td>\n Ayodha<\/td>\n 1<\/td>\n 87<\/td>\n English<\/td>\n Uttar Pradesh <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ South East Asia \/ K.S Srinivasan <\/td>\n<\/tr>\n
131<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 505<\/td>\n IG-98\/BCT-90\/219<\/td>\n Copy<\/td>\n IG-98\/DVCAM- 184\/141<\/td>\n Kham I and II<\/td>\n <\/td>\n Kham – Space and the Act of Space<\/td>\n Kham<\/td>\n Kham I and II<\/td>\n 00-00-98<\/td>\n New Delhi<\/td>\n 1<\/td>\n 96<\/td>\n English<\/td>\n Delhi  <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kham \/ Space \/ Exhibition \/ Rabindra Bhavan \/ New Delhi \/ Pleasure \/ Joy
\n \/ Delight \/ Water \/ China \/ Earth \/ Wind <\/td>\n<\/tr>\n
132<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 506<\/td>\n IG-99\/BCT-90\/273<\/td>\n Copy<\/td>\n IG-99\/DVCAM – 184\/140<\/td>\n Kadka; Cham dance ; Karnataka Style<\/td>\n <\/td>\n <\/td>\n Various<\/td>\n Kadka – Form of Folk war song generally sung in praise of a warrior and
\n Cham Dance – performed by Lamas within the premise of monastery<\/td>\n		 <\/td>\n Ajmer and Tawang<\/td>\n 2<\/td>\n 82<\/td>\n English<\/td>\n Various<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kadka \/ Ajmer \/ Khwaja Muinuddin Chishti \/ Folk \/ War \/ Song \/ Sufi \/
\n Cham \/ Dance \/ Arunachal Pradesh \/ Ritual \/ Worship \/ Monastery \/ Tawang <\/td>\n<\/tr>\n
133<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 507<\/td>\n IG-2K\/BCT-30\/319<\/td>\n Copy<\/td>\n IG \/ DVCAM- 64\/ 231<\/td>\n Painted Epics of Kerala<\/td>\n <\/td>\n <\/td>\n <\/td>\n The Painted Epics of Kerala<\/td>\n <\/td>\n Kerala<\/td>\n 1<\/td>\n 30<\/td>\n English<\/td>\n Kerala <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Painting \/ Epics \/ Kerala \/ Murals<\/td>\n<\/tr>\n
134<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 508<\/td>\n Copy Acc. No. 19 – 23<\/td>\n Copy<\/td>\n IG-\/
\n DVCAM -184\/170<\/td>\n		 Folk Instruments and Sources of Rajasthan<\/td>\n <\/td>\n <\/td>\n <\/td>\n Folk instruments and songs of Rajasthan<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 87<\/td>\n Various<\/td>\n Rajasthan <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n IGNCA<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Folk \/ Songs \/ Instruments \/ Music \/ Rajasthan \/ UNESCO <\/td>\n<\/tr>\n
135<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 509<\/td>\n IG – 99 \/BCT-90\/243<\/td>\n Copy<\/td>\n IG-\/DVCAM\/184\/195<\/td>\n Kala Exhibition on time,Panchtantra Ballet and Sacred dances at Hemis<\/td>\n <\/td>\n <\/td>\n <\/td>\n Kala – A multumedia presentation on time; Panchtantra – The Winning of
\n Time by Ranga Sri Ballet Troupe, Bhopal ; Sacred Dances at the Hemis
\n Festival – A film by M.K.Raina<\/td>\n		 00-Dec-91 – 00-Feb-91<\/td>\n <\/td>\n 1<\/td>\n 84<\/td>\n English<\/td>\n Various<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Kala \/ Exhibition \/ Iconography \/ Architecture \/ Panchtantra \/ Hemis \/
\n Festival \/ Monastery \/ Ladakh \/ Buddhism \/ M.K.Raina<\/td>\n<\/tr>\n
136<\/td>\n Media Centre<\/td>\n Acc.No. D \/ DVD \/ 510<\/td>\n IG – 98 \/BCT-60\/0011-136<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/204<\/td>\n Discussion and performance by Ustad Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Discussion and performance by Ustad Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 37<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
