SL. |
DVD Acc. No |
Accession No |
Contents |
Duration |
Date Of Telecast |
Epi. |
Remarks |
|
|
|
Dr. L.M. Singhvi-IGNCA Perspective |
58’45" |
29-Jan-02 |
1 |
IG-2K/BCT-60/001 |
|
|
|
Heritage of Manuscripts-An Overview |
|
|
|
|
|
|
|
By Pt. V.P. Mishra |
|
|
|
|
|
|
|
Documentary-Navkalevara |
|
|
|
|
|
|
|
this film documents the manifold rituals of selecting |
|
|
|
|
|
|
|
woods for making the icon of Lord Jaganath of Puri, |
|
|
|
|
|
|
|
This celebration occurs once in nineteen year |
|
|
|
|
|
|
|
Compere- Ms. Shashi Mehta |
|
|
|
|
2 |
DVD-79 |
DVCAM-64/002 |
Vishista-Buddha Charita-The legendary manuscripts |
55’20" |
31-Jan-02 |
2 |
IG-2K/BCT-60/002 |
|
|
|
Dr. Radha Banerjee |
|
|
|
|
|
|
|
Samvad-Buddhist Art-Prof. Lokesh Chandra & Dr. Bachchan |
|
|
|
|
|
|
|
Documentary- Hemis- Festival of Ladhak, which covers |
|
|
|
|
|
|
|
many hidden dynamics of Buddhist Belief system, |
|
|
|
|
|
|
|
hemmed with rituals. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta |
|
|
|
|
3 |
DVD-80 |
DVCAM-64/003 |
Vishista-Yajurveda-Dr. N.D. Sharma |
53’30" |
5-Feb-02 |
3 |
IG-2K/BCT-60/003 |
|
|
|
Samvad-Comparative Understanding of Marriage |
|
|
|
|
|
|
|
rituals since Yajurveda days. A dialogue between Prof. |
|
|
|
|
|
|
|
Sashi Kumar and Pt. V.P. Misra |
|
|
|
|
|
|
|
Documentary-Wangala-A Garo festival of Meghalaya |
|
|
|
|
|
|
|
Garo people whose lineage goes back to the Tibet |
|
|
|
|
|
|
|
remain a vibrant symbol of northeast India. Wangala is |
|
|
|
|
|
|
|
the festival of Garo people for them its time for |
|
|
|
|
|
|
|
celebrations, time to rejoice; time for choosing the |
|
|
|
|
|
|
|
Bride etc. The film never limits its documentation with |
|
|
|
|
|
|
|
the festivity rather approaches the life and time. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta |
|
|
|
|
4 |
DVD-81 |
DVCAM-64/004 |
Vishista-Gita Kalpa Manuscripts-Pt. V.P. Mishra |
59’35" |
7-Feb-02 |
4 |
IG-2K/BCT-60/004 |
|
|
|
Samvad-Cave Art of India-Dr. M.N. Deshpandey and |
|
|
|
|
|
|
|
Dr. Radha Banerjee. |
|
|
|
|
|
|
|
Documentary-Murals of Kerala-This film brings out the |
|
|
|
|
|
|
|
hidden aesthetics of temple of Kerala, which are lesser- |
|
|
|
|
|
|
|
known heritage of India. Even the great Ravi Varma got |
|
|
|
|
|
|
|
inspiration from these Murals. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta. |
|
|
|
|
5 |
DVD-82 |
DVCAM-64/005 |
Vishista-Jwar Timeer Bhaskar-A Manuscript, which |
52’25" |
12-Feb-02 |
5 |
IG-2K/BCT-60/005 |
|
|
|
details the various types of fevers from the perspective |
|
|
|
|
|
|
|
of Ayurveda Dr. Dilip Kumar rana. |
|
|
|
|
|
|
|
Samvad- Understanding the body with The Perspective |
|
|
|
|
|
|
|
of five elements Dr. Ashok Kumar Verma and Dr. Kirti Kant |
|
|
|
|
|
|
|
Sharma. |
|
|
|
|
|
|
|
Documentary-Folk Games of Tulunadu-This film highlights |
|
|
|
|
|
|
|
lesser-known games of Southern Karnataka, which has |
|
|
|
|
|
|
|
great social values as well. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta. |
|
|
|
|
6 |
DVD-83 |
DVCAM-64/006 |
Vishista-Gayatri-Dr. Ajay Misra |
57’15" |
14-Feb |
6 |
IG-2K/BCT-60/006 |
|
|
|
Samvad-Gayatri Kalpa- Dr. Prakash Pandey and |
|
|
|
|
|
|
|
Dr. N.D. Sharma. |
|
|
|
|
|
|
|
Documentary-Thang-ta-Martial art of Manipur, which is a |
|
|
|
|
|
|
|
forgotten chapter of our history. The film traces how even |
|
|
|
|
|
|
|
in the days of British Gurus silently carried the tradition of |
|
|
|
|
|
|
|
self-defense. The film highlights the various nuances of |
|
|
|
|
|
|
|
this art with a touch of ritual and even tried to like with |
|
|
|
|
|
|
|
the belief system of this and the other world. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta. |
|
|
|
|
7 |
DVD-84 |
DVCAM-64/007 |
Vishista-Vastu-Vidya Dr. Kirti Kant Sharma |
57’15" |
19-Feb-02 |
7 |
IG-2k/BCT-60/007 |
|
|
|
Samvad-Temple Architecture and the dimensions of Vastu |
|
|
|
|
|
|
|
Shastra Dr. M.A. Dhakey and Shri Rajesh singh. |
|
|
|
|
|
|
|
Documentary-Lai Haroba-is derived from the words Lai |
|
|
|
|
|
|
|
Hao Loba. Shouting of Hai by the Lai or deity in happiness. |
|
|
|
|
|
|
|
This festival of Creation is occasioned in the month of |
|
|
|
|
|
|
|
April-May and lasts for some 13 days. This film covers the |
|
|
|
|
|
|
|
ritual, the dance forms and enactment are in a way |
|
|
|
|
|
|
|
recreate the myth of creation of the Universe-Heaven, |
|
|
|
|
|
|
|
Earth and life in alien all its manifestations as expressed |
|
|
|
|
|
|
|
in flora, fauna and human activities. |
|
|
|
|
|
|
|
Compere-Ms. Shashi Mehta. |
|
|
|
|
8 |
DVD-85 |
DVCAM-64/008 |
Vishista-Woman and her manifestation by Smt. Sonal |
52’10" |
21-Feb-02 |
8 |
IG-2K/BCT-60/008 |
|
|
|
Mansingh. |
|
|
|
|
|
|
|
Samvad-Understanding the Mysticism of Woman |
|
|
|
|
|
|
|
Dr. Chandan Mitra and Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Mahakumba-(I)-The film traces the unique |
|
|
|
|
|
|
|
festival occurs every twelve years documented with the |
|
|
|
|
|
|
|
perspective of ‘In Search of the Nectar’. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
9 |
DVD-86 |
DVCAM-64/009 |
Samvad-Ramayana Tradition-the North-South Perspective |
59’38" |
26-Feb-02 |
9 |
IG-2k/BCT-60/009 |
|
|
|
Dr. Veezhi nathan, Shri Jaya Kant Sharma Smt. Sonal |
|
|
|
|
|
|
|
Mansingh. |
|
|
|
|
|
|
|
Documentary-Mahakumba-(II)- |
|
|
|
|
|
|
|
In Search of the Nectar is the essence of this film document- |
|
|
|
|
|
|
|
ation which records the mind sets of people who go for the |
|
|
|
|
|
|
|
holy bath. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
10 |
DVD-87 |
DVCAM-64/10 |
Vishista-Conservation of Books/Mss–A.P. Gakhar. |
58’00" |
28-Feb-02 |
10 |
IG-2K/BCT-60/010 |
|
|
|
Samvad-Jain Textual Tradition–Shri Vipul Shah and |
|
|
|
|
|
|
|
Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Kathakali-(I)-This is a ten episode documentation |
|
|
|
|
|
|
|
of Kathakali highlights serveral prospective of this dancing |
|
|
|
|
|
|
|
tradition encompassing the belief system, art and ritual |
|
|
|
|
|
|
|
apart from theatrics. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
11 |
DVD-88 |
DVCAM-64/011 |
Samvad- A rare glimpses of Pt. Ravi Shankar By Smt. Sonal |
59’22" |
5-Mar-02 |
11 |
IG-2K/BCT-60/11` |
|
|
|
Mansingh. |
|
|
|
|
|
|
|
Documentary-Kathakali-(II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
12 |
DVD-89 |
DVCAM-64/012 |
Vishista-Razm-e-Nama. |
|
|
|
|
|
|
|
Samvad-Indian Theme in Persian literature Prof. S.H. Qashmi |
54’43" |
7-Mar-02 |
12 |
IG-2K/BCT-60/12 |
|
|
|
and Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Kathakali-(III) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
13 |
DVD-90 |
DVCAM-64/013 |
Vishista-Kalighat Patuas-The singing tradition. |
|
|
|
|
|
|
|
Samvad-The Heritage of Kalighat Painting Prof. Jyotindra |
49’10" |
12-Mar-02 |
13 |
IG-2K/BCT-60/13 |
|
|
|
