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September 1994<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<div align=\"center\">\n<p>&nbsp;<\/p>\n<p align=\"right\"><a href=\"http:\/\/ignca.gov.in\/nl_body.htm\">List of Newslette<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-8\">\n<div align=\"center\">\n<div align=\"center\">\n<p>&nbsp;<\/p>\n<p align=\"center\">CONTENTS<\/p>\n<div align=\"center\"><\/div>\n<div align=\"center\">\n<div align=\"center\">\n<p>&nbsp;<\/p>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<table class=\"table table-bordered\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/ignca.gov.in\/nl_00401.htm\">OUTREACH<\/a><\/td>\n<td width=\"71%\"><\/td>\n<\/tr>\n<tr>\n<td>CONCEPT<\/td>\n<td width=\"71%\"><a href=\"http:\/\/ignca.gov.in\/kn_body.htm\">Kala Nidhi<\/a>\u00a0&#8211; A (<a href=\"http:\/\/ignca.gov.in\/ref_body.htm\">Reference Library<\/a>)<\/td>\n<\/tr>\n<tr>\n<td>PERESPECTIVE<\/td>\n<td width=\"71%\"><a href=\"\/?p=13738\">Nartananirnaya<\/a><\/td>\n<\/tr>\n<tr>\n<td>FOCUS<\/td>\n<td width=\"71%\"><a href=\"\/?p=18388\">The Attractions of Dunhuang Art Treasure<\/a><\/td>\n<\/tr>\n<tr>\n<td>RESEARCH<\/td>\n<td width=\"71%\"><a href=\"\/?p=14005\">Bajra: The Concept of Seed and Beyond<\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=14116\">Dongson Culture of Vietnam<\/a><\/td>\n<\/tr>\n<tr>\n<td>LECTURE<\/td>\n<td width=\"71%\"><a href=\"\/?p=15199\">Indian Influence in Indonesian Culture<\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=15335\">The Introduction of Lithography and its Impact on Book Design in India<\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=15420\">Conservation of Oil Paintings<\/a>\u00a0by Shri K K Gupta<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=15556\">Conservation of Paper<\/a>\u00a0by Ms. Ritu Jain<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=15580\">Language Perspective and Indianness<\/a>\u00a0( Acharya Hazari Prasad Dwivedi Memorial Lecture )<\/td>\n<\/tr>\n<tr>\n<td>IGNCA UPDATE<\/td>\n<td width=\"71%\"><a href=\"\/?p=15637\">Foundation day Celebrations<\/a><\/td>\n<\/tr>\n<tr>\n<td>FILM REVIEW<\/td>\n<td width=\"71%\"><a href=\"\/?p=15793\">Dissolving the Dividing Line<\/a><\/td>\n<\/tr>\n<tr>\n<td>BOOK REVIEW<\/td>\n<td width=\"71%\"><a href=\"\/?p=16637\">The Power of the Sacred Name<\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=16678\">Vishnupriya &#8211; The Forgotten Wife of Sri Gauranga<\/a><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td width=\"71%\"><a href=\"\/?p=16714\">Thirty Songs From the Punjab and Kashmir<\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">PERSONALITY<\/td>\n<td valign=\"top\" width=\"71%\"><a href=\"\/?p=17450\">Aesthetics of Nail Drawing<\/a><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><a href=\"http:\/\/ignca.gov.in\/kk_body.htm\">IGNCA Publications<\/a><\/td>\n<td valign=\"top\" width=\"71%\"><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\n<p align=\"center\"><a href=\"http:\/\/ignca.gov.in\/nl_body.htm#4\">List of Newsletter<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>VIHANGAMA\u00a0 THE IGNCA NEWSLETTER\u00a0\u00a0 Vol. II No. 2 July &#8211; September 1994 &nbsp; List of Newslette &nbsp; &nbsp; &nbsp; CONTENTS &nbsp; OUTREACH CONCEPT Kala Nidhi\u00a0&#8211; A (Reference Library) PERESPECTIVE Nartananirnaya FOCUS The Attractions of Dunhuang Art Treasure RESEARCH Bajra: The Concept of Seed and Beyond Dongson Culture of Vietnam LECTURE Indian Influence in Indonesian Culture &hellip; <a href=\"https:\/\/ignca.gov.in\/hi\/vihangama-news-letter\/vol-ii-no-2-july-september-1994\/\" class=\"more-link\"><span class=\"screen-reader-text\">Vol. II No. 2 July &#8211; September 1994<\/span> <span class=\"meta-nav\">&rarr;<\/span> \u0915\u094b \u092a\u0922\u093c\u0928\u093e \u091c\u093e\u0930\u0940 \u0930\u0916\u0947\u0902<\/a><\/p>\n","protected":false},"author":50279,"featured_media":0,"parent":235,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-8987","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/8987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/users\/50279"}],"replies":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/comments?post=8987"}],"version-history":[{"count":0,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/8987\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/pages\/235"}],"wp:attachment":[{"href":"https:\/\/ignca.gov.in\/hi\/wp-json\/wp\/v2\/media?parent=8987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}