137<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 511<\/td>\n IG – 98 \/BCT-60\/0017-142<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/203<\/td>\n Ustad Fahimuddin Khan Dagar (Dhrupad)<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Performance by Ustad Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 39<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
138<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 512<\/td>\n IG – 98 \/BCT-60\/0015-140<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/203<\/td>\n Ustad Fahimuddin Khan Dagar (Dhrupad)<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Performance by Ustad Fahimuddin Khan Dagar<\/td>\n 20-Jul-99<\/td>\n <\/td>\n 1<\/td>\n 35<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
139<\/td>\n Media Centre<\/td>\n Acc.No. D \/ DVD \/ 513<\/td>\n IG – 98 \/BCT-60\/0014-139<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/203<\/td>\n Dhrupad Demonstration by Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Dhrupad Demonstration by Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 76<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n <\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
140<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 514<\/td>\n IG – 98 \/BCT-60\/0016 -141<\/td>\n Copy<\/td>\n <\/td>\n Demonstration by Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Demonstration by Fahimuddin Khan Dagar<\/td>\n 24-Jul-99<\/td>\n <\/td>\n 1<\/td>\n 94<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
156<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 530<\/td>\n IG- 96\/ BCT- 60\/ 235<\/td>\n Copy<\/td>\n IG- \/ DVCAM- 184\/ 221<\/td>\n Gopi Bhat ka Tamasha- Heer Ranjha<\/td>\n <\/td>\n Gopi Bhat ka Tamasha<\/td>\n Tamasha<\/td>\n Gopi Bhat ka Tamasha- Heer Ranjha<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 52<\/td>\n Hindi<\/td>\n Rajasthan <\/td>\n Gopal Saxena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gopi Bhat \/ Tamasha \/ Ranjha \/ Heer \/ Gopal Saxena \/ Jaipur<\/td>\n<\/tr>\n
157<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 531<\/td>\n IG- 96\/ BCT- 60\/ 236<\/td>\n Copy<\/td>\n IG- \/ DVCAM- 184\/ 221<\/td>\n Gopi Bhat ka Tamasha- Gopi Bhrathari<\/td>\n <\/td>\n Gopi Bhat ka Tamasha<\/td>\n Tamasha<\/td>\n Gopi Bhat ka Tamasha- Gopi Chand Bhrathari<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 26<\/td>\n Hindi<\/td>\n Rajasthan <\/td>\n Gopal Saxena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gopi Bhat \/ Tamasha \/ Gopi Chand Bhrathari \/ Gopal Saxena \/ Jaipur<\/td>\n<\/tr>\n
158<\/td>\n Media Centre<\/td>\n Acc.No. DVD \/ 532<\/td>\n IG- 96\/ BCT- 60\/ 237<\/td>\n Copy<\/td>\n IG- \/ DVCAM- 184\/ 222<\/td>\n Gopi Bhat ka Tamasha- Jogi Jogan<\/td>\n <\/td>\n Gopi Bhat ka Tamasha<\/td>\n Tamasha<\/td>\n Gopi Bhat ka Tamasha- Jogi Jogan<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 41<\/td>\n Hindi<\/td>\n Rajasthan <\/td>\n Gopal Saxena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gopi Bhat \/ Tamasha \/ Jogi \/ Jogan \/ Gopal Saxena \/ Jaipur<\/td>\n<\/tr>\n
159<\/td>\n Media Centre<\/td>\n D\/ DVD – 533<\/td>\n IG- 96\/ BCT- 60\/ 239<\/td>\n Copy<\/td>\n IG- \/ DVCAM- 184\/ 222<\/td>\n Gopi Bhat ka Tamasha, Interview Statement and Gopi Bhat daily life Part