Jain and Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Kathakali-(IV) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
14 |
DVD-91 |
DVCAM-64/014 |
Vishista-Gita Govinda-an enactment. |
|
|
|
|
|
|
|
Samvad-Many facets of Gita Govinda |
49’10" |
14-Mar-02 |
14 |
IG-2K/BCT-60/14 |
|
|
|
Dr. Sudha Gopalakrishnan and Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Kathakali-(V) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
15 |
DVD-92 |
DVCAM-64/015 |
Vishista-Rock Art-Bhimbetka |
|
|
|
|
|
|
|
Drawings of Prof. Yashodhar Matpal. |
49’10" |
19-Mar-02 |
15 |
IG-2K/BCT-60/15 |
|
|
|
Samvad-Indian Rock Art Heritage |
|
|
|
|
|
|
|
Prof-Yashodhar Matpal and Smt. Sonal Mansingh |
|
|
|
|
|
|
|
Documentary-Kathakali-(VI) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
16 |
DVD-93 |
DVCAM-64/016 |
Vishista-Warli Paintings |
|
|
|
|
|
|
|
Samvad-Tribal Arts-an Understanding Dr. A.K. Das |
49’10 |
21-Mar-02 |
16 |
IG-2K/BCT-60/16 |
|
|
|
and Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary- Kathakali-(VII) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
17 |
DVD-94 |
DVCAM-64/017 |
Vishista-Shringar-Cosmetic Heritage |
|
|
|
|
|
|
|
Samvad-Kesh Shringar-Veena Shroff and Smt.Sonal Mansingh |
49’10" |
26-Mar-02 |
17 |
IG-2K/BCT-60/17 |
|
|
|
Documentary-Mirasans of Punjab-(I)-This film traces one of |
|
|
|
|
|
|
|
the unique traditions of Punjab where Muslim women |
|
|
|
|
|
|
|
participate in Hindu Rituals of life cycle celebrations but also |
|
|
|
|
|
|
|
counted as an authority of the subject. The film shows the |
|
|
|
|
|
|
|
harmonious aspects of two religions which has long history |
|
|
|
|
|
|
|
and today Mirasanas are fading out from the social milieu. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
18 |
DVD-95 |
DVCAM-64/018 |
Samvad-Manasarovar in vedic texts Shri C.V. Gopinath and |
49’10" |
28-Mar-02 |
18 |
IG-2K/BCT-60/18 |
|
|
|
Smt. Sonal Mansingh. |
|
|
|
|
|
|
|
Documentary-Mirasans of Punjab Part (II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
|
|
|
|
|
|
|
|
19 |
DVD-96 |
DVCAM-64/019 |
Vishista-Kashmiri Temple Architecture (Slides) |
|
|
|
|
|
|
|
Samvad-Kashmir a land of Heritage-Dr. Shashi Shekhar |
49’10" |
12-Apr-02 |
19 |
IG-2K/BCT-60/19 |
|
|
|
Toshkhani, Prof. Chaman Lal Sapru and Smt. Sonal Mansingh |
|
|
|
|
|
|
|
jk |
|
|
|
|
|
|
|
revolves around the theme of male artists performing the |
|
|
|
|
|
|
|
female role. The Guru-Shishya tradition through different |
|
|
|
|
|
|
|
akhadas is shown here. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
20 |
DVD-97 |
DVCAM-64/020 |
Samvad-Smt. Sumati Mutatkar by Shanoo Khurana (Part-I) |
|
|
|
|
|
|
|
Vishista-Les Hindus-Musical Instruments |
54’50" |
4-Apr-02 |
20 |
IG-2K/BCT-60/20 |
|
|
|
Documentary-Ek thee Gulab (I) |
|
|
|
|
|
|
|
Padma Shree Gulab Bai, an exponent of Nautanki, remains |
|
|
|
|
|
|
|
one of the legendary figure of this folk theatre tradition of |
|
|
|
|
|
|
|
North India. The film captures a rare interview of Gulab Bai |
|
|
|
|
|
|
|
when she was very sick at the conjunction of her life and |
|
|
|
|
|
|
|
beyond. The film allows a nostalgic time when Gulab Bai was |
|
|
|
|
|
|
|
a sensation in the Nautanki folk theatre. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
21 |
DVD-98 |
DVCAM-64/021 |
Vishista-Shakti Shrine of Kemmannul |
|
|
|
|
|
|
|
Samvad-Smt. Sumati Mutatkar by Shanoo Khurana (Part-II) |
59’30" |
9-Apr-02 |
21 |
IG-2K/BCT-60/21 |
|
|
|
Documentary-Ek thee Gulab (II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
22 |
DVD-99 |
DVCAM-64/022 |
Vishista-Thousand Piller Basadi of Muda biduri (Karnataka) |
|
|
|
|
|
|
|
Samvad-Smt. Sumati Mutatkar by Shanoo Khurana (Part-III) |
49’33" |
11-Apr-02 |
22 |
IG-2K/BCT-60/22 |
|
|
|
Documentary-Mahamastikabhishakam of |
|
|
|
|
|
|
|
Bahubali at Karkala. This film is an in house documentation. |
|
|
|
|
|
|
|
the film shown the traditional yet colourful rare event of |
|
|
|
|
|
|
|
bathing of Bahubal of Karkala. Th film highlights and records |
|
|
|
|
|
|
|
the great event, which takes place one in 12 years. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
23 |
DVD-100 |
DVCAM-64/023 |
Vishista-Varanga the Jain heritage site (Karnataka) |
|
|
|
|
|
|
|
Samvad-Smt. Sumati Mutatkar by Shanoo Khurana (Part-IV) |
44’31" |
16-Apr-02 |
23 |
IG-2K/BCT-60/23 |
|
|
|
Documentary-Folklore Museum of Mysore |
|
|
|
|
|
|
|
(Karnataka)-I. This film highlights the traditional society |
|
|
|
|
|
|
|
and portrays a comparative perspective from the artifacts |
|
|
|
|
|
|
|
available in this folklore museum and showcase the colour of |
|
|
|
|
|
|
|
life in the context of cultural continuum. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
24 |
DVD-101 |
DVCAM-64/024 |
Vishista-Jain Shrine of Venur (Karnataka) |
|
|
|
|
|
|
|
Samvad-Smt. Sumati Mutatkar by Shanoo Khurana (V) |
54’38" |
18-Apr-02 |
24 |
IG-2K/BCT-60/24 |
|
|
|
Documentary-Folklore Museum of Mysore(Karnataka)-II |
|
|
|
|
|
|
|
Compere-Shri abhinav Chaturvedi |
|
|
|
|
25 |
DVD-102 |
DVCAM-64/025 |
Samvad-Chua Soo Pong of Singapoor Ramayana |
|
|
|
|
|
|
|
Troupe and Smt. Sonal Mansingh (Part-II) |
54’38" |
23-Apr-02 |
25 |
IG-2K/BCT-60/25 |
|
|
|
Documentary-Singapore Ramayana-Stage performance,Part-I |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
26 |
DVD-103 |
DVCAM-64/026 |
Samvad-Chua Soo Pong of Signapoor Ramayana |
|
|
|
|
|
|
|
Troupe and Smt. Sonal Mansingh (Part-II) |
54’50" |
25-Apr-02 |
26 |
IG-2K/BCT-60/26 |
|
|
|
Documentary-Singapore Ramayana-Stage performance Part-II |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
27 |
DVD-104 |
DVCAM-64/027 |
Samvad-Statements of Sombati Kaewsujait of thailand |
|
|
|
|
|
|
|
Ramayana Troupe |
58’24" |
30-Apr-02 |
27 |
IG-2K/BCT-60/27 |
|
|
|
Documentary-Thailand Ramayana-Stage performance |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
28 |
DVD-105 |
DVCAM-64/028 |
Samvad-Interview of Samudra of Indonesian Ramayana |
|
|
|
|
|
|
|
Troupe with Shri Prakash |
60’72" |
30-Apr-02 |
28 |
IG-2K/BCT-60/28 |
|
|
|
Documentary-Indonesian Ramayana-Stage performance |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
29 |
DVD-106 |
DVCAM-64/029 |
Samvad-Interview of Uzaw Htay of Myanmar Ramayana |
|
|
|
|
|
|
|
Troupe with Shri Shiva Prakash |
59’10" |
7-May-02 |
29 |
IG-2K/BCT-60/29 |
|
|
|
Documentary-Myanmar Ramayana-Stage performance |
|
|
|
|
|
|
|
Compere-Smt. Abhinav Chaturvedi |
|
|
|
|
30 |
DVD-107 |
DVCAM-64/030 |
Samvad-Interview with Prieng Chhieng of combodian |
|
|
|
|
|
|
|
Ramayana Troupe By Shri shiva Prakash |
57’03" |
9-May-02 |
30 |
IG-2K/BCT-60/30 |
|
|
|
Documentary-Combodian Ramayana-Stage performance |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
31 |
DVD-108 |
DVCAM-64/031 |
Samvad-Ustad Fahimuddin Khan Dagar different nuances of |
|
|
|
|
|
|
|
Dhrupad Gayiki in his performance based interview |
57’03" |
14-May-02 |
31 |
IG-2K/BCT-60/31 |
|
|
|