\n I<\/td>\n		 <\/td>\n Gopi Bhat ka Tamasha<\/td>\n Tamasha<\/td>\n Gopi Bhat ka Tamasha – Interview ,Statement and Gopi Bhat daily life
\n Part I<\/td>\n		 <\/td>\n <\/td>\n 1<\/td>\n 67<\/td>\n Hindi<\/td>\n Rajasthan <\/td>\n Gopal Saxena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gopi Bhat \/ Tamasha \/ Gopal Saxena \/ Jaipur<\/td>\n<\/tr>\n
183<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 557<\/td>\n IG-2K\/BCT-90\/161
\n  <\/td>\n		 Copy<\/td>\n IG-
\n \/DVCAM- 184\/200<\/td>\n		 International Ramayana Festival Performance by Thailand troupe: Camera –
\n 1 , Tape -1<\/td>\n		 Ramayana Festival<\/td>\n <\/td>\n <\/td>\n International Ramayana Festival Performance by Thailand troupe: Camera –
\n 1 , Tape -1<\/td>\n		 17-Dec-00<\/td>\n <\/td>\n 1<\/td>\n 103<\/td>\n <\/td>\n Thailand<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n <\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ Festival \/ Performance \/ Thailand <\/td>\n<\/tr>\n
184<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 558<\/td>\n IG-2K\/BCT-60\/164<\/td>\n Copy<\/td>\n IG-
\n \/DVCAM- 184\/200<\/td>\n		 International Ramayana Festival Ramacana, Performance by Indonesian
\n troupe: Camera – 1 , Tape -1<\/td>\n		 Ramayana Festival<\/td>\n <\/td>\n <\/td>\n International Ramayana Festival Performance by  Indonesian troupe:
\n Camera – 1 , Tape -1<\/td>\n		 18-Dec-00<\/td>\n <\/td>\n 1<\/td>\n 66<\/td>\n <\/td>\n Indonesia<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ Festival \/ Performance \/ Indonesia <\/td>\n<\/tr>\n
185<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 559<\/td>\n IG- 2K\/BCT-90\/173<\/td>\n Copy<\/td>\n IG-
\n \/DVCAM- 64\/201<\/td>\n		 International Ramayana Festival – Performance by Cambodian Troupe Tape –
\n 1, Cam – 1 <\/td>\n		 Ramayana Festival<\/td>\n <\/td>\n <\/td>\n International Ramayana Festival – Performance by Cambodian Troupe Tape –
\n 1, Cam – 1 <\/td>\n		 21-Dec-00<\/td>\n <\/td>\n 1<\/td>\n 46<\/td>\n <\/td>\n Cambodia<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ Festival \/ Performance \/ Cambodia <\/td>\n<\/tr>\n
186<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 560<\/td>\n IG- 2K\/BCT-90\/167<\/td>\n Copy<\/td>\n IG-
\n \/DVCAM- 184\/202<\/td>\n		 International Ramayana Festival – Performance by Myanmar Troupe Tape –
\n 1, Cam – 1<\/td>\n		 Ramayana Festival<\/td>\n <\/td>\n <\/td>\n International Ramayana Festival – Performance by Myanmar Troupe Tape –
\n 1, Cam – 1<\/td>\n		 19-Dec-00<\/td>\n <\/td>\n 1<\/td>\n 81<\/td>\n <\/td>\n Myanmar<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n <\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ Festival \/ Performance \/ Myanmar <\/td>\n<\/tr>\n
187<\/td>\n Media Centre<\/td>\n Acc.No. D \/ DVD \/ 561<\/td>\n IG- 2K\/BCT-90\/170<\/td>\n Copy<\/td>\n IG-
\n \/DVCAM- 184\/202<\/td>\n		 International Ramayana Festival – Performance by Singapore Troupe Tape –
\n 1, Cam – 2<\/td>\n		 Ramayana Festival<\/td>\n <\/td>\n <\/td>\n International Ramayana Festival – Performance by Troupe from Singapore
\n Tape – 1, Cam – 1<\/td>\n		 20-Dec-00<\/td>\n <\/td>\n 1<\/td>\n 68<\/td>\n <\/td>\n Singapore<\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramayana \/ Festival \/ Performance \/ Singapore <\/td>\n<\/tr>\n
192<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 566<\/td>\n IG 98\/ BCT- 30\/ 305 <\/td>\n Copy<\/td>\n IG 98\/ DVCAM- 64\/ 229<\/td>\n Chitra Vichitra<\/td>\n Exhibition – Chitra Vichitra<\/td>\n <\/td>\n <\/td>\n Chitra Vichitra – Exhibition of artwork by Santokba (Documentary)<\/td>\n 00-00-93<\/td>\n Bal Bhawan, New Delhi<\/td>\n 1<\/td>\n 24<\/td>\n Hindi<\/td>\n Delhi  <\/td>\n Gopal Saksena<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Exhibition \/ Santokba \/ Bal Bhawan \/ Painting \/ Documentary \/ Arun Kaul<\/td>\n<\/tr>\n
196<\/td>\n Media Centre<\/td>\n Acc.No. D \/ 570<\/td>\n IG- 2K\/ BCT- 90\/ 450
\n 349<\/td>\n		 Copy<\/td>\n IG- 2K\/ DVCAM- 64\/ 503
\n IG- 2K\/ DVCAM- 64\/ 504<\/td>\n		 Gavari Lakha Banjara <\/td>\n <\/td>\n <\/td>\n Gavari<\/td>\n Gavari Lakha Banjara <\/td>\n <\/td>\n Udaipur<\/td>\n 1<\/td>\n 19<\/td>\n Hindi<\/td>\n Rajasthan <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Gavari \/ Lakha Banjara \/ Performing art <\/td>\n<\/tr>\n
415<\/td>\n Media Centre<\/td>\n D\/DVD\/789<\/td>\n IG- 98\/ BCT-90\/137<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/204<\/td>\n Discussion and performance by Ustad Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Performance by Ustad Fahimuddin Khan Dagar<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 56<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ Performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
416<\/td>\n Media Centre<\/td>\n Acc No – D\/ 790<\/td>\n IG- 98\/ BCT-90\/138<\/td>\n Copy<\/td>\n IG-98-\/DVCAM- 184\/204<\/td>\n Demonstration by Fahimuddin Khan Dagar about Dhrupad (Preserved)<\/td>\n <\/td>\n <\/td>\n Dhrupad<\/td>\n Demonstration by Fahimuddin Khan Dagar about Dhrupad <\/td>\n <\/td>\n <\/td>\n 1<\/td>\n 82<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Dhrupad \/ Fahimuddin Khan Dagar \/ Indian \/ Classical \/ Music \/
\n Hindustani \/ Performing art \/ Vocal \/ Dagar \/ Tradition<\/td>\n<\/tr>\n
729<\/td>\n Media Centre<\/td>\n D\/DVD\/1102<\/td>\n IG- 99\/ BCT-30\/ 246<\/td>\n Copy<\/td>\n IG- 99\/ DVCAM- 64\/ 632<\/td>\n Raja Deen Dayal<\/td>\n <\/td>\n The Legacy of Raja Deen Dayal<\/td>\n <\/td>\n The Legacy of Raja Deen Dayal – The documentary explores the life and
\n time of Raja Deen Dayal, an Indian photographer (1844\u20131905)<\/td>\n		 <\/td>\n <\/td>\n 1<\/td>\n 21<\/td>\n <\/td>\n <\/td>\n Jai Chandiram<\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Raja Deen Dayal \/ Documentary \/ Jai Chandiram \/ Camera \/ Photographer \/
\n Court \/  Patron \/ Nizam \/ Hyderabad \/ Photographs \/ Studio \/ Delhi
\n Durbar<\/td>\n<\/tr>\n
774<\/td>\n Media Centre<\/td>\n D\/DVD\/1147<\/td>\n IG- 04\/ BCT- 60\/ 424<\/td>\n Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 592<\/td>\n Ramayana (UNESCO) Part I<\/td>\n <\/td>\n Ramlila – The traditional performance of Ramayana<\/td>\n Ramlila<\/td>\n Ramnagar Ramlila – The traditional performance of the Ramayana Part I<\/td>\n <\/td>\n Ramnagar<\/td>\n 1<\/td>\n 63<\/td>\n Various<\/td>\n Uttar Pradesh <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramlila \/ Ramnagar \/ Anuradha Kapur \/ Theatre \/ Play \/ Tradition \/ Drama
\n \/ Varanasi \/ Rama \/ Tulsidas \/ Divine \/ Ravaan \/ Demon \/ Ramayan \/ Epic
\n \/ Ramcharitmanas \/ Maharaja \/ Anant Narayan Singh \/ Oral \/ Intangible \/
\n Heritage \/ UNESCO<\/td>\n<\/tr>\n