Documentary-Teyyam-(I) Teyyam is an unique series of |
|
|
|
|
|
|
|
Documentaries which showcases different dynamics of this |
|
|
|
|
|
|
|
dance tradition of Kerala. The tradition of Teyyam the |
|
|
|
|
|
|
|
preparation of body, the guru shishya parampara to the |
|
|
|
|
|
|
|
level of enactments are covered in this series. |
|
|
|
|
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
32 |
DVD-109 |
DVCAM-64/032 |
Vishista-Asgari Begum-Padmashree ASGARI Begum, remains |
|
|
|
|
|
|
|
the first woman of her times to excel in the Dhrupad the |
54’32" |
16-May-02 |
32 |
IG-2K/BCT-60/32 |
|
|
|
ancient Indian musical heritage. The film starts with alap |
|
|
|
|
|
|
|
then touches upon her various nostalgic punctuations. |
|
|
|
|
|
|
|
Documentary-Teyyam-(II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
33 |
DVD-110 |
DVCAM-64/033 |
Vishista-Santokhba Dudhat-The octogenarian Santokba who |
46’29" |
21-May-02 |
33 |
IG-2K/BCT-60/33 |
|
|
|
created 1200 meters of Mahabharata scroll is depicted here. |
|
|
|
|
|
|
|
Documentary-Teyyam-(III) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
34 |
DVD-111 |
DVCAM-64/034 |
Vishista-Man and Mask-This film showcase the research work |
|
|
|
|
|
|
|
of IGNCA on the score of Masks. It covers the various |
46’45" |
23-May-02 |
34 |
IG-2K/BCT-60/34 |
|
|
|
perspective of Masks from the Standpoint of IGNCA Collections |
|
|
|
|
|
|
|
and draws a panoramic view of Masks worldwide |
|
|
|
|
|
|
|
Documentary-Teyyam-(IV) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
35 |
DVD-112 |
DVCAM-64/035 |
Vishista-Bhutan, Japan Mask dance IGNCA has organized |
|
|
|
|
|
|
|
international Mask Festival which aslo showcased Mask dance |
44’00" |
28-May-02 |
35 |
IG-2K/BCT-60/35 |
|
|
|
tradition of different countries. Thus here few performances |
|
|
|
|
|
|
|
are shown. |
|
|
|
|
|
|
|
Documentary-Teyyam-(V) |
|
|
|
|
|
|
|
Campere-Shri Abhinav Chaturvedi |
|
|
|
|
36 |
DVD-113 |
DVCAM-64/036 |
Vishista-Indonesia & Zimbabwe mask dances are shown as |
|
|
|
|
|
|
|
series continues. |
47’50" |
30-May-02 |
36 |
IG-2K/BCT-60/36 |
|
|
|
Documentary-Teyyam-VI |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
37 |
DVD-114 |
DVCAM-64/037 |
Itihas Ke Jharokey Sey-With this a new series on National |
|
|
|
|
|
|
|
Museum Heritage was initiated. |
53’26" |
4-Jun-02 |
37 |
IG-2K/BCT-60/37 |
|
|
|
Harappan Gallery was the first episode. |
|
|
|
|
|
|
|
Documentary-Teyyam-(VII) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
38 |
DVD-115 |
DVCAM-64/038 |
Itihas Ke Jharokey Sey-Archeology Sculpture of Mauryan to |
|
|
|
|
|
|
|
Ikshavaku period. 3rd Century B.C to 3rd Century A.D |
53’00" |
6-Jun-02 |
38 |
IG-2K/BCT-60/38 |
|
|
|
Documentary-Teyyam-(VIII) |
|
|
|
|
39 |
DVD-116 |
DVCAM-64/039 |
Itihas Ke Jharokey Sey-The zenith or Golden Age of Gupta era |
|
|
|
|
|
|
|
i.e. from 4th Cent. A.D. to 6 the Cent. A.D. Is shown through |
51’32" |
11-Jun-02 |
39 |
IG-2K/BCT-60/39 |
|
|
|
sculpture and terracotta Arts. |
|
|
|
|
|
|
|
Documentary-Teyyam-(IX) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
40 |
DVD-117 |
DVCAM-64/040 |
Itihas Ke Jharokey Sey-Form 7th to 13th Century A.D. the |
|
|
|
|
|
|
|
art of sculpture with varying theme developed through |
47’55" |
13-Jun-02 |
40 |
IG-2K/BCT-60/40 |
|
|
|
out India. This episode showcased the pan- Indian |
|
|
|
|
|
|
|
perspective of this movement of art. |
|
|
|
|
|
|
|
Documentary-Teyyam-(X) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
41 |
DVD-118 |
DVCAM-64/041 |
Itihas Ke Jharokey Sey-Bronze Sculpture which started in |
|
|
|
|
|
|
|
Harappan civilization which was revived in 3th Century |
53’53" |
18-Jun-02 |
41 |
IG-2K/BCT-60/41 |
|
|
|
B.C. Then onward the Art in Bronze got a detailed treatment |
|
|
|
|
|
|
|
especially in South India. Which ran parallel to theosophical |
|
|
|
|
|
|
|
trend and rituals. Thus this episode highlights these aspects |
|
|
|
|
|
|
|
of Bronze encompassing the art of making Bronze icon to the |
|
|
|
|
|
|
|
encoded symbolism. |
|
|
|
|
|
|
|
Documentary-The fisherman’s folk-dance of |
|
|
|
|
|
|
|
Maharashtara-(Koli)-I-This documentary highlights the |
|
|
|
|
|
|
|
life-style rituals and singing traditional dance of Koli people. |
|
|
|
|
42 |
DVD-119 |
DVCAM-64/042 |
Itihas Ke Jharokey Sey-This episode showcased the Buddha |
|
|
|
|
|
|
|
Art in sculpture and in other modes. The aasthi Kalash to |
54’21" |
20-Jun-02 |
42 |
IG-2K/BCT-60/42 |
|
|
|
the world of Thanka and Dunhung painting are discussed |
|
|
|
|
|
|
|
here. In this episode we have also showcased the IGNCA |
|
|
|
|
|
|
|
endeavour as well. |
|
|
|
|
|
|
|
Documentary-The fisherman’s folk dance of |
|
|
|
|
|
|
|
Maharashtra-(KOLI)-II |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
43 |
DVD-120 |
DVCAM-64/043 |
Itihas Key Jharokey Sey-Arms & Armours, This episode |
|
|
|
|
|
|
|
showcased the heritage. |
55’00" |
25-Jun-02 |
43 |
IG-2K/BCT-60/43 |
|
|
|
Documentary-Sat Sur-(I)-This film traces Indian musical |
|
|
|
|
|
|
|
tradition through a journey of Gharanas with special |
|
|
|
|
|
|
|
highlights of Kawal Baccha Gharana. |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
44 |
DVD-121 |
DVCAM-64/044 |
Itihas Key Jharokey Sey-The treasure of Miniature Paintings |
|
|
|
|
|
|
|
kept in National Museum is shown in this film. The highlight |
57’29" |
27-Jun-02 |
44 |
IG-2K/BCT-60/44 |
|
|
|
and evolution of Pahari School. Rajasthani School, Mughal |
|
|
|
|
|
|
|
School and finally Deccani Miniature are discussed with |
|
|
|
|
|
|
|
different dynamics of style, theme and colour treatments. |
|
|
|
|
|
|
|
Documentary-Sat sur-II |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
45 |
DVD-122 |
DVCAM-64/045 |
Itihas Ke Jharokey Sey-Journey of Indian Coinages National |
55’45" |
2-Jul-02 |
45 |
IG-2K/BCT-60/45 |
|
|
|
Museum has a rare collection of Coins from 6th century B.C. |
|
|
|
|
|
|
|
to 19th Century A.D. The evolution and movement of coins |
|
|
|
|
|
|
|
in different era are show here which in actual sense |
|
|
|
|
|
|
|
re-constructed the History of India. |
|
|
|
|
|
|
|
Documentary-Sat Sur-III |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
46 |
DVD-123 |
DVCAM-64/046 |
Itihas Ke Jharokey Sey-National Museum has tremendous |
48’50" |
7/4/2002 |
46 |
IG-2K/BCT-60/46 |
|
|
|
collection of manuscripts which ranges from Sharda script |
|
|
|
|
|
|
|
to the Nagri script apart from exclusive speciments of |
|
|
|
|
|
|
|
Persian and Arabic scripts. This episode dedicate to the |
|
|
|
|
|
|
|
aspect of Manuscript heritage of India. |
|
|
|
|
|
|
|
Documentary-Behind the Mask-this film traces the Mask |
|
|
|
|
|
|
|
heritage of North East India with special references to the |
|
|
|
|
|
|
|
mask making and rituals which envelopes the whole |
|
|
|
|
|
|
|
tradition of traditional people. |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
47 |
DVD-124 |
DVCAM-64/047 |
Itihas Ke Jharokey Sey-Textile Heritage of India is show-cased |
|
|
|
|
|
|
|
here. The dynamics of cotton and silk weaving and painting |
49’00" |
9-Jul-02 |
47 |
IG-2K/BCT-60/47 |
|
|
|
are talked about. The tradition of Baluchari and Patola saree |
|
|
|
|
|
|
|
hamba rumals will be shown. This episode would |
|
|
|
|
|
|
|
also highlight the Zari tradition as well. |
|
|
|
|
|
|
|
Documentary-Kesar Saga-(I) The folktale of Laddakh |
|
|
|
|
|
|
|
understood through oral tradition. |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
48 |
DVD-125 |
DVCAM-64/048 |
Itihas Ke Jharokey Sey-The journey of this episode will be |
48’15" |
11/7/2002 |
48 |
IG-2K/BCT-60/48 |
|
|
|
through the Anthropological Gallery of National Museum. |
|
|
|
|
|
|
|
The tribal of the North East like of Arunachal, Nagaland, |
|
|
|
|
|
|
|
Meghalaya will be focused. The costume to the level of |
|
|
|
|
|
|
|
their creativity will be hlighted . |
|
|
|
|
|
|
|
Documentary-Kesar Saga-(II) The folktale of Laddakh |
|
|
|
|
|
|
|
understood through oral tradition. |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
49 |
DVD-126 |
DVCAM-64/049 |
Vishista-Golden Treasure-(Manuscript Mission Report) This |
|
|
|
|
|
|
|
covers the subject of Mss. From the standpoint of Mission |
52’30" |
16-Jul-02 |
49 |
IG-2K/BCT-60/49 |
|
|
|
and also covered the endeavour of IGNCA in the context |
|
|
|
|
|
|
|
of Mss. Mission. |
|
|
|
|
|
|
|
Documentary-Kesar Saga-III |
|
|
|
|
50 |
DVD-127 |
DVCAM-64/050 |
50the Episode: Recapitulation of Vishista, Samvad, Itihas ke |
|
|
|
|
|
|
|
Jharokey Sey and Documentaries covered under Kala Nidhi |
52’30" |
18-Jul-02 |
50 |
IG-2K/BCT-60/50 |
51 |
DVD-128 |
DVCAM-64/051 |
Vedic Chanting-(Sholapur) |
57’55" |
23-Jul-02 |
51 |
IG-2K/BCT-60/51 |
|
|
|
Documentary-Folklore Museum of Mysore-III |
|
|
|
|
|
|
|
Compere-Smt. Parvathi |
|
|
|
|
52 |
DVD-129 |
DVCAM-64/052 |
Vedic Chanting-(Honavar & Gokarna) |
|
|
|
|
|
|
|
Documentary-The Legacy of Tana Bhagat |
57’27" |
25-Jul-02 |
52 |
IG-2K/BCT-60/52 |
|
|
|
Tana Bhagat was a leader of tribal society of Jharkhand and |
|
|
|
|
|
|
|
he led the satyagraha movement and Voiced against Socio- |
|
|
|
|
|
|
|
Political oppression. |
|
|
|
|
|
|
|
Compere-Smt. Parvathi |
|
|
|
|
53 |
DVD-130 |
DVCAM-64/053 |
Vedic Chanting-(Trichur) |
55’07" |
30-Jul-02 |
53 |
IG-2K/BCT-60/53 |
|
|
|
Documentary-Kadka |
|
|
|
|
|
|
|
This documentary focuses on the Sufi song tradition which |
|
|
|
|
|
|
|
is regularly sang in the Gareeb Nawaz Dargha of Ajmer. |
|
|
|
|
|
|
|
Compere-Smt. Parvathi |
|
|
|
|
54 |
DVD-131 |
DVCAM-64/054 |
Visista-Vadakkunnathar Temple at Trissur |
|
|
|
|
|
|
|
Vedic chanting (Trichy) |
56’09" |
1-Aug-02 |
54 |
IG-2K/BCT-60/54 |
|
|
|
Documentary-Yelhou Jagoi |
|
|
|
|
|
|
|
The dancing tradition of Lai Haroba of Manipur is showcased |
|
|
|
|
|
|
|
here. This traditional dance addressed the cosmic concept |
|
|
|
|
|
|
|
of creation. |
|
|
|
|
|
|
|
Compere-Smt. Parvathi |
|
|
|
|
55 |
DVD-132 |
DVCAM-64/055 |
Visista-Paintings of K.R. Subbanna |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
55’45" |
6-Aug |
55 |
IG-2K/BCT-60/55 |
|
|
|
K.R. Subbanna and Parvathi Kumar |
|
|
|
|
|
|
|
Documentary-Mudiyettu & Kalamezhuthum |
|
|
|
|
|
|
|
Pattum-(I)-This film focuses on folk art tradition of Kerala |
|
|
|
|
|
|
|
which has its mythology, dance and sangeet. |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
56 |
DVD-133 |
DVCAM-64/056 |
Visista-Painting of G.R. Iranna |
49’07" |
8-Aug-02 |
56 |
IG-2K/BCT-60/56 |
|
|
|
Samvad-Kala aur Kalakar |
|
|
|
|
|
|
|
G.R. Iranna and parvathi Kumar |
|
|
|
|
|
|
|
Documentary-Mudiyettu & Kalamezhuthum |
|
|
|
|
|
|
|
Pattum-(II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
57 |
DVD-134 |
DVCAM-64/057 |
Visista-Paintings of Sukhvinder Singh |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
52’40" |
13-Aug-02 |
57 |
IG-2K/BCT-60/57 |
|
|
|
Sukhvinder singh and Parvathi Kumar |
|
|
|
|
|
|
|
Documentary-Maha Kumbhabhishekam-(I) |
|
|
|
|
|
|
|
Kumbhaabhisekam ceremony remains a sacred ritual held in |
|
|
|
|
|
|
|
a periodic interval of 12 Years. This ceremony has many |
|
|
|
|
|
|
|
inner dynamics as with elaborate rituals like the sacred |
|
|
|
|
|
|
|
water the pot or Kumbham, the sacrificial pit kundam, the |
|
|
|
|
|
|
|
vibrating mantra links this great ceremony. |
|
|
|
|
|
|
|
Compere-Parvathi Kumar |
|
|
|
|
58 |
DVD-135 |
DVCAM-64/058 |
Vishista-Independence day special |
|
|
|
|
|
|
|
Samvad-Smt. Sonal Mansingh & Dr. L.M. Singhvi |
49’23" |
15-Aug-02 |
58 |
IG-2K/BCT-60/58 |
|
|
|
Documentary-The Legacy of Tana Bhagat-(II) |
|
|
|
|
|
|
|
Tana Bhagat was leader of tribal society of Jharkhand and |
|
|
|
|
|
|
|
he led the satyagraha movement and Voiced against |
|
|
|
|
|
|
|
Socio-political oppression. |
|
|
|
|
|
|
|
Compere-Abhinav Chaturvedi |
|
|
|
|
59 |
DVD-136 |
DVCAM-64/059 |
Vishista-Independence day special-II |
|
|
|
|
|
|
|
Samvad-Smt. Sonal Mansingh & Dr. L.M. Singhvi |
54’20" |
20-Aug-02 |
59 |
IG-2K/BCT-60/059 |
|
|
|
Documentary-Behind the Mask-(II) This film traces the Mask |
|
|
|
|
|
|
|
heritage of North East India with special references to the |
|
|
|
|
|
|
|
mask making and rituals which envelopes the whole tradition |
|
|
|
|
|
|
|
of traditional people. |
|
|
|
|
|
|
|
Compere-Abhinav Chaturvedi |
|
|
|
|
60 |
DVD-137 |
DVCAM-64/060 |
Vishista-Paintings of Kishor Shinde |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
58’40" |
22-Aug-02 |
60 |
IG-2K/BCT-60/60 |
|
|
|
Kishor Shinde and Parvathi Kumar |
|
|
|
|
|
|
|
Documentary-Maha Kumbhabhishekam-(II) |
|
|
|
|
|
|
|
Kumbhaabhisekam ceremony remains a sacred ritual held |
|
|
|
|
|
|
|
in a periodic interval of 12 Years. The Ceremony has many |
|
|
|
|
|
|
|
inner dynamics as with elaborate rituals like the sacred water |
|
|
|
|
|
|
|
the pot or Kumbham, the sacrificial pit kundam, the vibrating |
|
|
|
|
|
|
|
mantra links this great ceremony. |
|
|
|
|
|
|
|
Compere-Parvathi Kumar |
|
|
|
|
61 |
DVD-138 |
DVCAM-64/061 |
Vishista-Paintings of Neeraj Goswami |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
56’10" |
27-Aug-02 |
61 |
IG-2K/BCT-60/61 |
|
|
|
Neeraj Goswami and Suparna |
|
|
|
|
|
|
|
Documentary-Todas-(I) |
|
|
|
|
|
|
|
Compere-Shri. Abhinav Chaturvedi |
|
|
|
|
62 |
DVD-139 |
DVCAM-64/062 |
Vishista-Paintings of Dattatraya Apte |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
54’40" |
29-Aug-02 |
62 |
IG-2K/BCT-60/62 |
|
|
|
Dattatraya Apte and Suparna |
|
|
|
|
|
|
|
Documentary-Todas-(II) |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
63 |
DVD-140 |
DVCAM-184/063 |
Vishista-Drawing & Sculpture of Tutu Pattnaik |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
60’55" |
3-Sep-02 |
63 |
IG-2K/BCT-60/63 |
|
|
|
Tutu Pattnaik and Suparna |
|
|
|
|
|
|
|