775<\/td>\n Media Centre<\/td>\n D\/DVD\/1148<\/td>\n IG- 04\/ BCT- 60\/ 425<\/td>\n Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 593<\/td>\n Ramayana (UNESCO) Part II<\/td>\n <\/td>\n Ramlila – The traditional performance of Ramayana<\/td>\n Ramlila<\/td>\n Ramnagar Ramlila – The traditional performance of the Ramayana Part II<\/td>\n <\/td>\n Ramnagar<\/td>\n 1<\/td>\n 54<\/td>\n Various<\/td>\n Uttar Pradesh <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Ramlila \/ Ramnagar \/ Anuradha Kapur \/ Theatre \/ Play \/ Tradition \/ Drama
\n \/ Varanasi \/ Rama \/ Tulsidas \/ Divine \/ Ravaan \/ Demon \/ Ramayan \/ Epic
\n \/ Ramcharitmanas \/ Maharaja \/ Anant Narayan Singh \/ Oral \/ Intangible \/
\n Heritage \/ UNESCO<\/td>\n<\/tr>\n
953<\/td>\n Media Centre<\/td>\n D\/DVD\/1325<\/td>\n IG- 98\/ BCT- 90\/ 281
\n 326<\/td>\n		 Copy<\/td>\n IG- 98\/ DVCAM- 64\/ 509<\/td>\n Alap Raag Vihar<\/td>\n <\/td>\n <\/td>\n Hindustani music – vocal<\/td>\n Raag Bihag presentation by Fahimuddin Khan Dagar<\/td>\n 00-00-98<\/td>\n <\/td>\n 1<\/td>\n 49<\/td>\n Hindi<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Raag \/ Bihag \/ Fahimuddin Khan Dagar \/ Vocal \/ Alaap \/ Classical \/ Music
\n \/ Performing art<\/td>\n<\/tr>\n
955<\/td>\n Media Centre<\/td>\n D\/DVD\/1327<\/td>\n IG- 04\/ BCT- 60\/ 327<\/td>\n Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 594<\/td>\n The Talking Rocks of Badami<\/td>\n <\/td>\n The Talking Rocks of Badami<\/td>\n <\/td>\n The Talking Rocks of Badami – The documentary explores the rock cut
\n sculptures of the Badami caves in the Bijapur district, Karnataka built
\n under the Chalukyan dynasty.<\/td>\n		 00-00-04<\/td>\n <\/td>\n 1<\/td>\n 47<\/td>\n English<\/td>\n Karnataka <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Rocks \/ Badami \/ Documentary \/ Sculptures \/ Caves \/ Bijapur \/ District \/
\n Karnataka \/ Chalukya \/ R. Bharathadri \/ H. R. Raghunath Bhat<\/td>\n<\/tr>\n
956<\/td>\n Media Centre<\/td>\n D\/DVD\/1328<\/td>\n IG- 04\/ BCT- 60\/ 328<\/td>\n Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 595<\/td>\n A. Cradle of Indian Architecture – Aihole
\n B. Sacred Excellence – Pattadakal Temple<\/td>\n		 <\/td>\n Aihole – Cradle of Indian Architecture
\n Pattadakal Temple<\/td>\n		 <\/td>\n Aihole – Cradle of Indian Architecture – Documentary about the
\n architecture of Aihole;  Sacred Excellence Pattadakal Temples ; temples
\n in Bagalkot district of Karnataka built to celebrate the victory of the
\n king Vikramaditya II<\/td>\n		 00-00-04<\/td>\n <\/td>\n 2<\/td>\n 56<\/td>\n English<\/td>\n Karnataka <\/td>\n R.Bharathadri<\/td>\n IGNCA<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Aihole \/ Architecture \/ Documentary \/ Pattadakal \/ Temples \/ Bagalkot \/
\n Karnataka \/ Vikramaditya II \/ H. R. Raghunath Bhat \/ Virupaksha <\/td>\n<\/tr>\n
957<\/td>\n Media Centre<\/td>\n D\/DVD\/1329<\/td>\n IG- 04\/ BCT- 60\/ 329<\/td>\n Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 596<\/td>\n Creativity at work – Thanjavur <\/td>\n <\/td>\n <\/td>\n <\/td>\n Creativity at work – Thanjavur – The film covers the architectural and
\n cultural areas of Thanjavur<\/td>\n		 00-00-04<\/td>\n Thanjavur<\/td>\n 1<\/td>\n 38<\/td>\n English<\/td>\n Karnataka <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Creativity \/ Thanjavur \/ Architecture \/ Culture \/ Thanjavur \/ Painting \/
\n Veena \/ Music \/ Carnatic \/ Art \/ Kalamani T. Venkateswaran Raju<\/td>\n<\/tr>\n
972<\/td>\n Media Centre<\/td>\n D\/DVD\/1344<\/td>\n IG- 95\/ BCT- 30\/ 321