Documentary-Cham dance of Arunachal Pradesh |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
64 |
DVD-141 |
DVCAM-184/063 |
Vishista-Paintings of Kavita Nayar |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
56’55" |
5-Sep-02 |
64 |
IG-2K/BCT-60/64 |
|
|
|
Kavita Nayar and Suparna |
|
|
|
|
|
|
|
Documentary-Raja Deen Dayal |
|
|
|
|
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
65 |
DVD-142 |
" |
Vishista-sculpture & Drawing of Parmod K. Mann |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
55’33" |
10-Sep-02 |
65 |
IG-2K/BCT-60/65 |
|
|
|
Abhimanue V.G. and suparna |
|
|
|
|
|
|
|
Documentary-Balivadam (Kutiyatam)-I |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
66 |
DVD-143 |
DVCAM-184/064 |
Vishista-Paintings of Probir Gupta |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
59’40" |
12-Sep-02 |
66 |
IG-2K/BCT-60/66 |
|
|
|
Probir Gupta and Suparna |
|
|
|
|
|
|
|
Documentary-Balivadam (Kutiyatam)-II |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
67 |
DVD-144 |
" |
Vishista-Paintings of Abhimanue V.G. |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
56’20" |
17-Sep-02 |
67 |
IG-2K/BCT-60/67 |
|
|
|
Abhimanue V.G. and Suparna |
|
|
|
|
|
|
|
Documentary-Pandivani-I |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
68 |
DVD-145 |
" |
Vishista-Paintings of Prithpal Singh Sehdave "Ladi" |
|
|
|
|
|
|
|
Samvad-Kala aur Kalakar |
60’55" |
19-Sep-02 |
68 |
IG-2K/BCT-60/68 |
|
|
|
Prithpal Singh Sehdave "Ladi" and Suparna |
|
|
|
|
|
|
|
Documentary-Pandivani-II |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi. |
|
|
|
|
69 |
DVD-146 |
DVCAM-184/065 |
Vishista-Sculpture of K.R. Radhakrishnan |
|
|
|
|
|
|
|
Samvad-K.R. Radhakrishnan and suparna |
50’25" |
24-Sep-02 |
69 |
IG-2K/BCT-60/69 |
|
|
|
Documentary-Instruments of Kerala-I |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
70 |
DVD-147 |
DVCAM-184/065 |
Vishista-September 11, America under attack-photographs |
|
|
|
|
|
|
" |
by Kamal Sharma |
50’48" |
27-Sep-02 |
70 |
IG-2K/BCT-60/70 |
|
|
|
Documentary-Instruments of Kerala-II |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
71 |
DVD-148 |
|
Vishista-Workshop on Humpi |
|
|
|
|
|
|
" |
Documentary-Banam Santhal-I |
51’30" |
1-Oct-02 |
71 |
IG-2K/BCT-60/71 |
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
72 |
DVD-149 |
DVCAM-184/66 |
Vishista & Samvad- Pt. Rajiv Taranath by Dr. M.R. Gautam |
|
|
|
|
|
|
|
Documentary-Banam Santhal-II |
58’50" |
3-Oct-02 |
72 |
IG-2K/BCT-60/72 |
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
73 |
DVD-150 |
" |
Samvad-Uma Sharma by Abhinav Chaturvedi |
|
|
|
|
|
|
|
Documentary-Mother Goddess-I |
52’35" |
8-Oct-02 |
73 |
IG-2K/BCT-60/73 |
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
74 |
DVD-151 |
" |
Samvad-Prof. G.C. Tripathi and Dr. N.D. Sharma |
|
|
|
|
|
|
|
Documentary-Mother Goddess-II |
52’13" |
10-Oct-02 |
74 |
IG-2K/BCT-60/74 |
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
75 |
DVD-152 |
DVCAM-184/067 |
Samvad-Shri Purushothama Billimale by Abhinav Chaturvedi |
|
|
|
|
|
|
|
Vishista-Mysore Dussehra |
55’52" |
15-Oct-02 |
75 |
IG-2K/BCT-60/75 |
|
|
|
Documentary-Tabu Chos Khor-I |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
76 |
DVD-153 |
DVCAM-184/067 |
Samvad-Shri Yusuf Arrackal by Dr. Suresh |
|
|
|
|
|
|
|
Vishista-Painting of Yusuf Arrackal |
57’15 |
17-Oct-02 |
76 |
IG-2K/BCT-60/76 |
|
|
|
Documentary-Tabu Chos Khor-II |
|
|
|
|
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
77 |
DVD-154 |
" |
Vishista-Symposium: Folklore, Public Space and Civil Society |
|
|
|
|
|
|
|
Documentary-Tabu Chos Khor-III |
59’59" |
22-Oct.-02 |
77 |
IG-2K/BCT-60/77 |
|
|
|
Compere-Shri Abhinav Chaturvedi |
|
|
|
|
78 |
DVD-155 |
DVCAM-184/068 |
Samvad-Prof Jawaharlal Handoo by Dr. Y.A. Sudhakar Reddy |
|
|
|
|
|
|
|
Documentary-Bhikhari Thakkur and Bidesia |
53’46" |
24-Oct-02 |
78 |
IG-2K/BCT-60/78 |
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
79 |
DVD-156 |
" |
Samvad-Dr. Lokendra Arambam and Athrongla Sangatam |
|
|
|
|
|
|
|
Documentary- Gabar Ghee Chor |
53’28" |
29-Oct-02 |
79 |
IG-2K/BCT-60/79 |
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
80 |
DVD-157 |
" |
Samvad-Dr. Susan S. Wadley and Dr. M.D. Muthukumar Swamy |
|
|
|
|
|
|
|
Documentary-Beti Beehawa |
58’00" |
31-Oct.-02 |
80 |
IG-2K/BCT-60/80 |
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
81 |
DVD-158 |
DVCAM-184/069 |
Vishista-The Vedic Tradition of India |
|
|
|
|
|
|
|
Documentary-Bidesia |
55’03" |
5-Nov-02 |
81 |
IG-2K/BCT-60/82 |
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
82 |
DVD-159 |
|
Vishista-The Vedic Tradition of India |
|
|
|
|
|
|
" |
Documentary- Gopi Bhat ki tamasha |
59’04" |
7-Nov-02 |
82 |
IG-2K/BCT-60/83 |
|
|
|
Compere-Shri Abhinav chaturvedi |
|
|
|
|
83 |
DVD-160 |
|
Samvad-Dr. M.R. Gautam by Pt. Rajiv Taranath |
51’40" |
12-Nov-02 |
83 |
IG-2K/BCT-60/84 |
|
|
" |
Documentary-Winning of friends |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
84 |
DVD-161 |
DVCAM-64/070 |
Samvad-Prof Alan Jabbour by Roam Chatterjee |
|
|
|
|
|
|
|
Documentary-The faces of God |
59’19" |
14-Nov-02 |
84 |
IG-2K/BCT-60/85 |
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
85 |
DVD-162 |
DVCAM-64/071 |
Vishista-Pandarika Vitthalotsava |
|
|
|
|
|
|
|
A cultural festival organised by IGNCA Bangalore Centre |
59’35" |
19-Nov-02 |
85 |
IG-2K/BCT-60/86 |
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
|
|
|
|
86 |
DVD-163 |
DVCAM-184/072 |
Vishista-Malana (A lost utopia in the Himalaya) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa Chadda Baijnath |
51’00" |
26-Nov-02 |
87 |
IG-2K/BCT-60/87 |
|
|
|
Documentary-Time |
|
|
|
|
87 |
DVD-164 |
|
Vishista-Fahimuddin Khan Dagar |
|
|
|
|
|
|
" |
Documentary-Urumi (Fighting for Survival) |
60’45" |
28-Nov-02 |
88 |
IG-2K/BCT-60/88 |
|
|
|
Compere-smt. Suparnaa Chadda Bai |
|
|
|
|
88 |
DVD-165 |
|
Vishista-Smt. Sonal Mansing presents. Nayika |
51’55" |
3-Dec-02 |
89 |
IG-2K/BCT-60/89 |
|
|
" |
The Woman in Odissi |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
89 |
DVD-166 |
DVCAM-64/073 |
Vishista-Fahimuddin Khan Dagar |
57’15" |
5-Dec-02 |
90 |
IG-2K/BCT-60/90 |
|
|
|
Documentary-Hampi-The world Heritage-(I) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
90 |
DVD-167 |
DVCAM-184/074 |
Vishista-Nat. Sankirtana (Nupa Khubak Isei)-I |
55’35" |
10-Dec-02 |
91 |
IG-2K/BCT-60/91 |
|
|
|
Documentary-Hampi-The World Heritage-(II) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
91 |
DVD-168 |
" |
Vishista-Nat. Sankirtana (Nupa Khubak Isei)-II |
52’00" |
12-Dec-02 |
92 |
IG-2K/BCT-60/92 |
|
|
|
Documentary-Hampi-The World Heritage-(III) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
92 |
DVD-169 |
DVCAM-184/074 |
Vishista-Gita Govindam-I |
56’13" |
17-Dec-02 |
93 |
IG-2K/BCT-60/93 |
|
|
|
( A dance poem by Kalakshetra, Madras) |
|
|
|
|
|
|
|
Documentary-Hampi-The World Heritage-(IV) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
93 |
DVD-170 |
DVCAM-184/075 |
Vishista-Gita Govindam-II |
00’00" |
19-Dec-02 |
94 |
IG-2K/BCT-60/94 |
|
|
|
( A dance poem by Kalakshetra, Madras) |
|
|
|
|
|
|
|
Documentary-Hampi-The World Heritage-(V) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
94 |
DVD-171 |
|
Vishista-Merry Christmas |
53’30" |
24-Dec-02 |
95 |
IG-2K/BCT-60/95 |
|
|
" |
Documentary-Hampi-The world Heritage-(VI) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
95 |
DVD-172 |
|
Vishista-Hastakshar-The Aesthetic Signature 13th Dec. |
59’55" |
26-Dec-02 |
96 |
IG-2K/BCT-60/96 |
|
|
" |
Documentary-Nat sankirtana-Nityai Dhumel |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
96 |
DVD-173 |
DVCAM-184/076 |
Vishista-Nat sankirtana-Nityai Dhumel |
53’30" |
31-Dec-02 |
97 |
IG-2K/BCT-60/97 |
|
|
|
Documentary-Shravana Belagola Chapter-I |
|
|
|
|
|
|
|
The Jain Heritage Site |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
97 |
DVD-174 |
" |
Vishista-Nat Sankirtana-Goura Dhumel |
53’30" |
26-Dec-05 |
98 |
IG-2K/BCT-60/98 |
|
|
|
hh |
|
|
|
|
|
|
|
(The Jain Heritage Site ) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
98 |
DVD-175 |
" |
Vishista-Nat Sankirtana-Vaasak |
52’30" |
2-Jan-03 |
99 |
IG-2K/BCT-60/99 |
|
|
|
Documentary-Shravana Belagola Chapter-III |
|
|
|
|
|
|
|
( The Jain Heritage Site ) |
|
|
|
|
|
|
|
Compere-Smt. Suparnaa chadda Baijnath |
|
|
|
|
99 |
DVD-176 |
DVCAM-184/077 |
Vishista-Journy of Kalatarang – The Making of 100 Episode |
55’00" |
7-Jan-03 |
100 |
IG-2K/BCT-60/100 |
|
|
|
compere- Smt. Suparnaa Chadda Baijnath |
|
|
|
|
|
|
|
Credit caption for Kalatarnag commentary for show reel |
|
|
|
|
100 |
DVD-177 |
|
Nagamandala-Naga worship in Dakshina Kannada |
47’00" |
|
101 |
IG-2K/BCT-60/101 |
|
|
" |
(Naga agrarian celebration in vogue in South Karnataka |
|
|
|
|
|
|
|
has been documented fully.) |
|
|
|
|
101 |
DVD-178 |
|
From Piety to Plenty- A film on Dharmastala |
56’59" |
|
102 |
IG-2K/BCT-60/102 |
|
|
" |
Dharamasthala is one of the oldest tirtha of Dakshina |
|
|
|
|
|
|
|
Karnataka. The film captures the sacred corridor involving |
|
|
|
|
|
|
|
the pulses of socio-religious belief system . |
|
|
|
|
|
|
|
Wisdom frozen in time-In search of treasure–Guwahati |
|
|
|
|
|
|
|
Under the directions of Hon’ble Prime Minister Shri Atal |
|
|
|
|
|
|
|
Bihari Vajpayeeji. The National manuscript Mission was |
|
|
|
|
|
|
|
launched and IGNCA is its nodal agency under the |
|
|
|
|
|
|
|
Ministry of Culture. Towards this we have documented |
|
|
|
|
|
|
|
scores of manuscript libraries to showcase the contents |
|
|
|
|
|
|
|
of our manuscripts heritage. The Journey stars with |
|
|
|
|
|
|
|
Guwahati and we have covered Kamaroop Anusandhan |
|
|
|
|
|
|
|
Samiti and narayani Handiqui Historical Institue which |
|
|
|
|
|
|
|
have hundreds of year old Bhurjapatra. The film highlights |
|
|
|
|
|
|
|
the eco-friendliness of Bhurjapatra and talks in length |
|
|
|
|
|
|
|
about how to upkeep the heritage. |
|
|
|
|
102 |
DVD-179 |
DVCAM-64/078 |
i) Colour temperature of other time-Mysore painting-Chapter-I |
53’33" |
|
103 |
IG-2K/BCT-60/103 |
|
|
|
The film deals with archaic yet world famous Mysore |
|
|
|
|
|
|
|
painting. It touches upon the pulses of creativity and |
|
|
|
|
|
|
|
covers the whole process. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure….Guwahati |
|
|
|
|
|
|
|
In this programme we have addressed the manuscript kept in |
|
|
|
|
|
|
|
Guwahati University Library and try to highlight the various |
|
|
|
|
|
|
|
themes. |
|
|
|
|
103 |
DVD-180 |
DVCAM-64/079 |
i) colour temperature of other time-Mysore Paintings-Chapter-II |
59’37" |
|
104 |
IG-2K/BCT-60/104 |
|
|
|
The film highlights the age old collections of Mysore paintings |
|
|
|
|
|
|
|
and covers even those which were shown in international |
|
|
|
|
|
|
|
expositions. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure…… |
|
|
|
|
|
|
|
Bhubaneswar |
|
|
|
|
|
|
|
The manuscripts of Orissa is the focus of this programme. |
|
|
|
|
|
|
|
The illustrated traditional manuscripts encompass wide |
|
|
|
|
|
|
|
range of space which are presented in this episode. |
|
|
|
|
104 |
DVD-181 |
DVCAM-184/080 |
(i) Play of Art with play of cards-Ganjifa |
|
|
105 |
IG-2K/BCT-60/105 |
|
|
|
Ganjifa or the playing cards, which has come to India from |
50’15" |
|
|
|
|
|
|
middle-east during Moghul era is being traced here. |
|
|
|
|
|
|
|
This film covers the various types of Ganjifa which not |
|
|
|
|
|
|
|
only manifested but incorporated the traditional art |
|
|
|
|
|
|
|
of the different parts of India. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure….Kolkata |
|
|
|
|
|
|
|
The manuscript which are kept in Asiatic Society, Vanga |
|
|
|
|
|
|
|
Sahitya Parishat and Sanskrit Sahitya Parishat are covered |
|
|
|
|
|
|
|
both from the view of content and preservation. |
|
|
|
|
105 |
DVD-182 |
|
The Talking rocks of Badami |
|
|
|
|
|
|
" |
The film on Badami traces the human kinds romanced |
51’29" |
|
106 |
IG-2K/BCT-60/106 |
|
|
|
with stone culture during Badami Chalukaya period. Out |
|
|
|
|
|
|
|
of the rock mountains, ancient sculptures have carved |
|
|
|
|
|
|
|
out five majour cave temples which unifies many |
|
|
|
|
|
|
|
believes and showcase the excellence of temple |
|
|
|
|
|
|
|
architecture. The mega documentary incorporates the |
|
|
|
|
|
|
|
historical analysis apart from highlighting the creativity |
|
|
|
|
|
|
|
of 4th – 5th century AD. |
|
|
|
|
106 |
DVD-183 |
DVCAM-184/080 |
(i) Cradle of Indian Architecture- Aihole |
|
|
107 |
IG-2K/BCT-60/107 |
|
|
" |
Aihole remain a space where temple architecture |
|
|
|
|
|
|
|
experiments started and reached its zenith. This |
|
|
|
|
|
|
|
Documentary is created and well posites with expert |
|
|
|
|
|
|
|
analysis from Historians. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure….Chennai. |
52’59" |
|
|
|
|
|
|
The textual tradition of Tamil Nadu remains the cultural |
|
|
|
|
|
|
|
continuam, the heritage of manuscripts from different |
|
|
|
|
|
|
|
Maths and private collections are kept in this |
|
|
|
|
|
|
|
Kuppuswamy Shastri Research Institute. |
|
|
|
|
107 |
DVD-184 |
DVCAM-184/081 |
Secred Excelleance-Pattadakal Temples |
48’25" |
|
108 |
IG-2K/BCT-60/108 |
|
|
|
Pattadakal remains the historical ground where temple |
|
|
|
|
|
|
|
collections excelled of the time which starts from |
|
|
|
|
|
|
|
Aihole and Badami. This is a world heritage site. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure .. Chennai. |
|
|
|
|
|
|
|
The Government Oriental Manuscript Library situated in |
|
|
|
|
|
|
|
Chennai highlights collection of manuscripts since the |
|
|
|
|
|
|
|
British. The programme focus is on the collection, theme |
|
|
|
|
|
|
|
and collecting catalogue. |
|
|
|
|
108 |
DVD-185 |
|