\n IG- 95\/ BCT- 30\/ 322
\n IG- 95\/ BCT- 30\/ 323<\/td>\n		 Copy<\/td>\n IG- 95\/ DVCAM- 64\/ 937<\/td>\n An Interview with Ann Mai by Kapila Vatsyayan<\/td>\n <\/td>\n <\/td>\n <\/td>\n Annmarie Schimmel in conversation with Kapila Vatsyayan<\/td>\n 1-Mar-95<\/td>\n IGNCA Studio, New Delhi<\/td>\n 1<\/td>\n 69<\/td>\n English<\/td>\n <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47C3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Interview \/ Ann Marie Schimmel \/ Kapila Vatsyayan \/ Maulana Rumi \/ Sufi
\n \/ Dervish<\/td>\n<\/tr>\n
984<\/td>\n Media Centre<\/td>\n D\/DVD\/1356<\/td>\n IG- 04\/ BCT- 60\/ 421
\n 331<\/td>\n		 Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 515<\/td>\n Sanjhi<\/td>\n <\/td>\n Sanjhi<\/td>\n <\/td>\n Sanjhi – A traditional festival celebrated by unmarried young girls in
\n Southern Rajasthan. Young girls create Sanjhi on the walls of houses
\n with cow dung and variety of flowers. Through this they pay tribute to
\n their departed ancestors during Pitri Paksha.<\/td>\n		 <\/td>\n Rajasthan<\/td>\n 1<\/td>\n 40<\/td>\n English<\/td>\n Rajasthan <\/td>\n <\/td>\n B.S.Rawat<\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Sanjhi \/ Udaipur \/ Rajasthan \/ Ritual \/ Festival \/ Belief \/ Custom \/
\n Ancestor \/ Pitri Paksha \/ Myth \/ Tradition \/ Sandhya \/ Folk \/ Molly
\n Kaushal \/ Cow Dung \/ Nathdwara \/ <\/td>\n<\/tr>\n
985<\/td>\n Media Centre<\/td>\n D\/DVD\/1357<\/td>\n IG- 04\/ BCT- 60\/ 420
\n 330<\/td>\n		 Copy<\/td>\n IG- 04\/ DVCAM- 64\/ 514<\/td>\n Bhil Painting<\/td>\n <\/td>\n Image and Imagination – Bhil Paintings<\/td>\n <\/td>\n Lifestyle and wall paintings of the Bhil community of Southern Rajasthan<\/td>\n <\/td>\n Chhoti Undri, Rajasthan<\/td>\n 1<\/td>\n 30<\/td>\n English<\/td>\n Rajasthan <\/td>\n <\/td>\n <\/td>\n DVD-R<\/td>\n Video<\/td>\n Digital<\/td>\n Sony DMR
\n 47S3<\/td>\n		 PAL<\/td>\n Colour<\/td>\n Media Centre<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n Bhil \/ Tribe \/ Community \/ Painting \/ Wall \/ Aravalli \/ Nadeswar Mahadev
\n \/ Temple \/ Shiva \/ Art \/ Belief \/ Custom \/ Tradition \/ Rajasthan \/
\n Chhoti Undri<\/td>\n<\/tr>\n<\/table><\/div>\n<\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

S. No. SECTION IGNCA ACCESSION NO. Other Nos. (IGNCA) NATURE SOURCE Tape Identifier or Title EVENT PROJECT Genre CONTENT DATE OF RECORDING Place of recording\/Venue NUMBER OF ITEMS DURATION (mins) LANGUAGE REGION\/STATE   Director Producer FORMAT AUDIO\/VIDEO ANALOG\/DIGITAL BRAND and TYPE STANDARD COLOUR SOURCE OF ACQUISITION ACCESS and COPYRIGHT PHYSICAL CONDITION LOCATION NOTES REMARKS KEYWORDS … List of digitized material available in Media Centre in DVD format<\/span> →<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50282,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-39561","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/39561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50282"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=39561"}],"version-history":[{"count":1,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/39561\/revisions"}],"predecessor-version":[{"id":106863,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/39561\/revisions\/106863"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=39561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}