(i) Echoes of the past-Bijapur-Chapter-I |
47’39" |
|
109 |
IG-2K/BCT-60/109 |
|
|
" |
The film has documented the architectural wonder |
|
|
|
|
|
|
|
acoustic of the world Golgumbaz apart from other |
|
|
|
|
|
|
|
monuments of Adil Shahi dynasty who was better know |
|
|
|
|
|
|
|
as Jagadguru Brhadisvara. |
|
|
|
|
|
|
|
(ii) Wisdom frozen is time . In search of treasure..Mysore |
|
|
|
|
|
|
|
The programme focus on the huge collection and variety |
|
|
|
|
|
|
|
of manuscripts in the Oriental Research Institute of |
|
|
|
|
|
|
|
Mysore. |
|
|
|
|
109 |
DVD-186 |
DVCAM-184/081 |
(i) Echoes of the past – Bijapur-Chapter-II |
58’27" |
|
110 |
IG-2K/BCT-60/110 |
|
|
|
we have documented the well known Bijapur Museum |
|
|
|
|
|
|
|
which traces from Prehistory to Adil Shahi dynasty. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure…MELUKOTE. |
|
|
|
|
|
|
|
This film shown the manuscript treasures of Karnataka |
|
|
|
|
|
|
|
region collected and preserved by Academy of Sanskrit |
|
|
|
|
|
|
|
Research. |
|
|
|
|
110 |
DVD-187 |
DVCAM-64/082 |
(i) A Journey through time-Tamil university museum |
47’40" |
|
111 |
IG-2K/BCT-60/111 |
|
|
|
The film links people from various time within the |
|
|
|
|
|
|
|
dynamics of the folk tradition. The highlight of the film |
|
|
|
|
|
|
|
is to trace the bygone era even the implements like |
|
|
|
|
|
|
|
three in the Board Games, which once enthused the |
|
|
|
|
|
|
|
regality. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure. |
|
|
|
|
|
|
|
A dialogue with K. V. Sharma, a pioneer in manuscript |
|
|
|
|
|
|
|
studies unveils the potential of manuscript heritage |
|
|
|
|
|
|
|
of India and talks about the scientific In our old |
|
|
|
|
|
|
|
manuscripts. |
|
|
|
|
111 |
DVD-188 |
DVCAM-64/083 |
Creativity at work-Thanjavur |
57’40" |
|
112 |
IG-2K/BCT-60/112 |
|
|
|
(i)Thanjavur remains a space where culture and creativity |
|
|
|
|
|
|
|
exist together. The highlight of the film is the grandeur |
|
|
|
|
|
|
|
of Thanjavur paintings, the process of world famous plate |
|
|
|
|
|
|
|
making and the skills incorporating art and science of |
|
|
|
|
|
|
|
Veena making. |
|
|
|
|
|
|
|
(ii) A spiritual Halt-Mahakoota |
|
|
|
|
|
|
|
This film highlights a lesser known yet archaic thirtha- |
|
|
|
|
|
|
|
Mahakoota, which links sub sects of the Shaivism to the |
|
|
|
|
|
|
|
level of Tantra and Shakti. |
|
|
|
|
112 |
DVD-189 |
DVCAM-184/084 |
(i) Measuring the sky-A journey to the Brhadisvara temple |
54’54" |
|
113 |
IG-2K/BCT-60/113 |
|
|
|
Brhadisvara, a Shiva temple of 15th-16th century houses |
|
|
|
|
|
|
|
the grandeur of architecture and scientific amalgamation. |
|
|
|
|
|
|
|
The film highlights the rare Mahakumbhabishekam to |
|
|
|
|
|
|
|
various iconographical analysis of this temple complex. |
|
|
|
|
|
|
|
(ii) Wisdom frozen in time. In search of treasure….Thanjavur |
|
|
|
|
|
|
|
We have documented the world famous Saraswati Mahal |
|
|
|
|
|
|
|
Library which has millions of rare manuscripts including |
|
|
|
|
|
|
|
Palm leaves from all over the Southern Region. The film |
|
|
|
|
|
|
|
talks about understanding the preservation and conservation |
|
|
|
|
|
|
|
of this rare manuscripts for posterity. |
|
|
|
|
113 |
DVD-190 |
|
Badaguthittu Yakshagana- This film showcases the theatre |
47’05" |
|
114 |
IG-2K/BCT-60/114 |
|
|
" |
art from of coastal region of Karnataka. The Bhima |
|
|
|
|
|
|
|
Hadimba episode is portrayed in this film with its own |
|
|
|
|
|
|
|
qnique colour and flavour. |
|
|
|
|
114 |
DVD-191 |
|
Kudiyattam- Kudiyattam is one of the most ancient |
|
|
115 |
IG-2K/BCT-60/115 |
|
|
" |
theatrical traditions of Kerala. The film revolves around |
52’40" |
|
|
|
|
|
|
staging of human emotions, which elaborate facial and |
|
|
|
|
|
|
|
bodily expressions. This sanskrit play allows us to |
|
|
|
|
|
|
|
understand the intangible heritage of South India in |
|
|
|
|
|
|
|
general , Kerala in particular. |
|
|
|
|
115 |
DVD-192 |
DVCAM-64/085 |
Krishnanattam- Krishnanatham is Kerala’s stage art to |
51’00" |
|
116 |
IG-2K/BCT-60/116 |
|
|
|
showcase the Krishna Bhava and Bhakti movement in |
|
|
|
|
|
|
|
classical tradition. The flim uniquely portrays the theme |
|
|
|
|
|
|
|
of Krishna Leela with mythological punctuation. |
|
|
|
|
116 |
DVD-193 |
DVCAM-64/086 |
Kathakali- This film showcase a short piece from Kalyana |
57’14" |
|
117 |
IG-2K/BCT-60/117 |
|
|
|
Saughandhikm where Bhima goes in search of divine |
|
|
|
|
|
|
|
flowers as per the desire of his consort Dhraupadi. |
|
|
|
|
|
|
|
On his way he meets Hanuman and gets blessings. |
|
|
|
|
|
|
|
The character of Hanuman of the mythological epic |
|
|
|
|
|
|
|
Ramayana has come with play of Mahabharata. This |
|
|
|
|
|
|
|
style has its own historicity as Kathakkali originated in |
|
|
|
|
|
|
|
early 17th century and was introduced by Raja Kottarkra |
|
|
|
|
|
|
|
Thus Kathakkali, which means story through actions, |
|
|
|
|
|
|
|
remains a cultural continuum of India. |
|
|
|
|
117 |
DVD-194 |
DVCAM-64/087 |
Kuchipudi Bhagavatamelam- It is another type of |
58’57" |
|
118 |
IG-2K/BCT-60/118 |
|
|
|
Yakshagana originated in Andhra Pradesh. With time it |
|
|
|
|
|
|
|
has changed its drama and dance aspects. The story |
|
|
|
|
|
|
|
highlights the Krishna perspective of Indian tradition and |
|
|
|
|
|
|
|
links with Satyabhama episode. |
|
|
|
|
118 |
DVD-195 |
DVCAM-64/088 |
Teru-K-Koothu- This play depicts the Panchali Sapathan. |
|
|
|
|
|
|
|
Here one can notice the multiple role of Kattaikkaram |
58’40" |
|
119 |
IG-2K/BCT-60/119 |
|
|
|
as Sutradhar. The story line revolves the insult by |
|
|
|
|
|
|
|
Dushasana and the reaction of Pandavas. However, the |
|
|
|
|
|
|
|
folk element depicts Draupadi as mother and remains |
|
|
|
|
|
|
|
the focus of this play. This is one of the most famous |
|
|
|
|
|
|
|
traditional stage art forms of Tamil Nadu. |
|
|
|
|
119 |
DVD-196 |
DVCAM-64/089 |
Chindu Yakshagana & Mohiniattam- This edition of |
|
|
|
|
|
|
|
Kalatarang consists of the segments-I) Chindu Yakshagana |
1 hr 05sec |
|
120 |
IG-2K/BCT-60/120 |
|
|
|
and ii) Mohiniatta. This episode of Rangollasa highlights |
|
|
|
|
|
|
|
Chindu Yakshagana of Andhra Pradesh. The theme |
|
|
|
|
|
|
|
revolves around Cenchu Lakshmi and Adi Lakshmi and |
|
|
|
|
|
|
|
Narasimha. Mohiniattam is a programme based on the |
|
|
|
|
|
|
|
interview of Dr. Kana Rele, an eminent personality |
|
|
|
|
|
|
|
of Mohiniattam. |
|
|
|
|
120 |
DVD-197 |
DVCAM-64/090 |
Sri Krishna Paarijaatha- Sri Krishna Paarijaatha of North |
52’15" |
|
121 |
IG-2K/BCT-60/121 |
|
|
|
Karnataka evolved during 2nd half of 19th century and |
|
|
|
|
|
|
|
routed through Kuchipudi and Yakshagana. The episode |
|
|
|
|
|
|
|
revolves around Styabhama, Narada and the gift of |
|
|
|
|
|
|
|
Paarijaatha to Rukmini. However, Krishna remains |
|
|
|
|
|
|
|
central figure. |
|
|
|
|
121 |
DVD-198 |
DVCAM-64/091 |
Doddaata- The Doddaata, the theatre tradition of |
48’45" |
|
122 |
IG-2K/BCT-60/122 |
|
|
|
Karnataka resembles Moodalapaya. Thus the Yakshagana |
|
|
|
|
|
|
|
element is prominent here. The theme is "Kamadahana |
|
|
|
|
|
|
|
Prasanga". Here Devendra narrates that Tarakasura is |
|
|
|
|
|
|
|
creating lot of trouble to all, so desired Shiva’s |
|
|
|
|
|
|
|
intervention and the episode highlights how Manmata |
|
|
|
|
|
|
|
was destroyed by Shiva’s third eye. |
|
|
|
|
122 |
DVD-199 |
DVCAM-184/092 |
Tenkuthittu Yakshagana- This is a play of Yakshaghana |
59’13 |
|
123 |
IG-2K/BCT-60/123 |
|
|
|
style more popular in South Karnataka and known as |
|
|
|
|
|
|
|
Thenkuthittu. The theme revolves around Ramayana |
|
|
|
|
|
|
|
episode wherein Rama and Ravana’s army are face to face. |
|
|
|
|
123 |
DVD-200 |
|
Sannaata- The play is based on real life story called |
58’35" |
|
124 |
IG-2K/BCT-60/124 |
|
|
" |
Sangyabalya. This folk representation of Karnataka with |
|
|
|
|
|
|
|
simple theme and direct meaning dialogue create a witty |
|
|
|
|
|
|
|
conversation in the play. |
|
|
|
|
124 |
DVD-201 |
|
Melattur Bhagavata Mela- This enactment highlights the |
1hr 00Min |
|
125 |
IG-2K/BCT-60/125 |
|
|
" |
theme where King Bhisma and his wife desire that Krishna |
|
|
|
|
|
|
|
should be chosen as a groom for daughter Rukmini. This |
|
|
|
|
|
|
|
style of theatrics is 17th century migration of Kuchipudi |
|
|
|
|
|
|
|
Bhagwada Mela to Thanjavur. Tamil Nadu. |
|
|
|
|
125 |
DVD-202 |
DVCAM-184/093 |
Chitrakala Parishat & Tamil University Thanjore |
56 Min |
|
126 |
IG-2K/BCT-60/126 |
|
|
|
i) Chitrakala Parishat |
|
|
|
|
|
|
|
Chitrakala Parishat is a center for art and creativity. At one |
|
|
|
|
|
|
|
level art and heritage are upkept in those galleries with |
|
|
|
|
|
|
|
varieties of their creative pulses. The collections ranges |
|
|
|
|
|
|
|
the pan Indian dimension and also houses the folk |
|
|
|
|
|
|
|
traditions be in bell metal to the level of leather |
|
|
|
|
|
|
|
puppetry with varied punctuations of traditional |
|
|
|
|
|
|
|
storylines. On the other hand this space is utilized to |
|
|
|
|
|
|
|
educate modern artists and they are trained within the |
|
|
|
|
|
|
|
broader parenthesis ethnic aesthetics and modernity |
|
|
|
|
|
|
|
where east and west meets harmoniously. |
|
|
|
|
|
|
|
ii) Wisdom Frozen in time. In search of treasure-Thanjore |
|
|
|
|
|
|
|
Tamil University Thanjore. |
|
|
|
|
|
|
|
The textual tradition of Tamil Nadu remains the cultural |
|
|
|
|
|
|
|
continuum, the heritage of manuscripts from different |
|
|
|
|
|
|
|
Maths and private collections are kept in this University |
|
|
|
|
|
|
|
Library. |
|
|
|
|
126 |
DVD-203 |
|
i) Ganga – Kalanidhi |
|
|
|
|
|
|
" |
ii) Ramlila Showreel – Vishisht |
58’03" |
|
127 |
IG-2K/BCT-60/485 |
127 |
DVD-204 |
|
i) Gurukul – Om shanti Dhama (Kalaidhi) |
|
|
|
|
|
|
" |
ii) Ramlila- Tarika Vadh |
57’21" |
|
128 |
IG-2K/BCT-60/486 |
128 |
DVD-205 |
DVCAM-184/094 |
i) Ramlila – Ahilya Uddhar – Vishisht |
|
|
|
|
|
|
|
ii) In Search of Indian Genius – Kalanidhi |
58’50" |
|
129 |
IG-2K/BCT-60/487 |
129 |
DVD-206 |
" |
i) Ramlila – Ashok Vatika- Vishisht |
58’30" |
|
130 |
IG-2K/BCT-60/488 |
|
|
|
ii) Sanjhi – Kalanidhi |
|
|
|
|
130 |
DVD-207 |
" |
i) Ramlila- Seeta Swayamvar Part- I- Vishisht |
58’30" |
|
131 |
IG-2K/BCT-60/489 |
|
|
|
ii) Kaal – Kalanidhi |
|
|
|
|
131 |
DVD-208 |
DVCAM-184/095 |
i) Ramlila – Seeta Swayamvar Part-II- Vishisht |
58’52" |
|
132 |
IG-2K/BCT-60/490 |
|
|
|
ii) An insight – Indian Diaspora – Samvad |
|
|
|
|
132 |
DVD-209 |
" |
i) Ramlila- Laxman Parshuram Samvad – Vishisht |
59’15" |
|
133 |
IG-2K/BCT-60/491 |
|
|
|
ii) Zohra Unmasks Part-I-Samvad |
|
|
|
|
133 |
DVD-210 |
" |
i) Ramlila – Kaikayee Antardwand – Vishisht |
58’35" |
|
134 |
IG-2K/BCT-60/492 |
|
|
|
ii) Zohra Unmasks Part-II- Samvad |
|
|
|
|
134 |
DVD-211 |
DVCAM-184/096 |
i) Ramlila- Manthra – Vishisht |
58’32" |
|
135 |
IG-2K/BCT-60/493 |
|
|
|
ii) Interview with Mulk Raj Anand – Samvad |
|
|
|
|
135 |
DVD-212 |
" |
i) Ramlila Kaikayee Dashrath Samvad – Vishisht |
58’30" |
|
136 |
IG-2K/BCT-60/494 |
|
|
|
ii) Interview with Damyanti Joshi – Samvad |
|
|
|
|
136 |
DVD-213 |
" |
i) Ramlila – Ram Pitra Vakya Paripalak – Vishisht |
58’48" |
|
137 |
IG-2K/BCT-60/495 |
|
|
|
ii) Interview with Dr. K.S. Karanth – Samvad |
|
|
|
|
137 |
DVD-214 |
DVCAM-64/097 |
i) Ramlila – Ram Vanyatra – Vishisht |
59’27" |
|
138 |
IG-2K/BCT-60/496 |
|
|
|
ii) Reflections – B. C. Sanyal – Samvad |
|
|
|
|
138 |
DVD-215 |
DVCAM-64/098 |
i) Ramlila – Dasrath Maran – Vishisht |
|
|
|
|
|
|
|
ii) Interview with Bhishma Sahani – Samvad |
56’32" |
|
139 |
IG-2K/BCT-60/497 |
139 |
DVD-216 |
DVCAM-64/099 |
i) Ramlila (Bharat Milap) – Vishisht and Interview |
|
|
|
|
|
|
|
ii) Interview with Sitara Devi – Samvad |
59’40" |
|
140 |
IG-2K/BCT-60/498 |
140 |
DVD-217 |
DVCAM-64/100 |
i) Ramlila (Sita Haran) – Vishisht |
|
|
|
|
|
|
|
ii) Interview with Ann Marie Schimmel – Samvad |
58’53" |
|
141 |
IG-2K/BCT-60/499 |
141 |
DVD-218 |
DVCAM-64/101 |
i) Ramlila (Lanka Dahan) – Vishisht and |
|
|
|
|
|
|
|
Interview with Prof. Maxwell – Samvad |
57’51" |
|
142 |
IG-2K/BCT-60/500 |
142 |
DVD-219 |
DVCAM-64/102 |
i) Ramlila (Ravana Vadh) – Vishisht |
|
|
|
|
|
|
|
ii) Interview with Prof. V.N. Mishra – Samvad |
57’32" |
|
143 |
IG-2K/BCT-60/501 |
143 |
DVD-220 |
DVCAM-64/103 |
i) Ramlila Ramnagar Part-I-Vishisht |
|
|
|
|
|
|
|
ii) Interview with Prof. Mahesh Mishra – Samvad |
58’30" |
|
144 |
IG-2K/BCT-60/502 |
144 |
DVD-221 |
DVCAM-64/104 |
i) Ramlila Ramnagar Part-II – Vishisht |
|
|
|
|
|
|
|
ii) Interview with Elizabeth Brunner (Moments and |
59’30" |
|
145 |
IG-2K/BCT-60/503 |
|
|
|
Memories)- Samvad |
|
|
|
|
145 |
DVD-222 |
DVCAM-64/105 |
i) In Search of Human Heart – Kalanidhi & Prakriti – Vishisht |
58’22" |
|
146 |
IG-2K/BCT-60/504 |
146 |
DVD-223 |
DVCAM-64/106 |
Bhil paintings ( Image & Imagination)- Kalanidhi |
57’35" |
|
147 |
IG-2K/BCT-60/505 |
|
|
|
Manuscripts Overview – Vishisht |
|
|
|
|
147 |
DVD-224 |
DVCAM-64/107 |
Women Priestess of Lepeha – Kalanidhi and Manuscripts |
|
|
|
|
|
|
|
Digitization – vishisht |
55’17" |
|
148 |
IG-2K/BCT-60/506 |
148 |
DVD-225 |
DVCAM-64/108 |
Journey of Bhikunis- Kalanidhi and Manuscript Library, |
|
|
|
|
|
|
|
Kolkata- Vishisht |
58’07" |
|
149 |
IG-2K/BCT-60/507 |
149 |
DVD-226 |
DVCAM-64/109 |
Recollection of Satyagrahi- Kalanidhi and Ghramar Geet |
|
|
|
|
|
|
|
Part-I Vishisht |
57’20" |
|
150 |
IG-2K/BCT-60/508 |
150 |
DVD-227 |
DVCAM-64/110 |
Brahmvadi Part-I- Kalanidhi and Bhramar |
|
|
|
|
|
|
|
Geet Part-II- Vishisht |
58’18" |
|
151 |
IG-2K/BCT-60/509 |
151 |
DVD-228 |
DVCAM-64/111 |
Brahmvadini Part-II- Kalanidhi and IGNCA and Indian |
|
|
|
|
|
|
|
Diaspora – Vishisht |
52’58 |
|
152 |
IG-2K/BCT-60/510 |